A moving, informed tale dealing with one man’s struggle with mental illness, Jono Oliver’s debut feature Home is graced with both heart and street smarts. The film tells the tale of Jack, an outpatient hoping to leave his group home, reunite with his son, and manage life on his own. Adversity comes from both his illness but also the day-to-day realities of life in New York. Indeed, Oliver’s great achievement is to make Jack’s reality an entirely palpable one while not sugarcoating the issues of his affliction. In a film with strong performances thorughout, Jack is wonderfully played by Gbenga […]
A young, remarkably fetching woman sunbathes on a topless beach at the very beginning of Young and Beautiful, François Ozon’s latest feature film. Her younger brother — on vacation with her, their stepfather and remarkably clueless mother — watches her from afar with a pair of binoculars. A tone of youthful sexual indiscretion is already in play before we properly meet Isabelle (Marine Vacth), the girl on the beach, who can’t be much older than 17 and is looking for concrete sexual experience as soon as she can find it. She’ll first find such experience with a furtive German she […]
On March 8th, 1971, an anonymous group of individuals calling themselves the Citizens’ Commission to Investigate the FBI broke into an FBI field office in Media, Pennsylvania and stole thousands of secret government documents. Within those documents was considerable proof of what many in the activist community had long suspected but been unable to prove: that the FBI, under J. Edgar Hoover, was spying on law-abiding citizens and participating in a broad range of illegal activities designed to neutralize any and all critics of American policy. The group made photocopies of the most damning documents and sent them to various […]
A shy, sheltered, OCD-afflicted only child, Baltimore native Matthew VanDyke was not the likeliest member of the 2011 Libyan rebel militia, but Point and Shoot, the new documentary from Academy Award-nominee Marshall Curry, chalks VanDyke’s trajectory up to sheer sense of adventure. Determined to give himself “a crash course in manhood,” VanDyke leaves Baltimore behind with a camera in hand, winding his way through Africa atop a motorcycle. Along the way, he meets Nuri, his iconoclast counterpoint who will draw him into the revolution. Filmmaker spoke to Curry about relating someone else’s footage, and the documentarian’s dilemma of capturing the moment truthfully and artfully. Point […]
Making his name with Afterschool and Tiny Furniture, Jody Lee Lipes has quickly solidified his standing as one of the most impressive American cinematographers currently working. Alongside a diverse slate of DP work (he both shot and directed episodes of Girls and is currently working on Judd Apatow’s next feature Trainwreck), Lipes has also been establishing himself as a documentarian. 2009’s Brock Enright: Good Times Will Never Be The Same followed the title artist in the middle of a creative and personal breakdown/breakthrough; for 2010’s co-directed NY Export: Opus Jazz, Lipes staged a 1958 Jerome Robbins ballet on New York’s […]
New Orleans-based multi-media artist Garrett Bradley makes her feature debut at the 2014 Tribeca Film Festival with Below Dreams, a tough-minded portrait of three economically-challenged twentysomethings trying to settle a life for themselves in a city that’s seen its own share of recent adversity. Honest and sensitive, the film is informed by Bradley’s own experience living in New Orleans, and she developed the script based on interviews conducted on frequent Greyhound bus trips there. Below Dreams is an alumni of the IFP Narrative Labs. Filmmaker: What’s been new creatively for you in terms of moving from gallery-based work to a […]
Last year the Tribeca Film Festival opened with Mistaken For Strangers, a sideways documentary view of The National followed by a performance from the band. Attendees moved from screening venue to a separate show space, but this year both opening night parts were combined at Madison Square Garden’s Beacon Theater. First came One9’s Time Is Illmatic, a history of Nas’ seminal 1994 album, then the 20th anniversary performance. You can go here to read Brandon Harris’ take on the movie (which plays once more on Friday). Ten years in the making, One9’s debut documentary tracks the making of the instant […]
From 2005 to 2010, Sean Gullette (still most commonly ID’d as the star of Pi) lived full-time in Tangier, Morocco. Expanding on a 30-minute short made in 2010, Gullette’s feature directorial debut Traitors tracks a Clash-esque femake punk rock band (their big chorus is “I’m so bored with Morocco”) stuck in Tangier. When frontwoman Malika (Chainmae Ben Acha) decides to pay for a demo recording session with a one-off drug run, the film’s second half takes her out of the city and up to the Rif Mountains. The Tribeca Film Festival is the latest stop on an extensive festival circuit […]
Sabine Lubbe Bakker and Niels van Koeverden’s Ne Me Quitte Pas (Don’t Forget Me) takes its name from a Jacques Brel song whose fervid tone fits its disheveled subjects well. Marcel and Bob are best friends: deep in rural Belgium, they wile away their hours in a drunken haze, footage that straddles a productively uncomfortable tragic-comic line. Marcel’s wife leaves him at the beginning, which gives him more time to spend with older, more grizzled, seemingly more resigned Bob: their epic drinking bouts regularly punctuate the film, getting into more and more dangerous territory as spiral downward and, unnervingly, take […]
John Turturro’s Fading Gigolo has a title that sounds both more elegiac and salacious than the movie ultimately is. The dynamic 57-year-old character actor’s fifth feature as a director features a rare Woody Allen performance outside of his own movies as beleaguered Murray, who’s been forced by the choppy economic winds to shutter his elegant little Manhattan bookshop. Turturro plays Fioravante, one of Murray’s employees and seemingly his best friend. When the store closes, Fioravante takes a job in a flower shop, while Murray spends most of his days looking after a gaggle of black children that are ostensibly the […]