Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the experimental documentary Empire, Eline Jongsma. Filmmaker: Why this movie? Why did you decide to do it? Jongsma: Empire is an immersive documentary project about the unintended consequences of colonialism. We shot it in ten countries over the course of four years and didn’t have a real home base for any of that time. We just traveled and worked. […]
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director and producer of Seeds of Time, Sandy McLeod. The film screens Sunday morning in Documentary Spotlight. Filmmaker: Why this movie? Why did you decide to do it? McLeod: I thought that I was relatively well informed on the subject of food and agriculture, but as I delved into the material I quickly realized that agriculture was up against tremendous pressures in […]
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with one half of the directing team behind the Narrative Spotlight film, We’ll Never Have Paris, Jocelyn Towne. Filmmaker: Why this movie? Why did you decide to do it? Towne: Well, it’s a personal story, one that my husband/co-director [Simon Helberg] wrote about our disastrous engagement years ago. When he asked me to direct it with him I was excited, but nervous. I […]
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the SXGlobal documentary, Ukraine is Not a Brothel, Kitty Green. Filmmaker: Why this movie? Why did you decide to do it? Green: Ukraine Is Not A Brothel is a feature documentary about the topless Ukrainian feminist movement FEMEN. The film follows these “titillating” activists as they wage a war against patriarchy in a corrupt and poverty-stricken Ukraine. I came […]
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of I Believe in Unicorns, Leah Meyerhoff. Leah Meyerhoff is the definition of “independent filmmaker.” For her debut feature, I Believe in Unicorns, Meyerhoff cast rising talents Natalia Dyer and Peter Vack, moved her production to her childhood home in San Francisco, and sprinkled fairy pixie dust (figuratively and literally) all over her film set. Shot on a combination of Super16mm […]
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the Documentary Competition film, Vessel, Diana Whitten. Filmmaker: Why this movie? Why did you decide to do it? Whitten: At first I was compelled by the metaphor of a woman having to leave one realm of sovereignty to reclaim her own. I thought it was a rare and interesting example of the offshore being used not for crime […]
Following her “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this interview, she talks with Amy C. Elliott, the director and also d.p. of Wicker Kittens, screening in the Documentary Spotlight section. Filmmaker: Why this movie? Why did you decide to do it? Elliott: When I first heard there was such a thing as competitive jigsaw puzzling, I just wanted to know more. And in particular, I wanted to know more about the specifics — how many […]
For all the ways his work speaks to today’s Generation Irony, Wes Anderson is an unmistakable romantic — a man who grew up with a great love of classics, be they in the realms of cinema, literature or art. All of those things converge in The Grand Budapest Hotel, Anderson’s sweeping, nostalgic, and career-topping new film, which sees him confronting history on a global scale — in his own way, of course. The movie takes place in a number of eras, most notably 1932, when, in the fictional yet familiar land of Zubrowka, wars are brewing and lives are changing […]
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the Narrative Spotlight film, Kelly & Cal, Jen McGowan. Filmmaker: Why this movie? Why did you decide to do it? McGowan: I loved the script. I loved the script and I loved the writer. And I could see it. I could see that I could do something special with it. This project originated at a USC alumni program called USC First Team which connected […]
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the writer/director of Honeymoon, Leigh Janiak. Honeymoon screens today in the Midnighters section. Filmmaker: Why this movie? Why did you decide to do it? Janiak: My writing partner Phil and I had been writing together for years, and finishing a script is satisfying, but it’s never really a finished project… So I think it was sometime in 2010, after seeing Monsters and Tiny […]