Issues
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Can Microbudget Filmmakers Graduate to the Big Time?
Independent film has long been considered the farm leagues for Hollywood’s majors. But with fewer specialized distributors and a risk-averse studio system, do up-and-comers still have the opportunities they once did during the ecstatic exuberance of the sector’s heyday? The crossover success of former DIY filmmakers Lena Dunham (with HBO’s Girls), Sean Durkin (who is developing The Exorcist TV series) and the Duplass brothers (with their studio-indies Cyrus and Jeff, Who Lives at Home), suggests that breakthroughs are still very possible. And yet, for every Jeff Nichols (Mud) or Zal Batmanglij (The East), there are numerous filmmakers who have made […]
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Justin Lin’s Family Network
“It’s not actually that different from early independent cinema,” Elaine Chin, President of Production of Justin Lin’s production company, Barnstorm Pictures, says of the new YouTube network, You Offend Me You Offend My Family, Lin has co-founded. “There’s no preconceived idea of what it should look like. YouTube is giving us free reign to go and try anything, and we don’t want to take that for granted. If anything, we want to surprise ourselves and be even more crazy.” Launched this June as part of YouTube’s move into original programming, YOMYOMF features short-form scripted and reality programs by new creators […]
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On Film School and Columbia’s 25th
In early May, with much hoopla, Columbia University’s graduate Film Program celebrated the 25th anniversary of its annual Film Festival at Lincoln Center’s Alice Tully Hall. The auditorium was nearly packed as tuxedo-attired Ira Deutchman, Columbia Film Program chair, took the podium to introduce both the evening, a weeklong series of events and screenings honoring Columbia’s film school, and, more particularly, the school’s maturation over the past quarter century. The opening night featured some of the best student films to come out of Columbia, including Adam Davidson’s superbly paced Academy Award-winning short The Lunch Date, and Greg Mottola’s charming Swingin’ […]
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Cannes 2012 pt. 2
The incongruity of Michael Haneke winning the Palme d’Or for the second time in four years was that his film featured two veteran actors, Jean-Louis Trintignant and Emmanuelle Riva, in a year that may well be remembered for introducing us to several new talents. The common denominator of the films that opened the official competition, Un Certain Regard and Directors’ Fortnight, was that only the parents and school friends of the young actors would have heard of the leads before they became the darlings of the Croisette. Moonrise Kingdom’s Jared Gilman and Kara Hayward, as well as Broken’s Eloise Laurence, […]
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Load & Play
Ganja & Hess: The Complete Edition Kino International – available now A bona fide cult film, the anti-Blacula, defiantly difficult and parochial, a vampire film in which the word itself is never used and its tropes mostly discarded, Bill Gunn’s miraculous Ganja & Hess is jolting and jagged, lyrical and mythic, as utterly unclassifiable today as it was at the time of its initial unveiling. Long lost following the rapturous reception at Critic’s Week at Cannes in 1973, where it received a seven-minute standing ovation before being butchered by its distributor into a sexploitation film and boxed up under six […]
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Editor’s Letter
Each year when we do our “25 New Faces” feature, we try to keep the profiles to 350 words. “Let’s keep them short and punchy,” I say. “Run the pictures big and just give people the gist. Let them find out more on the web.” But we always run long. When we learn that a filmmaker whose short film we love also teaches nuclear physics, we have to include it. When the story of a doc a director made in high school is almost as interesting as his bootstrapped, Kenya-shot Somali pirate movie, we have to include that too. And […]
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Cannes 2012 pt. 1
Normally the spotlight at the Cannes film festival is stolen by attractive young celebrities and hip, hot films (Tarantino’s, for example). This Cannes was a little bit different. The most interesting films addressed Big Issues and, perhaps coincidentally, were awarded the top prizes. They are mature films, for the mature. Two provocative topics stood out. CONFRONTING OLD AGE Very different takes on living out the geriatric years are apparent in Austrian director Michael Haneke’s French production Amour, which took the Palme d’Or, and Iranian filmmaker Abbas Kiarostami’s Japanese film, Like Someone in Love (no prize, because, even if it […]
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War of Words
War of Words By Heather Chaplin. -
Three-Minute Window
Three Minute Window -
Culture Hacker: Scarcity and Abundance in the Digital World
Scarcity and Abundance in the Digital World By Lance Weiler.
