It’s a stretch of the Lower East Side like any other, with public housing towers looming unostentatiously overhead. One of these is the home of the Angulo brothers — six siblings confined for years (save sporadic supervised walks) to their apartment by their father, Oscar. Crystal Moselle’s first feature The Wolfpack — winner of the Documentary Grand Jury Prize at this year’s Sundance Film Festival — is the result of an accidental street meeting between the documentarian and her future subjects just as they were starting to regularly go outside in defiance of their dad. There are obvious questions of […]
The word “bravura” gets thrown around all too often in the realm of ambitious filmmaking (perhaps in arts criticism in general?), but there is seemingly no other word to describe the colossal craft on display in Ukrainian helmer Miroslav Slaboshpitsky’s Cannes 2014-premiering debut feature, The Tribe. The film’s narrative — which hews somewhat to the genre obligations of a Western, as Slaboshpitsky points out — concerns a young man, Sergey (Grigoriy Fesenko), who is a newcomer at a deaf boarding school in Ukraine. No sooner has Sergey arrived than he realizes that the school is run by its administration in […]
Welcome to your first day on a film set. Perhaps you’ve gotten a new job as a production assistant. Perhaps you’re still in school and have been given an opportunity as an intern, or you’ve recently been asked to help out with a friend’s production. You probably have some questions. I’m writing this because I’d like to try to answer some of those questions in advance, and because I have hope. Hope that maybe the next time I ask someone to sweep up some glass that just broke, I won’t have to explain where to get a broom, how to […]
It’s NAB, and Blackmagic have once again announced some exciting new cameras. Blackmagic has developed a bit of a reputation for announcing cameras with amazing specifications at incredibly good prices. They may not be as refined as the cameras from Sony, Canon et al., and they may not always ship on their announced dates, but if you’re a shooter on a budget you have to look at Blackmagic’s camera offerings. Blackmagic’s first camera was the Cinema Camera. Despite its unusual shape and user interface, this camera was a hit because of its high dynamic range, reasonable price, and its support […]
A Swede living in Spain with a background in political science, Erika Lust is not your average feminist pornographer. The award-winning writer-director of over half a dozen erotic films, Lust is now embarking on what she considers her most important project yet. XConfessions is 100 percent crowdsourced, fan-generated erotica. Each month, Lust chooses two sex confessions from among the wide-ranging slew of fantasies posted to her site. (The submission process itself is free of charge. Just create an anonymous profile and you can read or write confessions as well as watch free videos.) Those favorites will then become short films […]
International Copenhagen Documentary Film Festival – CPH:DOX 2014 by Pamela Cohn There is no way by which the events of the world can be directly transmitted or recorded in our brains. They are experienced and constructed in a highly subjective way. Our only truth is narrative truth, the stories we tell each other, and ourselves, the stories we continually re-categorize and refine. This sort of sharing — this communion — would not be possible if all our knowledge, our memories, were tagged and identified and seen as private, exclusively ours. —from Martin Scorsese and David Tedeschi’s film The 50 Year […]
“Talking about dreams is like talking about movies, since the cinema uses the language of dreams,” Federico Fellini once said. “Years can pass in a second, and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.” Cinema’s oneiric qualities have long been discussed by filmmakers and film theorists alike. Hollywood is even referred to as “the Dream Factory,” but that sobriquet refers as much to the industrial production and export model of the motion picture business as it does […]
My phone is ringing. The sound pulls me from a deep sleep. It’s 5:30 a.m., the room is dark, and for a moment I’m confused. As I push the phone into my ear I hear a female voice singing. Slowly it registers; this is the wakeup call that I requested. But I’m not staying in a hotel, and the woman calling me is a complete stranger. The singing stops and the voice on the other end of the line tells me to have a wonderful day. I express my gratitude and ask her name. “Sarah from Dublin,” she replies, and […]
Filmmaker David Robert Mitchell developed rich, resonant teenage characters in his independent sleeper, The Myth of the American Sleepover. With his sophomore feature, It Follows, he again essays the emotional lives of attractive, sexually adventurous suburban youth, this time within a high-concept genre framework. It Follows is eerie, Carpenter-esque horror, the tale of a slow-moving demon who shuffles steadily, invisibly and scarily toward a single victim. Here that’s mostly Jay, played with real “Final Girl” charisma by Maika Monroe, who has quickly emerged as a strong lead and supporting player in several notable films. She co-starred opposite Zac Efron in […]
As I noted online in my blog entry listing our top Web posts of the year, Filmmaker ended 2014 with an audience of 190,000 on our Facebook page — over 12 months, an increase of nearly 500%. That gain is reflected in our Web stats. Our overall traffic has doubled, and some days as much as 50% of our readers discover our content from Zuckerberg’s blue wall. (If you want to know how we did it, I have nothing for you — we did little more than post our articles, write original descriptions of them and answer people in the […]