Filmmaking
Filmmaking
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Watch: Barbara Kopple’s New Short Documentary for Free
Fortune has partnered with WorkingNation to distribute four episodes of “FutureWork,” a series of digital shorts by award-winning director Barbara Kopple. The first of the films, A Story of Yesterday & Today, which explores the demise of the Eastman Kodak Company in Rochester, NY, and the impact it has had on local families, is available for free now. You can watch it above. It is also available at Fortune.com, Time.com and WorkingNation.com. WorkingNation is a new not-for-profit national campaign dedicated to raising awareness of the looming unemployment crisis and skills gap in the United States. The series consists of four 10-minute […]
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The Year’s Most Unforgettable Documentary Subjects
Cinema Eye, the organization that recognizes outstanding accomplishments in nonfiction filmmaking, today announced their annual list of The Unforgettables, the most memorable nonfiction film subjects. The list, which features 18 individuals from 15 films, was determined by Cinema Eye’s nominations committee, which is comprised of some of the world’s top documentary film programmers and curators, as well as the 2016 filmmakers in the running for this year’s awards. “For the fourth year, we are proud to celebrate the collaborative process of documentary filmmaking by acknowledging the role that subjects play in creating many of the year’s best films,” said Cinema Eye Managing Director […]
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Trailer Watch: Sophia Takal’s Award-Winning Always Shine
In Sophia Takal’s Always Shine, two actress friends (Halt and Catch Fire’s Mackenzie Davis and Masters of Sex’s Caitlin FitzGerald), leave Los Angeles for a weekend getaway in hopes of reconnecting. But as the two women’s suppressed jealousies and deep-seated resentments bubble to the surface, they lose grasp not only of their relationship, but also of their own identities. Check out the trailer to the film, which earned Davis the 2016 Tribeca Film Festival award for Best Actress, above. Always Shine will hit theaters on December 2.
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A Disturbing Trend: Documentary Filmmakers Arrested for Doing Their Job
On Monday, October 17, a North Dakota judge dismissed the criminal charges that had been filed against journalist Amy Goodman, host and executive producer of Democracy Now, over her reporting on a protest against the Dakota Access Pipeline. Judge John Grinsteiner ruled there was no probable cause to support the allegations, and therefore, he dismissed the case. Of course, this is good news. But the dangerous reality is that journalistic freedom is still under threat as arresting journalists and filmmakers who are reporting on citizen protests has become a bonafide trend. On Tuesday, October 11, Deia Schlosberg, producer of the 2016 documentary How […]
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Watch: Jim Jarmusch on Cinema and His Influences
Director Jim Jarmusch sat down with New York Film Festival Director Kent Jones for this year’s On Cinema master class, to discuss some of his favorite films and directors, including Samuel Fuller, Abbas Kiarostami, Aki Kaurismäki, Robert Wise, Nicholas Ray, and others. You can watch the entire one-hour conversation in the video above. Jarmusch had two films at the 54th New York Film Festival: Main Slate selection Paterson starring Adam Driver, and Gimme Danger, a documentary on Iggy Pop and the Stooges, which will open at the Film Society of Lincoln Center on October 28.
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How to Appreciate the Techno-Aesthetic Breakthroughs of Ang Lee’s Billy Lynn’s Long Halftime Walk
Tonight, Friday, October 14, 2016, the Film Society of Lincoln Center makes cinema history with the New York Film Festival’s world premiere of Ang Lee’s Billy Lynn’s Long Halftime Walk, presented at the 600-seat AMC Loews Lincoln Square 13 IMAX theater on its 100-foot-wide screen, the largest in North America. The brief on this technological milestone? Images shot and projected at 120 fps, dual 4K RGB laser projectors that display wide color gamut and high dynamic range, bright RealD 3D, 12-channel audio with overhead speakers plus sub-bass. Talk about immersive! And what of the film itself? Billy Lynn’s Long Halftime […]
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Kelly Reichardt on Shooting Certain Women on 16mm, the Ugliness of the Day, and Making the Space Tell the Story
In the more than two decades since her stunning debut film River of Grass premiered at Sundance in 1994, Kelly Reichardt has managed to carve out a unique niche for herself in the independent film world. Her distinctive and uncompromising body of work includes Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, and her latest, Certain Women, which premiered at the 2016 Sundance Film Festival. Written and directed by Reichardt and based on the short stories of Maile Meloy, Certain Women stars Laura Dern, Kristen Stewart, Michelle Williams, James Le Gros, Jared Harris, Lily Gladstone and René Auberjonois. Shot by frequent collaborator, DP […]
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DOC NYC Announces Full Lineup for 2016 Festival
DOC NYC has announced the full lineup for its seventh edition, which runs from November 10-17 in Manhattan. The 2016 festival, held at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea, includes 110 feature-length documentaries (44% directed/co-directed by women) and over 250 films and events overall. World premieres at the festival include City of Joy, about a women’s leadership community in Eastern Democratic Republic of Congo; the new Netflix series Captive, about stories of hostage-taking; HBO’s Every Brilliant Thing, directed by Fenton Bailey and Randy Barbato, capturing the poignant and funny one-man show by Jonny Donahoe; and Rikers, a searing indictment of the New York […]
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Alex Ross Perry on Joel Potrykus’ Buzzard
Editor’s note: with Joel Potrykus’ new film The Alchemist Cookbook now available for purchase, we’re unlocking writer/director Alex Ross Perry’s appreciation of his work from our Summer 2015 issue. Joel Potrykus’s Buzzard is either an extremely difficult or very simple movie to embrace. On the one hand, it contains enough juvenile/dumb/low humor to elicit honest guffaws alongside of-the-moment ’90s nostalgia to appeal to those of us raised on horror VHS tapes and Nintendo. Insults are clever and land with precision. The characterization of idiot manchild culture is somehow at once both obvious and insightful. More challenging to embrace, notice or even appreciate are the […]
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The Adventures of a Furie-ous Evangelist: Looking Back After a Toronto International Film Festival Premiere
My book editor on Sidney J. Furie: Life and Films — the venerable, celebrated Patrick McGilligan — once told me in an e-mail, “There is nothing like one’s first book. You forever feel a special connection to that first subject matter. I feel the same fondness about James Cagney, my first book’s subject, as you probably do for Sidney J. Furie, your first.” For certain, I find that to be true. But I feel an even stronger bond to Furie, by sheer virtue of the fact that I was the very first to write a book — or, for that matter, any kind of […]
