Filmmaking
Filmmaking
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Watch for 48 Hours: Spider Veins and Hearts of Palm from the East Oregon Film Festival
With the East Oregon Film Festival underway this weekend in La Grande, Oregon, Filmmaker is happy to once again host the festival online selections here at the site. Starting now, for 48 hours, you can watch Monica Peña’s haunting and haunted relationship mystery, Hearts of Palm, preceded by a short, Frank Mosley’s multi-layered psychological drama Spider Veins. From the filmmakers, here are their two short synopses: Spider Veins: Two women reunite in a quiet neighborhood before a party begins. But by turns mysterious and shocking, the film’s narrative begins to unravel even as the women’s relationship teeters on the edge of […]
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Laughing Matters (and Not)
The Squid and the Whale The Squid and the Whale was, for Noah Baumbach, a rare and blessed thing: an honest to god new beginning. Baumbach’s directing career started strong (his first two films, Kicking and Screaming and Mr. Jealousy, were both released before he turned 30) but sat idle for eight years between Mr. Jealousy and the 2005 Sundance premiere of The Squid and the Whale, which brought Baumbach back with a passion. Watching the film, you get the sense that the wasteland years created within him a burning passion to scream this autobiographical story as furiously as possible […]
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Pilot Checkride: How To Break Into Television Writing, Part Two
In the summer issue of this magazine, I wrote about how television is written and some of the ways that a screenwriter might break into writing for television — starting as an assistant in the writers’ room, fellowship programs, being hired directly to staff and selling a pitch or a pilot. As I noted in conclusion, whichever route you take, it all starts with a great pilot — that’s the sample that your agents will use to put you up for staffing, that’s the usual application piece for fellowships, and that’s even what assistants submit for consideration. So what exactly […]
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Playing the Long Game: Producers on Sustaining a Career in Independent Film
When legendary producer and studio executive Robert Evans penned his autobiography — later adapted into a documentary — he picked a telling title: The Kid Stays in the Picture. You would think that after producing films like Chinatown and Urban Cowboy, Evans could happily rest on his laurels, but his book’s title, with its defiant use of the present tense, speaks to the ambitions and anxieties affecting every filmmaker with producer DNA. These, of course, are issues of continuing relevance and professional durability — or, to use the independent film parlance of the moment, sustainability. Contrary to the imagination of […]
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Watch: Barbara Kopple’s New Short Documentary for Free
Fortune has partnered with WorkingNation to distribute four episodes of “FutureWork,” a series of digital shorts by award-winning director Barbara Kopple. The first of the films, A Story of Yesterday & Today, which explores the demise of the Eastman Kodak Company in Rochester, NY, and the impact it has had on local families, is available for free now. You can watch it above. It is also available at Fortune.com, Time.com and WorkingNation.com. WorkingNation is a new not-for-profit national campaign dedicated to raising awareness of the looming unemployment crisis and skills gap in the United States. The series consists of four 10-minute […]
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The Year’s Most Unforgettable Documentary Subjects
Cinema Eye, the organization that recognizes outstanding accomplishments in nonfiction filmmaking, today announced their annual list of The Unforgettables, the most memorable nonfiction film subjects. The list, which features 18 individuals from 15 films, was determined by Cinema Eye’s nominations committee, which is comprised of some of the world’s top documentary film programmers and curators, as well as the 2016 filmmakers in the running for this year’s awards. “For the fourth year, we are proud to celebrate the collaborative process of documentary filmmaking by acknowledging the role that subjects play in creating many of the year’s best films,” said Cinema Eye Managing Director […]
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Trailer Watch: Sophia Takal’s Award-Winning Always Shine
In Sophia Takal’s Always Shine, two actress friends (Halt and Catch Fire’s Mackenzie Davis and Masters of Sex’s Caitlin FitzGerald), leave Los Angeles for a weekend getaway in hopes of reconnecting. But as the two women’s suppressed jealousies and deep-seated resentments bubble to the surface, they lose grasp not only of their relationship, but also of their own identities. Check out the trailer to the film, which earned Davis the 2016 Tribeca Film Festival award for Best Actress, above. Always Shine will hit theaters on December 2.
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A Disturbing Trend: Documentary Filmmakers Arrested for Doing Their Job
On Monday, October 17, a North Dakota judge dismissed the criminal charges that had been filed against journalist Amy Goodman, host and executive producer of Democracy Now, over her reporting on a protest against the Dakota Access Pipeline. Judge John Grinsteiner ruled there was no probable cause to support the allegations, and therefore, he dismissed the case. Of course, this is good news. But the dangerous reality is that journalistic freedom is still under threat as arresting journalists and filmmakers who are reporting on citizen protests has become a bonafide trend. On Tuesday, October 11, Deia Schlosberg, producer of the 2016 documentary How […]
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Watch: Jim Jarmusch on Cinema and His Influences
Director Jim Jarmusch sat down with New York Film Festival Director Kent Jones for this year’s On Cinema master class, to discuss some of his favorite films and directors, including Samuel Fuller, Abbas Kiarostami, Aki Kaurismäki, Robert Wise, Nicholas Ray, and others. You can watch the entire one-hour conversation in the video above. Jarmusch had two films at the 54th New York Film Festival: Main Slate selection Paterson starring Adam Driver, and Gimme Danger, a documentary on Iggy Pop and the Stooges, which will open at the Film Society of Lincoln Center on October 28.
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How to Appreciate the Techno-Aesthetic Breakthroughs of Ang Lee’s Billy Lynn’s Long Halftime Walk
Tonight, Friday, October 14, 2016, the Film Society of Lincoln Center makes cinema history with the New York Film Festival’s world premiere of Ang Lee’s Billy Lynn’s Long Halftime Walk, presented at the 600-seat AMC Loews Lincoln Square 13 IMAX theater on its 100-foot-wide screen, the largest in North America. The brief on this technological milestone? Images shot and projected at 120 fps, dual 4K RGB laser projectors that display wide color gamut and high dynamic range, bright RealD 3D, 12-channel audio with overhead speakers plus sub-bass. Talk about immersive! And what of the film itself? Billy Lynn’s Long Halftime […]
