Filmmaking
Filmmaking
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“WINNING” — THE GREGORY BROS. DO CHARLIE SHEEN
The Ma-Sheen is Autotuned…
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HAMMER TO NAIL AT FILMMAKER
When we first launched Filmmaker back in 1992, we had a policy: no reviews. The idea was always that this would be a magazine by filmmakers and for filmmakers, and we wanted our film criticism to be implicitly — and perhaps subtly — embedded in our discussion of film practice. Which isn’t to say that we didn’t appreciate the value of film criticism. I probably owe half my film knowledge to religious readings of J. Hoberman every Wednesday during my college years. It’s just that a) there were plenty of other outlets doing it back then; and b), we wanted […]
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VIDEO ON DEMAND CALENDAR NOW ONLINE!
It’s an idea that has been swirling around the Filmmaker Magazine office for quite a while and today it became a reality with the launch of our Video On Demand calendar. Every month we will unveil a curated list of independent film titles that we feel are worth checking out through On Demand cable providers and streaming services. You’ll find some titles we’ve already covered online or in the magazine when they played theatrically, while others are festival favorites that are premiering on VOD. We also give our “VOD Pick of the Month” and note if a title is available […]
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25 Recommended Independent Films to Watch on Amazon Prime
EDITOR’S NOTE, May 28, 2012: At the time of this blog post, all the below 25 films were available on Amazon Prime. Now, a year later, we have been informed by our readers that a number of them are no longer listed on the service. We apologize for any inconvenience, but, as we are learning, streaming windows can be short, and films can rotate on and off the various services. It’s thus possible that missing titles could return in the near future. In the meantime, we’ll work on another post with an entirely up-to-date selection of films. Amazon has dipped […]
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Making a Living as a Filmmaker
A Tribeca Film Institute Panel at the New School this week mulled over just this topic. From the program: You’ve completed your school work and made a few films in school, and now you need to figure out your next steps. What career options exist for filmmakers? How can you develop and raise money for a film project and still cover your living expenses? This panel addresses these questions and provides examples and answers relevant to all makers of film and other media. The panelists: Sharon Badal (Moderator) is head short film programmer for the Tribeca Film Festival. Sandi DuBowski […]
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TRIBECA REVEALS COMPETITION LINEUP
The Tribeca Film Festival today announced their 2011 world narrative and documentary lineup as well as introducing a new out-of- competition sidebar, Viewpoints, which highlights international cinema. A total of 45 features were unveiled for the 10th edition, taking place April 20-May 1, from a record number of over 5,600 submissions. The fest also introduced at a press conference today, according to indieWIRE, new awards that will be handed out this year from the competition slate: achievements in cinematography, screenwriting, editing and Best New Director awards for narrative and doc sections. The remaining features will be announced next week. Last […]
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IFP’s ANNUAL SCRIPT TO SCREEN CONFERENCE
Ah, there’s nothing quite like the smell of pitches in the morning. This past Saturday, the IFP kicked off its annual Script to Screen Conference with five brave writers pitching their scripts to a panel of producers and agents. Although all the panelists agreed that it was useful for writers to compare their projects to other films (a practice known as “using comps”) Peter Van Steemburg, the Director of Acquisitions at Magnolia Pictures, warned against using obvious ones such as “Juno or Napoleon Dynamite,” recommending that if you are pitching something that’s a lot like another movie, you should […]
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SXSW TRAILER WATCH: JAMES GUNN’S “SUPER”
James Gunn’s Super is a demented real-life superhero action picture with a committed, out-there performance by Ellen Page and an engaging, improbably heartfelt one by Rainn Wilson. The film receives its U.S. premiere at SXSW and opens a few weeks later from IFC. Check out the trailer.
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BROADCASTR TRAVELS THE WORLD OF STORYTELLING
Yesterday at DIY Days I presented a conversation with Scott Lindenbaum, a founder of the online publishing platform Electric Literature. I think his new venture, Broadcastr, is pretty amazing. But before I tell you more about it, here’s how Scott describes himself in his bio. Scott Lindenbaum is the Co-Founder/President of Broadcastr, a free social media platform for geo-located audio that lets people create and share recordings on an interactive map. On the Web, Broadcastr is a digital archive of human memory and narrative; mobile users can take a walk while stories about their surroundings stream automatically, like a museum […]
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IFP’S SCRIPT TO SCREEN ON SATURDAY
It’s not too late to attend the IFP’s Script to Screen Conference, which takes place this Saturday at 92Y Tribeca in New York City. Highlights include conversations with writer-director Barry Levinson (Rain Man) and Black Swan screenwriter Mark Heyman; a Pitch Workshop in which five emerging screenwriters will pitch their screenplays to a panel of experts (including sales agents, Magnolia Pictures’ head of acquisitions, and a producer from Glass Eye Pix); a case-study with the team from Sundance hit Martha Marcy May Marlene moderated by Ted Hope; a live reading of two IFP alumni screenplays for dialogue analysis with independent […]
