(Reindeerspotting: Escape From Santaland is the opening night film in the MoMA Presents: DocPoint series and screens daily through Monday, June 13, 2011. Go here to learn more.) In the opening minutes of Joonas Neuvonen’s Reindeerspotting: Escape From Santaland, don’t be surprised if you’re overcome with that “here we go again” feeling, and not in a good way. For the eternal question remains, does the world really need yet another film about junky culture? Yes, we know drugs are bad. Yes, we understand by now that they numb your senses and make you behave in illegal, immoral ways. Yes, we […]
In a press release today IFP announced the participants of the 2011 Narrative Independent Filmmaker Lab, which kicked off today and will go on in New York City until June 10. The Narrative Lab Fellows and their features are Matt Ruskin (Booster), Rola Nashef (Detroit Unleaded), Nir Paniry (Extracted), Jenny Deller (Future Weather), Andrew Semans (Nancy, Please), Sara Blecher (Otelo Burning), Tim Sutton (Pavilion), Jaron Henrie-McCrea (Pervertigo), Ryan O’Nan (The Brooklyn Brothers Beat The Best), Mark Harris (The Lost Children) and Keith Miller (Welcome To Pine Hill). This highly immersive, free mentorship program for first-time feature filmmakers is currently the […]
(Out of the Blue opens at Anthology Film Archives for a one-week run on Friday, July 3rd, 2011. Its home video availability is spotty, though hopefully that will change soon.) American cinema has spoken quite well for itself in the first half of 2011, but watching a new 35mm print of Out of the Blue makes even the most graphic new releases seem so utterly tame. As disturbing today as Dennis Hopper’s 1980 drama presumably was back then, Hopper’s long-overdue directorial follow-up to his grand folly The Last Movie unflinchingly depicts the loss of one young girl’s innocence while simultaneously […]
Now up on our VOD Calendar are titles available for the month of June. Some of the highlights: Miguel Arteta‘s Cedar Rapids (see our video interview with Arteta from Sundance), Lee Isaac Chung‘s moving sophmore effort Lucky Life, the Sundance Audience Award winning doc Buck and Michael Winterbottom‘s comedy The Trip. For titles from previous months go to our VOD Calendar homepage.
Moral questions about science, war, justice, and ethics were at the forefront of some of the strongest international work at this year’s Cannes Film Festival. “He’s really not judgmental of his characters at all, is he?” said one party-goer of the Spanish director Pedro Almodóvar. Between bites of warm peaches and pistachio ice cream at a reception for the filmmaker’s sleek, stylish new thriller, The Skin I Live In, party-goers discussed the dark, unsettling tale of a mad scientist (played with panache by Antonio Banderas) who develops a miraculous new variety of human skin and a fraught relationship with his sad, beautiful […]
Today on the site we introduce Farihah Zaman’s new column devoted to genre cinema, “Lady Vengeance.” I’ve long wanted a place on this site dedicated to genre cinema and was happy when Farihah proposed tackling it. Some of you will know her byline from columns and articles posted at Reverse Shot and The Huffington Post. Here at Filmmaker she’ll be appearing every Friday covering genre films of all stripes and sizes, from the mega-blockbusters to the indie, micro and foreign-language titles that contain much of science fiction, fantasy and horror’s new energy. Her piece today, “Revenge of the Nerds,” is […]
Summer is a strange and wonderful time when many of the rules of regular conduct cease to apply, and this pertains not just to the frequency of ice cream consumption and the blessing of “summer Fridays.” Many people have an image of how genre films are usually consumed – by dedicated genre fans, in a quirky downtown arthouse theater, perhaps, or via DVDs shipped from Hong Kong while alone on the couch wearing a snuggie — but in the summer, the entire country seems to develop a taste for blood or kung fu. Independent genre features continue to be released, […]
Bootleg or viral marketing? I assumed the former, but now there’s some chatter that it may be the latter. In any case I would have loved my first glimpse of David Fincher’s new film to be of a higher quality than this shot-off-the-screen Euro redband trailer. UPDATE: The redband trailer has been taken down. Here’s the greenband trailer. Oh, for more of star Rooney Mara, see my piece on her when we selected her as one of our “25 New Faces of 2009.”
Last year Alicia Van Couvering sat down with Jack Fisk, Terrence Malick’s longtime production designer. Here’s a brief excerpt, and the full piece is at the link. Terry and I have developed a relationship where we just go and look at locations together, for weeks, and that way we kind of get in sync on a picture. And then he says, “Whatever you do will be fine.” He’s so trusting, but I’ve worked so hard to fall in line with what he’s after. I think also over the years we’ve kind of developed similar tastes. Some of it came about […]
You may have seen this already — it’s the number 4 video on YouTube — but if you haven’t… After Newsweek dubbed the city of Grand Rapids, MI, “a dying city,” the city responded with a viral video. It’s a cover of Don McLean’s “American Pie,” and as both filmmaking and civic statement it’s astonishing.