The best thing about Xavier Dolan’s It’s Only the End of the World: 35mm. Take whatever jabs you will at the 27 year-old Québécois (he’s certainly taken his fair share this year as the first of several punching bags in the Competition slate), but he is as mindful as any active filmmaker — young or old — about basic formal decisions like aspect ratios and the textural differences between digital and celluloid images. The only new film in the entire festival to be projected from a film print (Cannes Classics has two: Frederick Wiseman’s Hospital and Roger Corman’s The Pit and […]
I really ought to have more faith in Jim Jarmusch. Here’s an artist who, despite routinely delivering cinematic UFOs time and again, is still capable of surprising me with works that feel sui generis not only with regard to world cinema, but to his own filmography as well. Paterson, which is not even close to the “slight” or “minor” effort early reports claimed were threatening to land it in a sidebar (low key, sure, but so what?), manages to restate a number of Jarmusch’s pet motifs and themes in a tenor I’d not yet experienced in his work—at least not […]
Although this may not sound as remarkable as it is, the Maryland Film Festival (MFF) thrives on being filmmaker-friendly. Encouraging attending filmmakers to participate in a closed-door, multi-hour group conference designed to serve as a safe space to voice their career concerns and hosting a rocking evening of karaoke performed on a stage at The Windup Space (which uncannily resembles the Black Lodge from Twin Peaks), MFF works hard to keep participating artists in dialogue with one another. In screening spaces as the Maryland Institute College of Art (MICA), the Walters Art Museum, and the intimate black-box Single Carrot Theater, it’s not uncommon […]
Cristi Puiu’s enigmatically titled (and spelled) Sieranevada was the first and longest Palme d’Or hopeful to be screened at this year’s Cannes Film Festival for the notoriously impetuous press corps. Puiu, whose The Death of Mr. Lazarescu (2005) is often thought of as the foundational ripple that set off the ongoing so-called Romanian New Wave, has a reputation as being his country’s most uncompromising and rigorous player, and his latest three-hour appointment furthers the trend in an equally pale if far less misanthropic portrait of contemporary Romania. Sieranevada is a self-consciously long, loquacious, and unstructured film, bloated and macho and […]
The Independent Filmmaker Project (IFP), Filmmaker‘s parent organization, announced today the ten documentaries selected for the 2016 IFP Filmmaker Labs, IFP’s annual yearlong fellowship for first-time feature directors. The creative teams of the selected films are currently attending the first week’s sessions – The Time Warner Foundation Completion Labs – taking place May 11-15 in New York City. As of 2015, the 196 projects that have gone through the program include such critically acclaimed films as the recent documentaries (T)error by Lyric Cabral and David Felix Sutcliffe (Independent Lens), Nanfu Wang’s Hooligan Sparrow (POV), Sharon Shattuck’s From This Day Forward (POV), Leah […]
VR AXS Map, a platform using VR to help the disabled pre-visit and share information about accessible public spaces, was named the winner on Wednesday night of the Made In New York Media Center by IFP’s Demo Day. The curated audience of VCs, entrepreneurs, creative directors and brands voted the award after five teams of Media Center entrepreneurs pitched their projects to a panel moderated by Mashable’s Jason Abruzzese and consisting of Fran Hauser (Partner Rothenburg Ventures) and Matthew Hooper (VP, Open Innovation, Barclays; Head of Rise, NY). VR AXS Map stood out due to its obvious social utility and […]
The 17th annual Hot Docs Forum kicked off Tuesday in Toronto with all the pomp and ceremony of a high school model UN tournament. Axel Arno, SVT commissioning editor and one of three forum moderators, laid out the rules: each team will have seven minutes to pitch, followed by another seven minutes of question-and-answer discussion; the bell will ring once at the six-minute mark and twice at the seven-minute mark. Over two days, 20 producing teams pitched projects while 20-odd commissioning editors, broadcasters and video-on-demand reps sat at the table giving their feedback while other financiers and gatekeepers, most notably […]
The Sundance Institute announced today the eight first-time feature directors selected to participate in its June Directors Lab. Over nearly a month at the Lab — a program that has mentored directors including Cary Fukunaga, Quentin Tarantino, Dee Rees and Marielle Heller — the directors will receive guidance and mentorship from an impressive list of advisors (director David Gordon Green, DP Bradford Young and editor Dylan Tichenor, to name a few), and will workshop scenes with actors and crew. This year’s filmmakers arrive in Utah with a diverse group of projects spanning topics from the Zambian space program, a mysterious […]
Hamsa, a short film on the Syrian refugee crisis by first-time documentary filmmakers Caroline Spearpoint and Miriam Thom, is the focus of an event next Monday, May 2 at the IFP’s Made in New York Media Center. Hamsa: A Documentary and Educational Platform features the two filmmakers along with Benjamin Lowe (US Senior Campaigner at Change.Org), Rebecca Heller (Director at the International Refugee Assistance Project) and will focus on not only the making of the film but the collaboration with IRAP and Change.org as well as the use of film in social impact campaigns. In the guest post below, Spearpoint […]
Rama Rau’s League of Exotique Dancers is an absolutely delightful and lovingly crafted doc structured around a group of legendary striptease artists as they prepare to return to the stage for the Burlesque Hall of Fame Weekend in Las Vegas — a trip which becomes merely an excuse for the filmmaker to delve deeply into the extraordinary lives of some truly groundbreaking women. Among the timelessly sexy inductees is none other than Kitten Natividad, best known as cult director Russ Meyer’s buxom muse. Prior to the film’s Hot Docs premiere, Filmmaker was fortunate enough to catch up with the Beneath […]