At a festival as big as the International Film Festival Rotterdam, early screenings are essentially shots in the dark. There is no buzz yet, and most films have little written about them or are by filmmakers whose previous works have received relatively little exposure. I opted on the second day to give Luis López Carrasco’s El Año del Descubrimiento a shot partly because I had heard of his previous feature, El Futuro, but mostly because its 200-minute runtime helped it to stand out amid a slate of films I knew next to nothing about. From the very beginning, its use […]
On Valentine’s Day 2018 the community of Parkland, Florida was irrevocably transported into the headlines. That was the day when a 19-year old gunman walked into the Marjory Stoneman Douglas High School and took the lives of 17 of its students. In the aftermath of the horrific event news crews descended as grieving parents and children struggled to find footing in a new reality. And while a great many reporters packed up once the soundbites ran out, veteran journalists Emily Taguchi and Jake Lefferman stayed behind — and got to truly know the fathers and mothers and siblings, the significant […]
Bruce Franks Jr., an African-American resident of St. Louis, Missouri, grew fed up with senseless gun violence running rampant throughout his community. Inspired in part by the Black Lives Matter protests of Ferguson, MO following the 2014 slaying of unarmed teenager Michael Brown, Franks Jr. decided to run for office and was elected to the House of Representatives as a Democractic state legislator. Filmmakers Smriti Mundhra and Sami Khan’s St. Louis Superman, nominated for Best Documentary (Short Subject) at this weekend’s Academy Awards, chronicles Franks Jr.’s year-long quest to pass a bill that will classify youth-affected gun violence as an epidemic. […]
As two, aunt and nephew Veronika Franz and Severin Fiala hope to disperse the ego of the moviemaking machine. They split the single mindedness of the one-director show and harness twice the fighting power in their creative battles against the industry’s business end. Moving to a US production for their sophomore feature: The Lodge, the two saw the ugly head of commerce rear itself more than it ever dared in Austria, where they shot their debut Goodnight Mommy. The Lodge begins with a bias for its young siblings Aidan (Jaeden Martell) and Mia (Lia McHugh) who have lost their mother […]
Access, access, access — be it physical, emotional, or preferably both — is the doc filmmaker’s equivalent of location. And Brazilian director Petra Costa manages to get it in spades. Currently streaming on Netflix, her Oscar-nominated epic The Edge of Democracy, the third film in a personal, award-winning trilogy that began with the 2009 short Undertow Eyes, followed by her debut feature Elena three years later, is easily Costa’s most ambitious to date. With fly-on-the-wall camerawork, and guided by her eloquent voiceover narration, Costa captures up close and in real time the democratic car wreck of recent corruption scandals in Brazil that led to the […]
This is a very special episode of Back To One. Last year, in September, I sat down with the stars of Portrait Of A Lady On Fire, Noémie Merlant and Adèle Haenel, and their director, Céline Sciamma. On this show, I only sit down with one actor every week, so for me to sit with two actors and their director from the same film, it must be very special. And it is a very special film. For me, it is the purest example, in recent memory, of a perfect synthesis of direction and performance. The exemplary work of these three […]
Ever so often you’ll have a film at Sundance that hits at the right time, place and with the right crowd — so that you feel the theater buzz. The last moment of the film, before it cuts to black, rings out over silence (aside from the sniffling of a handful audience members.) For me this year that film was Nine Days on Monday night at the Eccles theater. A feature debut from director Edson Oda, the expansive piece is equal parts grounded sci-fi, drama and a delicate exploration of emotion and existence. Let’s just say you don’t want to […]
Politics is a dirty business for sure. But too often we in America take for granted what younger democracies would view as unthinkable. That a strongman and his opponent might not broker a shared power arrangement behind closed doors. That police would not blithely shoot people who protest electoral outcomes in the streets. That one uncorrupt citizen determined to make change without paying constituents directly for their votes might be a viable candidate. These are the hopes and dreams embodied by Boniface “Softie” Mwangi, the grassroots activist turned politician star of Nairobi-based director Sam Soko’s intimate, Sundance (World Cinema Documentary […]
Before there was the no-budget Best Buy scam (scoring equipment by cycling through 30-day return policies) there was the Crazy Eddy scam — same deal, except that instead of the corporate anonymity of Best Buy’s Death Star big box there was a scrappy local circuit embodied by a screaming man feigning mental illness on late-night television. (“These prices are insane!!!!”) And before there was Eater, Grub Street and Anthony Bourdain’s Parts Unknown there was Eat to Win, a kind of punk foodie travelogue in which friends David Shapiro and Leeds Atkinson tooled around New York City with their Crazy Eddie […]
Lynne Sachs has been making films since Drawn and Quartered in 1986. Her latest, the documentary Film About a Father Who, screens January 24, the opening night of Slamdance. Her father, Ira Sachs, Sr., helped turn Park City, Utah, into a destination resort. In documenting his life, Sachs uncovers a web of secrets. Film About a Father Who will also screen at Doc Fortnight 2020, MoMA’s Festival of International Nonfiction Film and Media on February 11 and 14. Sachs’ 2019 tribute A Month of Single Frames (for Barbara Hammer) will screen in the series on February 8. Filmmaker spoke with […]