Clocking in at nearly four hours over several discrete parts, Oeke Hoogendijk’s The New Rijksmuseum details the taxing decade-long process of renovating the iconic Amsterdam art museum, home to many of the key works of the Dutch masters, that became an operatic civic brouhaha. First, the reconstruction of a central entranceway draws the ire of the city’s politically powerful bicyclists lobby, which is opposed to a partial obstruction of the central pathway that runs through the center of the museum’s ground floor that is an extremely popular thoroughfare for the bike riding hordes. The safety of the 13,000 bikes that […]
Nuclear Nation, Atsushi Funahashi’s remarkably touching and informative doc about some of the 1,4000 now-homeless refugees that were forced to abandon their town in the wake of the Fukashima nuclear catastrophe, foregoes the agitprop route, one which given the scale and potential world historical costs of the still unfolding fallout from the disaster seems appropriate, for a more grounded and humanitarian look at the tragedy. Instead the 39-year-old Funahashi, best known in Japan as a narrative filmmaker whose previous credits include 2005’s Big River and 2012’s Cold Bloom, remains focused on a group of refugees who exhibit tremendous poise and […]
A war on drugs, or specifically on the drug cartels that profit from them, a war separate from the 40-year-old campaign waged by the United States (though, of course, intricately tied to it) was declared by the Mexican government in 2006. With over 60,000 known murders in the country directly tied to the drug trade since then, what good is this war doing, one is tempted to ask? The Federal Police and the Mexican military’s joint operation, Michoacan, has proven toothless in its attempt to stop either the flow of dope through Mexico or the violence that surrounds this insatiably […]
Depicting professional snowboarder Kevin Pearce’s rise to the top of his sport and then his struggle to recover from a monster wipe-out and traumatic brain injury, Lucy Walker’s The Crash Reel is riveting, emotional, sobering and enraging. It tells a very human story as the endearing Pearce struggles to not only physically recover from his injuries but, at such a young age, to invent a new identity for himself and his future. At the same time, the film is a provocative, well-researched takedown of the extreme sports industry, which markets vicarious danger for energy-drink consumers and sneaker-wearers at the expense […]
The Unity of All Things, the first feature by artist Alexander Carver and filmmaker Daniel Schmidt, is an erotic queer sci-fi with an experimental narrative that combines particle physics, critique of global capitalism, various existential quandaries, and playfully perverse digressions into gender politics. It’s an unclassifiable micro-budget film shot on Super 16 and Super 8 in locations ranging from China, Switzerland, Chicago, and the Arizona desert, and has dialogue in at least three different languages. As its title might imply, the film’s ambition is undercut by a generous serving of self-aware humor. The film receives its New York premiere tonight […]
An intimate portrait of a near-forgotten high school basketball phenom turned undrafted afterthought, Lenny Cooke is the first documentary from the young New York wunderkinds Benny and Josh Safdie. Given that their previous films, The Pleasure of Being Robbed and Daddy Longlegs (I miss its original title, Go Get Some Rosemary), were intimate, 16 millimeter throwbacks to another era of rough and tumble New York independent filmmaking, this film comes as a surprise in a way. Made by self-professed basketball fanatics in the midst of a season of discontent (poor Knicks), Lenny Cooke is a project that predates any of the Safdies narrative efforts. An emotionally […]
The focus this year’s edition of the Copenhagen International Documentary Festival (commonly known as CPH:DOX) was squarely on the political, with programs exploring the intersection of art and activism. Guest curators Ai Weiwei and The Yes Men programmed eclectic sidebars under the festival’s theme “Everything is Under Control.” A section devoted to Chinese documentaries emphasized the medium’s vital role in surveying the state, and the festival added a new award explicitly addressing the recent crop of documentaries that operate between investigative journalism and activism. Taking the festival’s top prize was Bloody Beans, the first feature by French-Algerian filmmaker Narimane Mari, […]
Once in a while, a film comes across your radar that plays so perfectly to your sensibilities, it seems someone handcrafted it with you in mind. These sorts of films are usually small, personal endeavors, that — preference-pending — are too niche for mass audiences, and struggle to find the complimentary festival or forum that will realize their loaded potential. Drew Tobia’s See You Next Tuesday is the lastest entry in this unjustly underground canon. A cult hit in the making if there ever was one, See You Next Tuesday concerns Mona, a pregnant, loudmouthed, lonesome and unhinged grocery store cashier, inhabited by the utterly uninhibited […]
The following interview first appeared on the Filmmaker website in June 2012 to coincide with the world premiere of Breakfast with Curtis at the Los Angeles Film Festival. Laura Colella’s movie goes on theatrical release through BOND360/Abramorama from today. 25 New Faces alum Laura Colella’s Breakfast with Curtis unfolds at its own pace, not unlike the leisurely chats it spends so much time documenting. Colella, who wrote, directed, and acted in the film, used her own home as a shooting location and cast her real-life neighbors and housemates in prominent roles. Centered around a bookseller named Syd (Theo Green) who enlists […]
Ryan Lightbourn grew up in the Bahamas, but went to business school in the U.S. Becoming interested in music, Lightbourn transferred to Full Sail University after graduating. He wanted to become a music producer, but after playing with Final Cut Pro he started making “goofy little short films and music videos with my friends.” Switching to the film program he quickly decided that he could learn more by going out and actually shooting things than by going to class, so he dropped out and bought some gear. He continued shooting music videos, but always wanted to make films, and in […]