Directors
Interviews - Directors
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“You Really Had to Struggle to Get Your Music”: Olivier Assayas on Cold Water‘s Long Journey to American Screens
In the opening minutes of Olivier Assayas’ Cold Water, two boys huddle around a radio like it was a small fire in the woods. The year is 1972; the place, just outside Paris. They madly fumble for reception. Finally, success! They get a decent (though still fuzzy) signal, just in time to bob their heads to Roxy Music’s “Virginia Plain.” It’s a moment that must seem alien to anyone who grew up pre-Internet, who have no idea what it was like when everything (if not everything) wasn’t a click away. For ages, you had to fight to find Cold Water too. […]
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“We Process Our Memories In a Dreamstate, Building Meaning Between the Absences”: Samara Grace Chadwick on her Hot Docs Doc, 1999
1999 is one of the most haunting documentaries I’ve ever seen, which perfectly suits its subject matter. Director Samara Grace Chadwick returns to the small Acadian town in New Brunswick, Canada that she left as a teenager after a wave of suicides shook her high school over a handful of years, though the actual events always remain somewhat mysterious and opaque. A portrait of a group of people who, just when they were beginning to live, came intimately face-to-face with the finality of death, 1999 is not an investigation but an immersion into the emotional flux of a community struggling […]
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Tribeca 2018: Michael Muller on Sharks, Fear, and Into the Now
If you don’t know Michael Muller‘s name, you do know his work. His posters for Deadpool 2 are the most creative bit of film advertising in the current market, and he’s also shot artwork for Marvel films like Captain America: Civil War, Dr. Strange, and Guardians of the Galaxy, Vol. 2 as well as dozens of other films, innumerable portraits, album covers and ad campaigns for brands like Nike and Sony. But in 2006 he began training his camera on a very different subject, wild sharks, and since then shark photography and marine environmental activism has become his primary cause. His still photos of great whites, hammerheads, and […]
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“We Don’t Have a Script, But We’re Working on It”: Michael Pressman on Doctor Detroit and Transitioning from Film to TV
One of the most interesting filmmakers to emerge from Roger Corman’s New World Pictures in the 1970s – a period in which great directors like Jonathan Demme, Allan Arkush, and Joe Dante were making their first movies for the company – was Michael Pressman, whose 1976 action-comedy The Great Texas Dynamite Chase remains one of the smartest, funniest, and most energetic exploitation pictures of its era. Throughout the late ’70s and early ’80s, Pressman directed one distinctive film after another, exhibiting astonishing range – the only thing his movies of the era have in common is that they have nothing […]
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“I Think Hope is When We Step out of the Cinema and Begin to Question Ourselves”: Director Andrew Dosunmu on his Michelle Pfeiffer-Starring Where is Kyra?
In his previous two features, Restless City and Mother of George, Nigeria-born photographer-turned-filmmaker Andrew Dosunmu has placed vivid human dramas within ultra-specific pockets of New York City. His films have examined how immigrant characters find their lives shaped by the often very subtle clashes that come from their retaining their own identities within the larger melting pot of the city. Working continually with the great cinematographer Bradford Young, Dosunmu also makes extraordinarily beautiful films, full of arresting images that convey the rhythms, exuberances but also pathos of these city streets. With his new picture, Where is Kyra?, opening today from […]
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“We Made a Cult that People Might Have Wanted to Join”: Five Questions for The Endless Directors Justin Benson and Aaron Moorhead
Offering a blend of psychological seduction and physical threat, cults have provided charged settings for a number of recent movies, both fiction and doc. But The Endless, the latest feature from innovative independent genre filmmakers Justin Benson and Aaron Moorhead, puts a new spin on the cult-film genre; they writers, directors and stars make their “UFO death cult” one in which the very ambiguity of its danger is just one of their film’s existential menaces. Benson and Moorhead play Justin and Aaron Smith, brothers who escaped the California cult years ago. Aaron has fond memories of growing up in the […]
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“It Was Important to Me Not to Fetishize a Classic Vision But to Look to the Present for Inspiration”: Director Aaron Katz on his L.A. Neo-Noir, Gemini
His fifth feature, and the first following his co-directed (with Martha Stephens) breakthough comedy Land Ho!, Gemini returns writer/director Aaron Katz to the character-based neo-noir of his earlier Cold Weather but with the cloudy Portland grays of that film replaced here with a sunlit sensuality befitting the picture’s L.A. setting. Indeed, shooting in his new hometown for the first time, Katz looks for inspiration to the kind of ’80s thrillers — American Gigolo and Bad Influence in particular — that found their treacheries and ambiguities within the city’s sunlit highways, dark nightclubs and oversized mansions. And while city geography is […]
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“I’m Finishing My Bathtub of Whiskey”: Arnaud Desplechin on Ismael’s Ghosts
In 2014’s My Golden Days, Arnaud Desplechin revisited the childhood of Ivan Dedalus, brother of the anchoring protagonist of his 1996 breakthrough My Sex Life… or How I Got Into an Argument. With Ismael’s Ghosts, Desplechin continues toying with the Dedalus brothers — in this iteration, Ivan is played by Louis Garrel in a movie being written by Ismaël Vuillard (Desplechin’s regular on-screen alter-ago Mathieu Amalric). Vuillard is a director writing his latest film on a severe, mood-altering constant cocktail of whiskey, wine and pills. His longstanding relationship with scientist Sylvia (Charlotte Ganisbourg) understandably takes a hit when first wife Carlotta (Marion Cotillard) — […]
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“We are All Cracked Vessels”: Writer/Director Lynn Shelton on Her First Feature in Four Years, Outside In
After several years working in television, veteran independent filmmaker Lynn Shelton (Laggies, Your Sister’s Sister, Humpday) returns to the big screen with Outside In, a tense relationship drama dealing with the complexities of romance. Co-written by Jay Duplass and produced Washington-based Mel Eslyn and Lacey Leavitt, with both Jay and Mark Duplass on board as executive producers, the film opens today in theaters followed by a Netlix release on June 1. Jay Duplass stars as 38-year-old Chris, who is granted early parole thanks to the advocacy of Carol (Edie Falco), his former high-school teacher. As he struggles with the challenges […]
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“When I Write a Script, I Am Making a Hypothesis of What the Film Could Become”: Laurent Cantet on The Workshop
Laurent Cantet’s The Workshop boasts a concept that in another picture might result in a piece of twisty, intellectualized metafiction: a semi-successful novelist, Olivia (Marina Foïs), teaches a writing workshop to a multi-racial group of young students in La Ciotat, a small town just south of Marseille. She encourages the students to explore the concept of genre — to conceive of a murder mystery — and to also connect to the working-class history of the place itself. One student, a young white teenager named Antoine (Matthieu Lucci), seems both engaged and roiled by the assignment; his cooly disturbing writings sit […]
