Interviews
Interviews
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The Rasmussen Brothers on Shooting the Low-Budget Horror Movie Dark Feed, Part One
Many filmmakers make a low-budget movie in the hopes of getting to L.A. and working on a big-budget movie. The Rasmussen brothers went in a different direction. Going out to L.A. they wrote and sold a script that was made into The Ward, directed by John Carpenter. But they wanted to do more than just write the script, so after completing their next screenplay they came back to Boston and made the movie Dark Feed on a shoestring. The Rasmussen brothers, Michael and Shawn, spoke to us recently about this experience, and what they have learned about making a movie […]
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Five Questions with Some Girl(s) Director Daisy von Scherler Mayer and Producer Patty West
This article was orginally published in March 2013 to coincide with the film’s premiere at SXSW. Some Girl(s) opens theatrically today in NYC and LA, it’s also now available worldwide on Vimeo On Demand. In the battle of the sexes, there has been perhaps no more controversial warrior than the playwright, screenwriter and director Neil LaBute (In the Company of Men). Since the mid-90s, LaBute has made a name for himself by writing movies that are truly, madly, deeply cynical. Adapted by LaBute from his own stage play and directed by Party Girl helmer Daisy von Scherler Mayer, Some Girl(s) stars […]
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Jem Cohen on Museum Hours
Jem Cohen’s highly recommended Museum Hours — the winner of the Filmmaker-sponsored 2013 Cinema Eye Heterodox Award — opens in theaters today from Cinema Guild. Below is an excerpt (about half) of my interview with Cohen in the current print issue of Filmmaker. You can read the whole interview in the issue, and in the iPad version there’s also a 12-minute video with Cohen explicating various scenes in the film. What does it mean, in 2013, to photograph — to reproduce — a painting? Does it, as Walter Benjamin wrote in his 1936 essay “The Work of Art in the […]
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Judd Ehrlich on Magic Camp
There is a camp for everything. Dance, wrestling, Jesus — you name it, your kid can camp it. In Judd Ehrlich’s charming Magic Camp, the kids have no desire to be the next LeBron James or Sidney Crosby, however; they want to be like one of the Davids, Blaine or Copperfield. Held each summer in Bryn Mawr, PA, Tannen’s Magic Camp, a spinoff of the famed Gotham magic store, teaches teenagers, mostly boys, the fine art of making a rabbit disappear into their ear or a wand suddenly appear in their hand. You think it’s difficult to saw someone in half? Just […]
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“What Do You Think?”: Pedro Almodóvar on I’m So Excited
“What do you think?” asks an inquisitive Pedro Almodóvar, his voice hoarse from constant interviews and his white hair characteristically untamed, like he’s the Don King of foreign film. His question is in response to my own, about why he’s fascinated with sex between partners wherein one of them is asleep, a phenomenon seen in Bad Education and the director’s libidinous, screwball latest, I’m So Excited. It’s at once jarring, thrilling, and humbling to have Almodóvar request your thoughts on his creative motives. Perhaps I should have asked him something else, something less tied to the many interpretations he himself […]
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Which Camera for Which Genre? Five Questions for D.P. Timur Civan
As an undergrad at NYU, Timur Civan studied sculpture before moving into video. “I became really interested in video because I was able to bring time into my sculptural work,” he says. Civan has produced a wide variety of work, from short films, music videos, and corporate videos, to commercials and documentaries. He recently DP’d Vincent Laforet’s intro for the M?VI digital 3-axis gyro-stabilized camera gimbal. He has an affinity for experimenting with unusual gear, and finding new in-camera effects. Civan spoke to us briefly at a recent presentation he gave at Rule Boston Camera: Filmmaker: How did you first get […]
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Christine Turner on Homegoings
This article was orginally published in February 2013 to coincide with the film’s premiere at MoMA’s Documentary Fortnight. Homegoings opens theatrically today at the Maysles Cinema in Harlem and airs tonight on POV. Just in the nick of time for Black History Month, and debuting at the 2013 Documentary Fortnight: MoMA’s International Festival of Nonfiction Film, is Christine Turner’s Homegoings, a poetically crafted exploration of the history of African-American funeral traditions. Told via the Harlem neighborhood’s legendary funeral director Isaiah Owens – who found his calling as a small child, burying all deceased animals he stumbled across in his South […]
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Life’s Lessons: Patrick Wang Discusses In the Family
Joey Williams almost always seems calm. He maintains a consistent position when standing, slouched slightly forward with his hands in his pockets. He looks comfortable, but also concentrated. His eyes never break focus from the person he’s addressing, and when he speaks the Tennessee-accented words drift measuredly out of one side of his mouth. Joey doesn’t command attention so much as he gradually, patiently draws it his way. Joey is the main character of Patrick Wang’s directorial debut feature, the American independent film In the Family (2011), which will be released on Blu-ray and DVD this Tuesday. The general contractor, […]
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Bad Trip: A Conversation with Sebastián Silva on Crystal Fairy and Magic Magic
Sebastián Silva is that rare filmmaker who manages to be both independent and prolific. With five features and a Digital HBO series under his belt, plus three new projects in the works, the 34-year-old writer/director shows little sign of slowing down. At Sundance this year, Silva premiered not one but two new films, the improvisational road trip comedy Crystal Fairy and the Magic Cactus and 2012, and the dark psychological thriller Magic Magic. Both films, made in quick succession, were shot in the director’s native Chile, center on the erratic adventures of displaced Americans, and feature effectively off-kilter performances by […]
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Antoni Stutz on Rushlights
In Antoni Stutz’s 90’s throwback neo-noir Rushlights, the casual flirtation between a very young, low-rent con-man, Billy (Josh Henderson), and ex-junkie turned lunch-counter waitress Sarah (Haley Webb) quickly grows into a torrid love affair in a tiny Texas hamlet, the type found in thrillers where money and guns often find themselves coming together in dangerous confluence, that bespeaks trouble. When Sarah’s roommate, with whom she has a remarkable resemblance, OD’s on heroin, she’s convinced by her cunning new lover to assume the dead woman’s identity after learning that she’s due to receive a hefty inheritance after the death of a wealthy […]
