“Finding a way to produce this movie in 27 days was a riddle we were always solving,” recalled director Peter Sollett. “And doing it in a way that had integrity, the kind that Laurel and Stacie had, was a challenge and a mission statement.” Sollett was speaking at a Bloomberg/IFP “Business of Entertainment” breakfast, hosted by IFP board member and Bloomberg principal, Katherine Oliver, high above downtown Toronto and overlooking Lake Ontario on the eve of the world premiere of his latest feature, Freeheld, at TIFF. Oliver was introduced by IFP and Made in New York Media Center Executive Director […]
Premiering at the Toronto International Film Festival on September 13th, Sterlin Harjo’s latest narrative feature Mekko treads territory both familiar and new to this Oklahoma-based, Native American director. An ex-con-versus-thug thriller set in the world of Tulsa’s real-life Indian homeless community, the film stars Hollywood stuntman Rod Rondeaux and boasts an all-Native cast (many of whom are part of that aforementioned homeless community). Filmmaker caught up with Harjo prior to TIFF to talk about his fourth feature – as well as German Indian-philia, Herzog’s Stroszek, and Native humor. Filmmaker: Mekko takes place in an Indian homeless community, and you use […]
A.D. Calvo is known in the independent horror community for frightening features like The Midnight Game and House of Dust, but with The Missing Girl, premiering in Toronto’s Vanguard section, he dials down the jump scares in favor of a bittersweet character study that’s still not without a sense of mystery. Robert Longstreet, who has given indelible performances in films like This is Martin Bonner and Septien, plays a sad sack owner of a comic book store who becomes unhinged when his pretty young employee, played by Alexia Rasmussen, disappears. Below, Calvo discusses his change of direction, his interest in […]
The third in what has been dubbed an “antiglobalization trilogy,” Naomi Klein’s latest book, This Changes Everything, strips away the niceties of middle-brow climate change activism. As Klein argues, promoting the type of meaningful change that will lead to the survival of the planet involves more than film festival reusable sippy cups and something considerably different than the pro-market solutions of green business consortiums. Indeed, Klein’s book is subtitled “Capitalism vs. The Climate,” and it directly blames the growth mantra of governments and economic markets for our rising temperatures. Furthermore, it intertwines the fight against global warming with the fight […]
There’s been a lot of talk lately about indie directors making the leap to studio productions, but few have handled the transition as skillfully as David M. Rosenthal does in the smart, funny, and scary thriller The Perfect Guy. In a way it’s the perfect studio assignment for Rosenthal, in that it takes full advantage of the skills he exhibited in his previous film, 2013’s richly atmospheric thriller A Single Shot, while also allowing him to explore new territory as an old-school genre director. The basic premise is nothing new – it’s the stuff of dozens of Lifetime “woman in jeopardy” […]
The major studios’ current preference for selecting the shepherds of their franchise properties is to pluck directors from the relatively obscurity of indiedom. Colin Trevorrow went from Safety Not Guaranteed to Jurassic World. Josh Trank moved from Chronicle to Fantastic Four. Jon Watts leaped from Cop Car to the reboot of the reboot of Spider-Man. Alex Ross Perry opted for the opposite approach. After his breakthrough film Listen Up Philip, Perry stripped down his budget, cast, and crew for a character piece about a pair of female friends (Elisabeth Moss, Inherent Vice’s Katherine Waterston) whose relationship unravels during a week-long […]
Italian-born, American-based Roberto Minervini’s fourth feature The Other Side grew out of his previous film, 2013’s Stop the Pounding Heart. That hybrid documentary followed the (fictionalized) romance between Colby Trichell, a teen rodeo rider, and Sara Carlson, a young girl in a devoutly Christian family. Moving from Texas to West Monroe, Louisiana, Minervini’s new documentary starts by following Lisa, the sister of Colby’s dad Todd, and her boyfriend Mark. This is a dark story, one of drug abuse and disenfranchisement, and the second half plunges further into the backwoods, riding along with a virulently anti-Obama militia as they train and prepare to confront their perceived enemies. The […]
Chances are that if you’ve heard anything over the past few years about Leith, North Dakota, it was related to infamous white supremacist Craig Cobb’s attempted takeover of the micro-sized city. Self-proclaimed as “one of the most famous racists in the world,” Cobb descended upon Leith’s unassuming community (population size: twenty-four) in the summer of 2013, attempting to purchase as much land as possible to morph into a haven for fellow white nationalists and white supremacists. What first sounded like a deranged urban legend ultimately became a reality, as families with similar points of view moved in with their swastika flags displayed […]
Moving with shark-like restlessness between webseries, TV and film, the prolifically talented David Wain has been on a particular roll of late. For his next project after last year’s tragically underseen/dumped romcom parody They Came Together, Wain has come back strong with Wet Hot American Summer: First Day of Camp, a Netflix miniseries prequel to his most widely/cultishly beloved film to date. Wain will be in conversation with his longtime collaborator Michael Ian Black at IFP’s Film Week on Sunday, September 20 (details and tickets here), and agreed to answer a few questions by email beforehand. Filmmaker: Like a lot of people who enjoyed They Came Together, […]
Austrian filmmaker Severin Fiala accused me of being a sexist. We were in Poland, and it was the night his film, Goodnight Mommy, won the Audience Award at the New Horizons Film Festival. I found his accusation horrifying, tantalizing and ultimately not inaccurate. In the last year, I’ve interviewed 57 women and zero men. My intention wasn’t to disregard men, but rather, to hear from women. My goal wasn’t to create a ghetto whereby the marginalized are defined by their gender, but to try and normalize standards from which the male-dominated industry was built and still prevails today. I wanted […]