Cinematographers
Interviews - Cinematographers
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“I Was Aiming for a Stylized Naturalism”: DP Nanu Segal on An Evening with Beverly Luff Linn
EU-based cinematographer Nanu Segal has shot more than 30 shorts and features since 2001. She’s also DP’d commercial spots for UNICEF, Playstation and a host of other clients. Her latest project is An Evening with Beverly Luff Linn starring Aubrey Plaza and Emile Hirsch. The film marks a return to Sundance for director Jim Hosking, who premiered his debut film The Greasy Strangler at the festival in 2016. Below, Segal discusses lighting the film’s key locations and the influence of Ali: Fear Eats the Soul on the film. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and […]
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“Nothing Irritates Me More than When the Cinematography Steps on the Story of a Movie”: DP Kevin Atkinson on A Futile and Stupid Gesture
Comedy writer/director David Wain returns to the Sundance Film Festival for a fourth time with A Futile and Stupid Gesture, his feature on the rise and fall of the National Lampoon empire. The film stars Will Forte as Lampoon co-founder Doug Kenney and is based on a 2006 book by Josh Karp. Wain tapped Kevin Atkinson to shoot the film after the two worked together on Wain’s Childrens Hospital and the prequel and sequel to Wet Hot American Summer. Below, Atkinson discusses his experiences as DP on the project with Filmmaker. A Futile and Stupid Gesture hits Netflix on January […]
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“It Was a Bit of a Scramble Chasing Them All Around the Convention Center”: DP Peter Alton on Science Fair
Documentary DP Peter Alton has shot non-fiction pieces on El Chapo, Tupac Shakur and the history of violence along the U.S.-Mexico border. Alton was hired by directors Cristina Costantini and Darren Foster to shoot Science Fair, which premieres at the Sundance Film Festival. The film follows nine students as they arrive at the 2017 International Science and Engineering Fair in Los Angeles. Alton spoke with Filmmaker about his intimate, unobtrusive approach to filming documentary interviews and action. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired […]
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“I Had to Face My Phobia of Using Lights”: DP Hatuey Viveros Lavielle on Night Comes On
For her first directorial feature following three shorts, Night Comes On, actor Jordana Spiro reteamed with DP Hatuey Viveros Lavielle. The feature follows a young woman just released from juvenile prison (Dominique Fishback of The Deuce), whose plans are derailed when she’s unexpectedly reunited with her 10-year-old sister (newcomer Tatum Marilyn Hall), who’s been placed in foster care. Prior to the fest, Lavielle described her collaboration with Spiro and affinity for natural light as forces shaping Night Comes On. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this […]
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“This Film Started Because I Needed to Capture Moments”: Director and DP Rudy Valdez on The Sentence
NYC-based filmmaker Rudy Valdez began filming The Sentence more than 10 years ago. In those early years, he wasn’t making a documentary: He was filming moments to share with his sister Cindy, who was serving a draconian 15-year sentence in prison. The footage soon took shape into a feature doc on his family’s quest to fight for Cindy’s release during the final years of the Obama administration. Below, Valdez discusses mass incarceration, filming his own family and why looking at old documentary photographs reminds him “to be patient and capture moments.” Filmmaker: How and why did you wind up being […]
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“I Try to Achieve an ‘Augmented Reality’ in My Lighting”: DP Anton Floquet on Imagine Dragons Doc Believer
Director and DP Don Argott is one of three co-founders of 9.14 Pictures, the production company behind such recent documentaries as Rock School, The Art of the Steal and Last Days Here. Their latest film, Believer, is a profile of Imagine Dragons’ vocalist Dan Reynolds. The film concerns Reynolds’ faith as he wrestles with homophobia within the Mormon church. Argott hired DP Anton Floquet to shoot the film, which covers a tumultuous year in Reynolds’ life. Floquet spoke with Filmmaker ahead of the film’s premiere at Sundance about how he got the job, the importance of a small field crew and the film’s […]
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“Film is About Making Magic with These Kind of Challenges”: DP Diego García on Wildlife
For his directorial debut, Paul Dano adapted Richard Ford’s 1990 novel, telling the story of a marriage that falls apart between Jerry (Jake Gyllenhaal) and Jeanette Brinson (Carey Milligan), as seen through the eyes of their 14-year-old son Joe Brinson (Ed Oxenbould). Serving as Dano’s DP, Diego García’s prominent recent credits include Apichatpong Weerasethakul’s Cemetery of Splendour and Gabriel Mascaro’s Neon Bull. Below, García discusses their mutual influences (including Kore-eda Hirokazu and The Master) and use of Panavision spherical primo lenses. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your […]
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“I Wanted the Film to Have the Tactile Feel of the Vinyl Sound”: DP Eric Lin ON Hearts Beat Loud
Director Brett Haley arrives at Sundance for a second year with a new dramatic feature. In 2017 Haley premiered The Hero, which went on to earn more than $4 million in the U.S. box office. He returns to Park City this year with Heart Beat Loud, a music-driven drama set in Red Hook, Brooklyn. The film stars Nick Offerman as a single dad who bonds with his daughter (Kiersey Clemons) through their shared love of playing music. DP Eric Lin (I Smile Back, Equity) shot the feature. Lin spoke with Filmmaker before the film’s screenings at Sundance about filming musical performances […]
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“I Had Never Done a Movie Like this Before, But Who Really Has?” DP Juan Sebastian Baron on Search
How do you film a movie like Search? Taking place entirely on computer screens, the film follows in the footsteps of the 2014 horror film Unfriended, which similarly placed viewers in front of a computer and left them there for 90 minutes. Director Aneesh Chaganty hired his fellow USC alum Juan Sebastian Baron to shoot the project. To mimic the many video formats one encounters in modern digital life, Sebastian Baron shot the film using GoPros, iPhones, MiniDV cameras and the Canon 6D, to name a few of the cameras required to pull off this project. Search premieres in the […]
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“The Time Spent Rigging Was a Challenge”: DP Andrew Droz Palermo on Filming Hannah Fidell’s Road Movie The Long Dumb Road
How do you reinvent the look of the road movie? That was the key question for Andrew Droz Palermo while filming The Long Dumb Road, the third feature film from director Hannah Fidell. Palermo’s recent credits as DP include last year’s A Ghost Story, the 2014 horror film You’re Next and Fidell’s two previous features (A Teacher and 6 Years). Palermo spoke with Filmmaker ahead of The Long Dumb Road‘s premiere at the 2018 Sundance Film Festival. Below he discusses the logistics of filming moving cars and his aim to “live up to our influences, and […] take them into a new […]
