SXSW Features
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The Women of SXSW: Que Caramba Es La Vida Director Doris Dörrie
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of Que Caramba Es La Vida, Dorris Dörrie. Filmmaker: Why this movie? Why did you decide to do it? Dörrie: I have spent some time in Mexico and found that the only association that we (in Europe) have is drug war and chaos. I wanted to tell a different story of Mexico, and I became very interested in mariachi music, especially […]
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The Women of SXSW: Crystal Writer/Director Chell Stephen
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the writer/director of the narrative short, Crystal, Chell Stephen. Filmmaker: Why this movie? Why did you decide to do it? Stephen: An image of the character Crystal came into my head a few years ago, and I could see her so clearly. After directing music videos in New York for a few years as a part of filmmaking collective Think/Feel, I knew […]
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Fort Tilden, The Great Invisible Take Top Prizes at SXSW
Beating back chilly, sub-normal temperatures, the season finale of True Detective and the myriad distractions of its surrounding program — referencing the new SXSports category, one independent film stalwart snarled to me, “Don’t try to tell me that sports are now creative” — SXSW Film put a capper on its 2014 edition by awarding Sarah-Violet Bliss & Charles Rogers’ Brooklyn beach comedy Fort Tilden and Margaret Brown’s Deepwater Horizon doc, The Great Invisible, its top prizes. Other awards included a “special jury award for courage in storytelling to the lead actor and screenwriter of Collin Schiffli’s Animals, David Dastmalchian. (The […]
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The Women of SXSW: We’ll Never Have Paris Producer Katie Mustard
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with Katie Mustard, a producer of Jocelyn Towne and Simon Helberg’s Narrative Spotlight feature, We’ll Never Have Paris. Filmmaker: Why this movie? Why did you decide to do it? Mustard: The story and the people is the short answer. For me, these are two best things you can look for when deciding on a project. We’ll Never Have Paris is a hilarious, clumsy […]
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The Women of SXSW: The Great Invisible Director Margaret Brown
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the Documentary Competition title, The Great Invisible, Margaret Brown. Filmmaker: Why this movie? Why did you decide to do it? Brown: After the [Deepwater Horizon] spill, my dad started sending me pictures of our bay house in Alabama surrounded by boom, which BP was using to prevent the oil from getting in our marshes. Seeing my childhood invaded in this way was […]
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The Women of SXSW: Butterfly Girl Director Cary Bell
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email em>Butterfly Girl, which screens today, March 10. Filmmaker: Why this movie? Why did you decide to do it? Bell: Jess, our editor/producer, and I have been working on projects together off and on since college. I think when you click with someone creatively, in the way that we do, it’s such a blessing. We also have similar working styles, ethics, and visions, so when we were both […]
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The Women of SXSW We’ll Never Have Paris Editor Mollie Goldstein
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the editor of the Narrative Spotlight film, We’ll Never Have Paris, Mollie Goldstein. Filmmaker: Why this movie? Why did you decide to do it? Goldstein: The first question for me when considering a project is always the script, and this one was fun, funny, and had a screwball quality to it that I was really drawn to. Secondly, I really connected to […]
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The Women of SXSW: Butterfly Girl Producer and Editor Jessica Miller
Following her “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with Jessica Miller, the editor and producer of Butterfly Girl, playing in Documentary Spotlight. Filmmaker: Why this movie? Why did you decide to do it? Miller: Cary [Bell], the director, and I have been working on little projects together over the years, but it was at SXSW 2012 where we were both inspired to really try something new. We decided that we wanted to make […]
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The Women of SXSW: Empire Director Eline Jongsma
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the experimental documentary Empire, Eline Jongsma. Filmmaker: Why this movie? Why did you decide to do it? Jongsma: Empire is an immersive documentary project about the unintended consequences of colonialism. We shot it in ten countries over the course of four years and didn’t have a real home base for any of that time. We just traveled and worked. […]
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The Women of SXSW: Seeds of Time Director/Producer Sandy McLeod
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director and producer of Seeds of Time, Sandy McLeod. The film screens Sunday morning in Documentary Spotlight. Filmmaker: Why this movie? Why did you decide to do it? McLeod: I thought that I was relatively well informed on the subject of food and agriculture, but as I delved into the material I quickly realized that agriculture was up against tremendous pressures in […]
