Filmmaking
Filmmaking
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Filmmaker Grace Lee and Activist Grace Lee Boggs on American Revolutionary: The Evolution of Grace Lee Boggs
“I feel so sorry for people who are not living in Detroit,” says activist icon Grace Lee Boggs, as she stands before a dilapidated cityscape in the opening sequence of American Revolutionary: The Evolution of Grace Lee Boggs. A Marxist and lifelong Hegel disciple, the Chinese-American Lee Boggs gained notoriety in the Civil Rights and Black Power movements, alongside her husband Jimmy Boggs, in the mid-20th Century. Today, she is still ardently devoted to her adopted hometown of more than half a century, galvanizing the local communities in her effort to revive the industrial wasteland that has become of Detroit. […]
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Writer/Producer/Actor Jim Piddock on Christopher Guest’s Family Tree
As a longtime writer for both big and small screens and a member of Christopher Guest’s regular comic ensemble, Jim Piddock was an ideal creative collaborator on Guest’s 2013 TV series, Family Tree, which recently came out on DVD through HBO. The show centers on Tom Chadwick (Chris O’Dowd), a newly unemployed and recently single Londoner who breaks out of his stagnant funk by researching his family’s genealogical roots, discovering a branch of relatives in the U.S. and ultimately traveling across the pond to meet his Stateside kin. Piddock co-wrote Family Tree with Guest and also produced and acted in […]
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Brides and Bankruptcy: Making an Independent Feature in Cyprus
The following is a guest post by writer/director Stelana Kiliris, who previously wrote about the pre-production stages on her film Committed. Picture it: a smooth beige 1958 Mercedes convertible parked in the dust; its plush red interior enveloped by layers and layers of white tulle attached to a bride, sitting next to a man in a dark blue suit. Look closer and you’ll see the sun beating down and ice packs tucked in every crevice while a make-up artist furiously dabs at the couple’s faces. The crew swirls around the car as they prepare for the final shot of the […]
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Remembering Syd Field, 1935 – 2013
“I don’t even really understand the second act,” a filmmaker said to me just last week. He obviously hadn’t read Syd Field’s Screenplay, which is nothing if not about act structure: the first, second and third acts, but also the inciting incident, pinch one, plot point one, midpoint, pinch two, plot point two and resolution. When I started reading scripts — both as a professional gig and as a producer — Field’s was the book to have on your shelf, and, setting aside Aristotle, was the one that ratified a storytelling paradigm that exists to this day. As a script […]
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“Magical and Terrifying:” Jeremy Xido on Death Metal Angola
The following is a guest post from Jeremy Xido, the director of Death Metal Angola, which screens at DOC NYC on November 16. A few years ago, I was traveling through Angola researching a film about a railway when I stopped at the only cafe in Huambo, the country’s bombed-out second city, that served a decent cup of coffee. A young man with tiny dreadlocks in a blue button-down Oxford shirt waved me over. I sat with him for a while and chatted. We talked about what I was doing there and I asked him about himself. He said he […]
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The Act of Killing Takes BRITDOC’s Puma Impact Award
Last night at the Times Centre in New York, BRITDOC’s Puma Impact Award was bestowed upon the visibly shell-shocked filmmakers behind the year’s most innovative film, The Act of Killing. Director Joshua Oppenheimer, co-director Christine Cynn, and producer Signe Byrge Sørensen assumed the stage to collect their iridescent trophy – and its accompanying 50,000 Euro prize, to be split between the team and their activist efforts – from jurors Susan Sarandon, Zadie Smith, and Ricken Patel. Absent were two members of the jury, Gael García Bernal and Eric Schlosser, but, perhaps more notably, The Act of Killing’s anonymous co-director and 60 crew […]
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How I Learned to Stop Worrying and Love Crowdfunding…For the Most Part
The following is a guest post from filmmaker Bryan Poyser, who is currently crowdfunding the road show for his most recent film, The Bounceback. Bryan’s A.S.A. (Air Sexes As) name is “Lunchmeat.” I am currently in the midst of what must be the longest month and a half of my life. On October 4, we launched a Kickstarter campaign to raise money for a “Road Show” for my film The Bounceback, which will wrap up this Sunday, Nov. 17th. I’ve barely been sleeping, I’ve had depressive lows and giddy highs, nearly all of my pride has been swallowed and yet […]
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Michael Kleiman on Web, Connectivity, and Social Documentary
Only 32% of the world’s population has access to the Internet. That figure, coming from the organization A Human Right, means that 4.6 billion people are effectively left out of the Information Age that most of us take for granted. Individuals and organizations across the world are working to ameliorate that and spread online connectivity into underdeveloped and rural areas from the U.S. to Kazakhstan. And films like Tiffany Shlain’s Connected (2011) are starting to probe what can happen to global consciousness when the collective wisdom of the world, not just our meager social networks, are finally truly linked together. […]
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Introducing 8K: The Final Frontier?
Keeping apace with camera technology is like running a race where the finish line keeps on moving. Just as the next generation of games consoles go on sale boasting the ability to display 4K images (although for the moment only those with the salary of a pro-footballer can afford screens able to make use of all those pixels) Japanese broadcaster NHK has started to film and broadcast events in 8K. NHK are so excited about the technology that they have commissioned filmmakers to make short films showcasing 8K, which were screened at the recent Tokyo International Film Festival. I went […]
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Prefundia Promotes Crowdfunding Preawareness
Pre-awareness — in studio parlance, it usually refers to viewers' recognition of a film property before its release. In today's crowded landscape, it's considered an important factor when greenlighting Hollywood tentpoles, and it's why you see so many remakes, reboots and franchise films. In the indie world, there's pre-awareness too. It can be created by everything from grassroots publicity before a film's release to the ability of successful crowdfunding campaigns to stoke interest in a project. And, if the folks at Prefundia are right, there's crowdfunding pre-awareness — buzz preceding a project's launch on Kickstarter or Indiegogo that can help […]
