Filmmaking
Filmmaking
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Jean-Pierre Jeunet on his 3D Movie, The Young and Prodigious T.S. Spivet
When he was eight, Jean-Pierre Jeunet would marvel at 3D pictures on his View-Master. It was a popular toy where someone could see a sequence of stereoscopic images printed on a cardboard disc inserted into a handheld viewer. “It my first step into cinema,” the director of Amelie fondly recalled, “because I would adjust the frame in the viewer to change the order, and I’d imagine a new kind of film.” Little did Jeunet know that his beloved View-Master would lead to him to direct an entire film in 3D 52 years later. Jeunet was speaking about the pleasures — […]
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“Pull the Threads until it Unravels”: Advice from TFI’s Fashion in Film Event
Director and cinematographer Christina Voros nicely summed up the difference between the fashion industry and the film industry at the Tribeca Film Institute’s Fashion in Film event Friday: “Fashion is sort of antithetical to film. The fashion industry is all about making sure the seams don’t show, that every thread is in place. Documentary is about pulling on the threads until it unravels.” She was speaking of the process of filming her second documentary feature The Director, about Gucci Creative Director Frida Giannini, but the sentiment was reflected in films and discussions throughout the two-day event. At first blush the […]
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How the JOBS Act and Equity Crowdfunding Will Impact Indie Film
Yesterday was the day that “equity crowdfunding” becomes a legal means to raise investor money. For the last 80 years, companies have been required to register with the Securities and Exchange Commission (SEC) or a state entity in order to publicly solicit investors and advertise the sale of securities. On April 5,2012, President Obama signed the Jumpstart Our Business Startups Act, popularly known as the JOBS Act. Now, a year and a half later, it is taking effect. The federal bureaucracy grinds slowly. The first fundamental change in fundraising occurs because companies can now solicit “accredited investors,” those covered under […]
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How Do You Measure Your Film’s Impact? Debika Shome of The Harmony Institute Explains
Think about it for a second: how do you, as a filmmaker, gauge your film’s impact? Is it the box office you generate through screenings? The number of Twitter followers you have? The amount of “fans” you have on Facebook? And what do you do with that information once you have it? The Harmony Institute believes these are critical keys for decision making not only for your current film but your future films as well. Deputy Director Debika Shome shared amazing insights in her “Blitz Wisdom” talk at the IFP Filmmaker Conference about how the Harmony Institute does their work, […]
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What’s Your Proudest Career Accomplishment? Jeff Skoll Talks Participant Media at TIFF
When he was 16 growing up in Montreal, Jeff Skoll saw Gandhi and it changed his world. “Here was a way of talking about an exemplary figure who touched the world and spread a message to millions of people.” Skoll would go on to build eBay, amass a fortune currently estimated at $4.5 billion, then use his wealth to launch Participant Media, a film company whose mission is to change the world through movies. Skoll was the keynote speaker at TIFF’s industry series recently. He was in Toronto, where he studied business as a young man, to open the festival […]
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C.O.G.’s Kyle Patrick Alvarez on the Art of Indie Adaptation
Kyle Patrick Alvarez has carved out an unusual niche for himself within American independent cinema; as he himself comments, “Everyone keeps on joking I have This American Life authors named David cornered now.” Alvarez made his feature debut in 2009 with Easier with Practice, a poignant, heartfelt drama about a young man who begins a phone relationship, initially sexual and then later also romantic, with a woman (or is it?) who randomly calls a motel room he’s staying in. Based on an autobiographical essay, “What Are You Wearing?”, written for GQ by This American Life contributor Davy Rothbart, the film debuted at CineVegas, had a small theatrical […]
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“What’s Your Story?” Collaborative Media-Making at the Made in NY Media Center’ by IFP
I’ve been really eager to hear more about IFP’s newest venture, the Made in NY Media Center by IFP, which is a collaboration with the Mayor’s Office of Media and Entertainment, the NYC Economic Development Corporation and General Assembly (an organization offering immersive classes in web development, media and business management). I was all ears for Thursday’s Filmmaker Conference profile panel where representatives from each of those organizations spoke a little more about the Media Center and what it will offer for NYC-area filmmakers. Opening in two weeks in a beautiful 20,000 square foot ground-floor DUMBO location (22 John Street), the Media Center aims […]
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“We Treat the De-Aging Process Like Plastic Surgery”: Edson Williams on +1‘s Visual Effects
You may not know Edson Williams’ name, but odds are you’ve seen his work. Since the mid-’90s he’s built his career not behind the camera but behind a monitor, creating special effects for well over 100 of the most visually arresting films of the last twenty years, from high-concept films like Titanic, Avatar, Hugo, Prometheus, Harry Potter and the Deathly Hallows Part 2, Iron Man, Skyfall, and J. J. Abrams’ Star Trek reboot to just as many films where the visual effects are much more subtle, including Cruel Intentions, The Princess Diaries 2, The Devil Wears Prada, J. Edgar, and […]
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Ava DuVernay and AFFRM Launch Podcast, “The Call In,” with Andrew Dosumnu
Filmmaker and distributor Ava DuVernay of AFFRM has launched a new podcast series, “The Call-In,” featuring conversations with black filmmakers. If you’ve read her conversation with Ryan Coogler in this issue’s Filmmaker, you know that DuVernay conducts an excellent interview. Here, in this first episode, she talks with Andrew Dosumnu, whose Mother of George is in theaters now and is highly recommended. The conversation also delves into the director’s recent hiring on Focus Features’ planned Fela Kuti biopic.
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The First Short Film Shot on the RED Dragon?
This morning, Norwegian filmmaker Gunleik Groven wrote me with a link to Sweet…, which he described as “Probably the world’s first short shot on [RED] Dragon.” In it, he creates four distinct worlds, each with a different look, and the results are very striking. For those of you who are tech-inclined and want to dig into the processes behind the short, check out this thread on the RED User message board in which Groven breaks down how he achieved each look.
