Filmmaking
Filmmaking
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“Theatrical is Still the Event that Brands a Property for Decades of Downstream Consumption”: The Business of Media Distribution Author Jeff Ulin
Jeff Ulin, a former executive at Lucasfilm and Paramount, has spent a big chunk of his career thinking about one of the most vexing issues facing filmmakers and other media professionals today: the problem of media distribution. Ulin has recently revamped the first edition of his classic text, The Business of Media Distribution (published in 2009) with a second edition that addresses many of the radical changes to the media industries that have taken place since two significant events — the economic crash of 2008 and the widespread adoption of digital delivery tools — upset traditional models of distribution, changing […]
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Hal Hartley Offers Ned Rifle Distribution Rights as Kickstarter Rewards
Please see important update at the bottom of this post. Plenty of tech vendors use Kickstarter as a pre-sale market, so why not filmmakers? In a letter to backers of his film Ned Rifle — reprinted here with permission — director Hal Hartley announces the inclusion of territorial theatrical rights as Kickstarter rewards. Pledge $3,000 and take Hungary. $5,000 gets you Finland. And a cool $9,000 gets you Spanish-speaking Latin America. Of course, these numbers are for theatrical only. Hartley is retaining home video and electronic distribution. But, as he notes in his letter, the asking prices are low, enabling […]
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Kickstarter: Heidi Saman on Her Debut Feature, Namour
Three weeks weeks ago, I began a Kickstarter campaign for my first feature film, Namour, and it is not an overstatement to say that I feel like a changed person. I’ve never done a Kickstarter campaign and, to be totally frank, never thought I would. Something about it felt like it was too much about me. I’m a writer and director, and like most of members of that tribe, I inherently prefer to be behind the camera, not in the spotlight, explaining myself. I thought I would find the money to make my film in a more traditional way, by […]
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Detroit Unleaded Director Rola Nashef on the Road to Distribution
“We were getting great feedback, and we thought, ‘Okay, it’s just a couple weeks now until we sell the film! It’s going to sell any second!’” Rola Nashef’s reflection on the waiting period that followed the world premiere of Detroit Unleaded at the 2012 Toronto International Film Festival is likely an all too familiar affair. For her feature debut, Nashef and her team thought they had hit the jackpot: acceptance to a prestigious festival, attended by buyers aplenty, and rapturous responses from sold-out audiences. However, the realities of selling the film, a romantic comedy with an Arab-American ensemble cast, set […]
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Michel Gondry on Old-School Animation, His Trademark Whimsy, and Plumbing the Mind of Noam Chomsky for Is the Man Who Is Tall Happy?
Two highly unique minds converge in Is the Man Who Is Tall Happy?, the latest from whimsical visionary Michel Gondry, who aptly subtitles his film, “An Animated Conversation with Noam Chomsky.” In the works for four years, this self-explanatory project from the artist behind Eternal Sunshine of the Spotless Mind, Dave Chapelle’s Block Party, and a veritable library of music videos is a charming and markedly low-tech doc that literally illustrates the insights of Chomsky, one of the greatest thinkers of our time. Ever-fascinated by the depths of the human brain, and ever-faithful in dressing his films with cartoon-like touches, […]
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Push Notifications for the People (and Super Fans): App.net’s Broadcast
If you own a smartphone, chances are you’re familiar with push notifications. Popularized by Apple’s iOS 3.0 edition in 2009, push technology utilizes open IP connections to forward notifications from third-party apps to your mobile interface. Formerly reserved for large-scale corporations — The New York Times, etc. — San Francisco-based App.net has created a free marketing channel called Broadcast that democratizes the process of push notification. App.net CEO Dalton Caldwell likens this application to “your own promotional arsenal” for users who already enjoy an active social media presence. News that may otherwise be buried in the barrage of tweets and […]
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“Directors These Days Really Have to Understand the Business of Film”: Producer Christine Vachon in Wroclaw
“I’ve been around so long that I’ve seen the ‘death’ of independent film at least three times” – Christine Vachon, Producing Masterclass Widely regarded as one of the key figures in American independent cinema, Christine Vachon is now well into her fourth decade of film production. Her first feature film as a producer was Todd Haynes’ corrosive, Jean Genet-inspired Poison (1991), which set the tone for the host of fearlessly confrontational films that followed, including Tom Kalin’s Swoon (1992) and Larry Clark’s Kids (1995). In 1996, alongside Pamela Koffler, Vachon co-founded the NYC-based production company Killer Films, which has been […]
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Independent Film and the Reshoot
If you ask me what’s the biggest difference between studio and independent productions, I wouldn’t answer the length of the shooting schedule or luxuriousness of the craft service. No, I’d say it’s the ability to do reshoots. While studio films can hone their stories through test screenings and additional photography, changing endings (Fatal Attraction) and even entire third acts (World War Z), too many independents wind up with depleted contingencies and unwilling investors when additional photography needs arise in post. Producer Rob Cowan wrote about reshoots today at Hollywood Journal, correctly regarding them not as signs of weakness but as […]
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Gravity‘s Supplemental Short Aningaaq Now Online
If you were desperate to know who was on the other end of Dr. Ryan Stone’s radio as she said her final goodbyes in Gravity, your prayers have been answered. Jonas Cuarón, Alfonso’s son and Gravity‘s co-writer, cajoled Warner Home Video into financing a companion piece to one of the heralded blockbuster’s many climatic segments, a seven-minute short called Aningaaq. After playing a handful of film festivals — including Telluride, where it preceded not the obvious choice, but John Curran’s Tracks — Aningaaq has found its way online, in conjunction with Warner Brothers’ announcement that it will be a Live Action Short submission for the 2014 Oscars. […]
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Must-Watch Music Video: Bob Dylan’s “Like a Rolling Stone”
Credit Bob Dylan and a 48-year-old song for the best music video of the moment. In “Like a Rolling Stone,” Dylan and co. create a channel-hopping interactive experience in which no two viewings are the same. Click through 16 different channels to watch various TV presenters, reality-show folk, celebrities and, oh yeah, Dylan himself, lip-sync to the song. From the press release: Nearly a half-century later, a groundbreaking interactive project has been created for the song, allowing fans to experience the classic recording in unprecedented ways. Celebrities and reality stars are featured throughout the various channels including cameos by Drew […]
