Filmmaking
Filmmaking
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Dan Berger on Why Oscilloscope is Selling Their 35mm Prints on Craigslist
A somewhat unsettling Craigslist ad made the rounds on Twitter on Wednesday night, offering up “indie film prints” for the grand total of $1. The dollar was a placeholder, but the offer was very much real: Oscilloscope was “cleaning (ware)house” and looking to sell 35mm prints of Wuthering Heights, We Need to Talk About Kevin, and a handful of others to the highest bidder. Though the post is now flagged for removal, I reached out to Oscilloscope’s Dan Berger about why the company was trying to find a new home for their own property. Immediately, he assured me that the future availability of […]
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Fandor to Finance Original Shorts Program
Yesterday, Fandor announced the creation of its FIXshorts program, which invited participants in its FIX initiative to submit a budget and proposal for a short-form production. 5 out of the 34 proposals were selected to receive 50% project funding from Fandor, while the other half will be raised on Kickstarter, promoting a “hybrid process to help filmmakers use several modern fundraising and marketing tools to complete and distribute their projects.” Fandor will provide crowdfunding rewards (including monthly subscription trials) and assist with outreach, in addition to ensuring distribution on the streaming platform. The program will run twice annually, with more projects in consideration for support come […]
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Meta Hairy: David Robert Mitchell’s It Follows
Unlike dopamine-inducing mood enhancers, the opening sequence of unique hybrid It Follows aims for atmosphere, not climax — though that, too, will come. It is cinematic foreplay, simultaneously tease and microcosm. Over the span of several minutes, David Robert Mitchell succinctly anticipates not only the plotline of the narrative, but also its themes and infrastructure. He privileges ambience over character development even more in this genre-bending teen/horror movie than he did in 2010’s Myth of the American Sleepover, the film about growing pains and friendship among youth in suburban Detroit that put him on the radar of film scene machers. Myth was primarily […]
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What Does It Mean to be a Producer?
Alongside her current Kickstarter campaign for Robert Machoian and Rodrigo Ojeda-Beck’s God Bless the Child, producer Laura Heberton pens this guest essay for Filmmaker reflecting on the many different ways one can be a film producer in our Internet age. Both God Bless the Child and another picture produced by Heberton, Alison Bagnall’s Funny Bunny, premiere at the 2015 SXSW Film Festival. This coming Friday, at about 2 o’clock in the morning, I will finally get to meet, in some (probably nondescript) lobby of a hotel in Austin, Robert Machoain and Rodrigo Ojeda-Beck — in person and for the very […]
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Not a Deleuze Lecture, but What? Thom Andersen’s The Thoughts That Once We Had
I’ve heard many mistake the voiceover in Los Angeles Plays Itself as belonging to its writer-director Thom Andersen when it’s actually Encke King. A fair assumption — King speaks in a first person voiceover in a rather curmudgeonly monotone, fitting for the film’s occasionally cantankerous examination of the relationship between the physical spaces of Los Angeles and the way Hollywood films have portrayed them. The real Andersen is a more elusive character. His voice is more casual but less direct, his articulated knowledge of his own projects is tempered, bouncing around a given topic than directly addressing it. He pauses […]
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Tech Meets Entrepreneurship Meets Storytelling: Five Takeaways from Kara Oehler on the She Does Podcast
It’s difficult to sum up what Kara Oehler does in a single title. The process quickly turns into a hyphenated chain of words — documentarian-radio producer-tech founder-interactive media producer-entrepreneur-academic. We chatted with the co-founder of Zeega and GoPop — the latter which was recently acquired by Buzzfeed — about her early influences in radio, starting communities like UnionDocs Collaborative Studio and metaLAB at Harvard, living out of her car to document Main Streets across America and being a female in the tech and startup world. Come along for the ride, it’s a lot of fun. Listen to this teaser from […]
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IFP Announces New Lab for Serialized Web Projects and Theatrical Launches for Web Series
The Independent Filmmaker Project (IFP), Filmmaker‘s parent organization, announced today the launch of its Screen Forward Labs, a year-long program and incubator for the creators of serialized projects aiming to push storytelling forward. Eight innovative media creators will be selected each year and provided mentorship, six months free residency at the Made in NY Media Center by IFP and $10,000 of services aimed at helping them to develop cutting-edge work. An intensive, week-long Lab in November 2015 will provide participants with the knowledge, resources and mentor support necessary for developing strong pitches, securing financing, creating marketing strategies and finding unique avenues […]
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Can a Filmmaker Balance Movies with a Full-Time Teaching Career?
Selected for Filmmaker’s 25 New Faces series, filmmakers Robert Machoian and Rodrigo Ojeda-Beck are currently on Kickstarter via producer Laura Heberton’s campaign to cover festival expenses for their latest feature, God Bless the Child. In the below guest essay, Machoian, who works as an adjunct professor, ponders the current dilemma in his life: should he accept a full-time teaching position that will necessarily change the rhythm of his filmmaking? Read on, and check out the film’s campaign on Kickstarter and consider donating. “Those who can, do; those who can’t, teach.” This is a phrase I hear thrown around often, I […]
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Getting Close: Remembering Albert Maysles
I woke up in a strange bed in Harlem on a cold and rainy Saturday morning. I was in the second floor guest bedroom of a beautiful old brownstone. The bookshelves were lined with revolutionary material from all cultures, resources for creating manned insurrections, overthrowing governments and surviving months in the wild with only a backpack. Stacks of old records littered the room, mostly ’70s funk, Afro-Cuban jazz and Fela. I grabbed my iPhone, which had slept by my head next to the pillow and considered tweeting or instagramming the moment but quickly dismissed the idea. I stumbled down a […]
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Directors and Producers Tyler Measom and Justin Weinstein on The Amazing Randi Doc An Honest Liar
I’ve been a fan of Tyler Measom’s work ever since I wandered into a screening of his and Jennilyn Merten’s nail-biting portrait of teen exiles from the FLDS Church, Sons of Perdition, at Tribeca five years back. (The doc ultimately went on to be picked up by the Oprah Winfrey Network for broadcast the following year.) Now Measom has teamed up with producer Justin Weinstein (a scientist turned filmmaker and both executive producer of Ryan Murdoch’s Bronx Obama and writer/editor of Constance Marks’s Being Elmo: A Puppeteer’s Journey) to craft another festival success story. An Honest Liar is an up […]
