Directors
Interviews - Directors
-
Comic Striptease: Joel Allen Schroeder on Dear Mr. Watterson
In Dear Mr. Watterson, fellow comic-strip artists, eerily adoring fans and apparently serious comic-strip critics pay tribute to Bill Watterson, an enigmatic man whose sly, dexterous mind and remarkably precise hand are responsible for “Calvin and Hobbes,” a brilliant, widely-read syndicated newspaper strip that haunted the pages of America’s most hallowed dailies from the early 1980s through the mid-to-late ’90s. The film, Joel Allen Schroeder’s first, attempts to earnestly and without irony portray the ostensibly profound impact the “Calvin and Hobbes” strip has had on the lives of peculiar subset of American youth. In an era in which the form truly reached a […]
-
All in the Family: Shawney Cohen on The Manor
The following interview was initially published at the time of the film’s world premiere at Hot Docs 2013. This week, The Manor plays as part of DOC NYC. The titular subject referred to in Shawney Cohen’s debut feature has nothing to do with ladies and lords, but with the Cohen family business – a combo strip club/motel in a small Canadian town. And The Manor has nothing to do with in the ins and outs of the sex industry, so to speak, but with the inner workings of the Cohen family, which includes Shawney’s 400-pound father (who bought the place when […]
-
Five Questions with The Great Beauty Director Paolo Sorrentino
The interview below first ran as part of Filmmaker‘s coverage of the 2013 Cannes Film Festival, where The Great Beauty had its world premiere. It is released today through Janus Films. Paolo Sorrentino’s latest film, The Great Beauty, premiered in competition in Cannes this year, wowing fans with its over-the-top depiction of modern Rome. Seen through the sad eyes of an aging journalist, Jep Gambardella (Toni Servillo), the film uncovers a series of unsettling scenes where everyone in Rome aims to be an actor on his or her own stage. And Jep is at the center of it all, a man who squandered his […]
-
Five Questions with Sunlight Jr. Director Laurie Collyer
The following interview was originally published in May 2013 to coincide with the world premiere of the film at the Tribeca Film Festival. Sunlight Jr.goes on release theatrically today through Gravitas Ventures. While the lives of the working class are not the stuff Hollywood dreams are made of, they are at the heart of Laurie Collyer’s new film, Sunlight Jr. Starring Naomi Watts and Matt Dillon as a couple dealing with an unexpected pregnancy while trying to survive on minimum wage jobs, Sunlight Jr. premieres at the Tribeca Film Festival this weekend where it is sure to stir up a conversation about what it means […]
-
Five Questions with Charlie Countryman Director Fredrik Bond
A veteran director of commercials and music videos, Swedish-born Fredrik Bond makes his feature debut with Charlie Countryman, an extravagantly romantic tale of the titular young American (Shia Labeouf) who flees to Bucharest after the death of his mother (Melissa Leo). His neighbor on the flight to the Romanian capital dies on the journey, and Charlie is left to seek out his pretty young daughter, Gabi (Evan Rachel Wood), with whom he immediately falls in love. With a star-studded cast featuring Mads Mikkelsen (as Gabi’s psycho gangster ex, Nigel), Til Schweiger, Aubrey Plaza, Vincent D’Onofrio and Rupert Grint (playing a wannabe […]
-
Going Beyond Burlesque with Beth B’s Exposed
“How do you cover up cellulite? With glitter and a spotlight.” These words of wisdom from the legendary NYC, splendidly zaftig, female drag queen World Famous *BOB* pretty much sum up the ethos of legendary NYC, underground filmmaker Beth B’s latest doc-extravaganza Exposed, a behind-the-scenes peep at today’s proudly subversive burlesque movement. Its performers include folks like Rose Wood, a biologically male strip-teaser brought into the scene by biologically female drag queen Dirty Martini, and Mat Fraser, perhaps the sexiest Seal Boy – also the name of his critically-hailed one-man show – on the planet. (Sorry boys and girls, this […]
-
Functional Art: Joe Angio on Revenge of The Mekons
The Mekons are the ultimate cult band. They may not have a huge audience, but their hardy host of admirers takes the British-born band and its three-and-a-half-decade history very seriously. The Mekons emerged as U.K. post-punk’s art-school pranksters in the late ’70s, and after major shifts in personnel and approach, eventually evolved into a sort of sonic polyglot encompassing folk, country, world music, and more. Throughout their rough-and-tumble career they’ve maintained a doggedly DIY modus operandi, eschewing complacency and creating more and more fodder for the intensity of their underground acclaim. At the start of 2008, another impassioned admirer, documentarian […]
-
Michael Kleiman on Web, Connectivity, and Social Documentary
Only 32% of the world’s population has access to the Internet. That figure, coming from the organization A Human Right, means that 4.6 billion people are effectively left out of the Information Age that most of us take for granted. Individuals and organizations across the world are working to ameliorate that and spread online connectivity into underdeveloped and rural areas from the U.S. to Kazakhstan. And films like Tiffany Shlain’s Connected (2011) are starting to probe what can happen to global consciousness when the collective wisdom of the world, not just our meager social networks, are finally truly linked together. […]
-
Five Questions for I Learn America‘s Jean-Michel Dissard and Gitte Peng
The coming-of-age tale is a durable independent film genre, but it takes on added political and personal dimensions in I Learn America, Jean-Michel Dissard and Gitte Peng’s documentary about five new teenage immigrants within New York’s public school system. Dissard, a dual citizen who immigrated himself from France when he was a teenager (and with whom I worked with on Raising Victor Vargas), and Peng, an education reform expert who worked in the Bloomberg administration, embrace within the film the emotional complexity of their subjects’ lives while an exhaustive outreach campaign amplifies its various messages and policy implications. I Learn […]
-
Co-Directing and the Exhaustion of the Indie Filmmaker: The Making of AfterDeath (Part 3)
In parts I & II of our interview with Gez Medinger, the co-director of AfterDeath, we covered finding the story, script development, and the difficulties of finding locations and cast. In this final part of the interview, Medinger talks about co-directing a feature, offers some advice for first time filmmakers, and attempts to explain what it’s really like to make your first movie. The film is currently in post-production, and is expected to be released in early 2014. Filmmaker: You and Robin Schmidt are co-directors on the movie. How does that work? Medinger: Robin and I have both directed […]
