Festivals & Events
Festivals & Events
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Annie Sprinkle on Reuniting with Golden Era Porn Legends for CineKink’s “A Tribute to Club 90”
It’s splendidly ironic that the birth of Club 90 — “the world’s first porn star support group” — occurred in 1983 at a baby shower, the ultimate celebration of sex positivity. Porn actress Veronica Hart (who may be familiar to viewers of Six Feet Under and Boogie Nights, and is still with her high school sweetheart today) was due, porn star-turned-sexologist/performance artist Annie Sprinkle volunteered her apartment at 90 Lexington, the women of NYC’s adult industry showed up, and the rest, as they say, is kink history. At the urging of the late Gloria Leonard (a feminist porn star who […]
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New Directors/New Films Announce 2015 Program
The first of the “new” modifiers in FSLC and MoMA’s always solid showcase New Directors/New Films has taken on a somewhat amorphous application as of late. A handful of this year’s standouts, for instance, are the fourth (Rick Alverson’s Entertainment) or third (Stephane Lafleur’s Tu Dors Nicole; Bill and Turner Ross’ Western) films from their respective directors, while Nadav Lapid, whose Policeman bowed at NYFF in 2011, seems to be making a reverse trip down the FSLC ladder with his third film, The Kindergarten Teacher, which premiered last May in Cannes. Nevertheless, there’s much to look forward to here, especially the inclusion of Britni West’s Tired Moonlight — a micro-budget, Montana-set film that […]
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Birdman, Boyhood, CITIZENFOUR Top 30th Annual Independent Spirit Awards
Birdman won Best Picture at this afternoon’s 30th annual Independent Spirit Awards. Alejandro G. Iñárritu’s film scored two other awards — Best Male Lead and Best Cinematography — while its main Academy competition, Boyhood, won Best Director and Best Supporting Actress. Laura Poitras’s CITIZENFOUR won Best Documentary. Held, as always, a day before the Oscars, Film Independent’s Santa Monica beachside awards ceremony also recognized a number of lower-budgeted independents, including Kumiko, the Treasure Hunter (producer Chris Olson won the Piaget Producers Award), H. (directors Rania Attieh and Daniel Garcia won the Kiehl’s Someone to Watch Award); Dear White People (Best […]
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Berlinale 2015: Jafar Panahi, Promising Newcomers and the Decline of Terrence Malick
In the weeks leading up to this year’s Berlin Film Festival, the festival’s press office revealed an increasingly enticing succession of titles competing in its main slate, generating very high expectations. Somewhat incredibly, they were met. While the Berlinale’s Competition customarily offers a few good films amongst a lot of mediocrity, the trend was reversed this time around, with easily the most outstanding selection in recent memory. In an equally welcome turn, the prizes awarded by Darren Aronofsky’s jury fully reflected the program’s quality, rewarding the most deserving entries while confirming the Berlinale’s avidly nurtured reputation as the most politically […]
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Miami 2.0: Transmedia at FilmGate Interactive
Part conference, part festival – and packed with live events, workshops, parties, and even a “Tech Playground” – FilmGate Interactive uniquely combines cutting edge storytelling with a laidback Miami Beach vibe. I must admit, after reading my colleague Randy Astle’s fascinating interview with FilmGate Interactive founder and executive director Diliana Alexander, my mind’s bar was set high for this young transmedia fest, but this three-year-old event still managed to exceed my expectations and then some. Along with an enthusiastic grassroots team, producer/programmer Alexander — a world traveling Bulgarian and recent Miami transplant — has an uncanny knack for making FilmGate […]
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The Raisers’ Edge: MoMA’s Transcendent “Documentary Fortnight”
Low and high art come to fruitful blows in the 14th edition of one of New York’s most substantive — and absurdly unsung — cinema exhibitions, the International Festival of Nonfiction Film and Media, aka Documentary Fortnight (February 13-27). Low? For 120 years, film has been on the short end of the cultural totem pole, and host venue Museum of Modern Art has never made any bones about the distinction. In this case, however, the medium is infused with accomplished elements from other art forms ranking among the cognoscenti. Long before complementary fora like DOC NYC and the Film Society’s […]
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The 2015 True/False Film Fest Lineup
Here’s the 39-film strong main lineup of this year’s True/False Film Fest, the increasingly-prominent annual documentary festival (with room for what that means) that takes place in Columbia, Missouri. Our coverage begins when the festival does; this year it runs from March 5th-8th. Almost There (Aaron Wickenden, Dan Rybicky) — “Almost There is a coming-of-(old)-age story about 83-year-old Peter Anton, an “outsider” artist living in isolated and crippling conditions whose world changes when two filmmakers discover his work and storied past. Shot over eight years, Almost There documents Anton’s first major exhibition and how the controversy it generates forces him […]
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SXSW Announces 2015 Midnight and Shorts Lineups
On the heels of last week’s feature program announcement, SXSW has just released their selections for Midnighters and Shorts. In addition to several Sundance holdovers — including Jury Prize winners World of Tomorrow and Oh Lucy! — the several shorts programs feature new work from Leah Shore (HALLWAY), ornana (All Your Favorite Shows!), James M. Johnston (Melville), and DANIELS (Interesting Ball), as well as the latter’s very viral music video Turn Down For What. Find the full list of added features and shorts below. FEATURES MIDNIGHTERS Scary, funny, sexy, controversial – provocative after-dark features for night owls and the terminally curious. The Corpse of Anna Fritz (Spain) Director: […]
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“Awful!” vs. Applause: Terrence Malick’s Knight of Cups
When it was announced late last year that Terrence Malick’s Knight of Cups would be in competition at the 2015 Berlinale, many read this as a sign of hope – that the festival could still manage to snag a world premiere that most would assume was destined for Cannes. At the other end of the scale, there were those who, sight unseen, took this as confirmation that its unspooling here is a telltale sign that the film simply must be second-rate. That divide was as evident at the finale of Sunday’s press screening, where the first sound heard in the packed […]
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Previewing Berlinale 2015: Malick, Herzog, Panahi and More
Given that Wong Kar-wai’s The Grandmaster and Wes Anderson’s The Grand Budapest Hotel kicked off the Berlinale the last two years, the response was less than enthusiastic when Isabel Coixet’s Nobody Wants the Night was announced as this year’s opening film (though, predictably, many a Twitter wag delighted in the film title’s pliability for expressing what it is that nobody wants). The Greenland-set period drama stars Juliette Binoche as Josephine, the wife of arctic explorer Robert Peary, and follows her attempt to rejoin her husband on his mission to reach the North Pole. When an Inuit woman comes to her aid on […]
