Producer Gabrielle Nadig was recently at the Sundance Creative Producing Summit with King Jack, a project written and directed by Felix Thompson about a 15-year-old boy looking after his younger cousin for the weekend who must also deal with the local bully. The following is what Nadig wrote about her experiences there. The Sundance Creative Producing Lab has changed my life. I realize this is a bold statement but I know that my five fellow producers chosen to participate in this year’s Lab would say the same. I have never been a part of a program that was so nurturing, generous, uplifting, […]
What is a movie or a TV program? Is it the creative message, the story, or the medium of distribution, whether movie theater of living room TV set? Is a movie the once-upon-a-time full-motion b&w and color images of The Wizard of Oz or the grand panorama of Lawrence of Arabia – or is it the stories they tell? Is a TV show the grainy images distributed through a broadcast or cable system and displayed on a tiny living-room set shows – or is Edward R. Murrow, I Love Lucy or Elvis on The Ed Sullivan Show? When is a movie […]
The following is a guest post, presented by ASCAP Composer Spotlight, by Alex Steyermark, the director of The 78 Project, Losers Take All, One Last Thing and Prey For Rock & Roll. Steyermark has also worked as a music supervisor and music producer for such people as Ang Lee and Spike Lee, and is a member of the Columbia University Faculty, running the ASCAP/Columbia University Film Scoring Workshop. Dogme Manifesto and current filmmaking trends notwithstanding, if you’ve decided that music is something you want for your film, and you’re at that point in your production where your musical needs are […]
Tangerine Entertainment, Anne Hubbell and Amy Hobby’s start-up production company focusing on women directors, has announced the Juice Fund, “a donation-based initiative focused on changing the landscape for women filmmakers.” The Juice Fund’s financing will be crowdsourced. Those interested in Tangerine’s goal of supporting women directors and increasing their presence in the film industry can make tax-deductible donations via New York Women in Film and Television. From the press release: The initial $25,000 raise for the Juice Fund will be used to instigate concrete change in three ways: Rewarding – Ten participating U.S. festivals will present cash Juice Awards to […]
Gordon Willis is one of the truly great cinematographers of the second half of the 20th century, the man responsible for shooting everything from Woody Allen’s Manhattan and Francis Ford Coppola’s The Godfather to such lesser-known (but also brilliantly lensed) movies such as Hal Ashby’s The Landlord and Alan Arkin’s Little Murders. In the second of our ongoing series of exclusive Craft Truck videos, Willis talks about the approach he took to lighting Marlon Brando in the iconic opening scene of The Godfather.
The following is a guest post by veteran entertainment attorney Robert Zipser. It originally appeared on his official website. “In the motion picture business, nothing is more important than rights.” –Prominent Business Affairs Executive Hollywood has loved books ever since the days of silent films. It always will. Sometimes you will hear grumblings from studio executives and producers that acquiring motion picture and television rights to books costs too much. They vow to cut back on it. Pay no attention to this babbling. Hollywood’s love for books will endure for two simple reasons: First, books offer built-in wonderfully developed stories with fascinating plots and […]
When I sit down with a filmmaker to discuss their latest project I almost always discover that in their rush to build an audience and leverage the power of social they have completely forgotten about search. This baffles me — you only have to look to your own browsing habits to know that the major search engines are the portal through which most of us experience the web. Google collects untold amounts of data about our search habits and viewing patterns as we use their sites. They then take this enormous sea of data and analyze it to try and establish links between […]
40 Days of Dating is a reality-based web piece documenting two good friends’ attempt to get to the bottom of their relationship issues by dating each other for 40 days — and documenting it online. The site is cleverly designed, with gorgeous title treatments for each day, and reports from both — Jessica Walsh and Timothy Goodman (both designers, ‘natch) — laid out side by side. Interspersed throughout are photos, little videos, etc. Rules include: the two have to see each other every day; no dating or sex with anyone else; and the 40 days have to include at least […]
The Karen Schmeer Film Editing Fellowship has announced an Open Call for its 2014 Fellow. In addition to a cash award of $1,000, the Fellowship provides an emerging documentary film editor with mentorship and support from both an established editor as well as a number of film organizations, including Manhattan Edit Workshop and SXSW. The Fellowship honors the career and life of Karen Schmeer, an acclaimed editor who worked on a number of classic films, including many by Errol Morris. She was struck and killed by a car fleeing a robbery on the Upper West Side of New York City […]
Ann Marie Bryan is the writer-producer-director of the upcoming film, The Shattered Mind, which is currently in postproduction. She’s raising finishing funds for her film so she can submit to 2014 Sundance Film Festival. Filmmaker invited her to write a guest blog about her film and the campaign, and she submitted the following, in interview form. To learn more and/on contribute, visit the project’s IndieGoGo page: Support The Shattered Mind on IndieGoGo. Q: What is The Shattered Mind about? A: The Shattered Mind, based in New York, is a psychodrama and surreal story about a hard-of-hearing teenager who juggles family, […]