Interviews
Interviews
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Profiling the SFFS/KRF Filmmaking Grant Finalists (Part 1)
Following on from the Bay Area Boom article about the San Francisco Film Society’s Filmmaker360 program, we are profiling the 13 finalists for the SFFS’s Kenneth Rainin Foundation Filmmaking grant. The winners of this award will be announced on December 8. RYAN COOGLER, FRUITVALE Synopsis: Based on a true story, Fruitvale follows Oscar Grant, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on New Year’s Eve 2008. Bio: Ryan Coogler is a 26-year-old filmmaker based in the Bay Area. He earned his MFA at the University of Southern California School of Cinematic Arts in 2011, where he made several short […]
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Rick Linklater Talks the Gotham-nominated Bernie
Bernie Tiede was the popular person in Carthage. We know this because the small East Texas town residents tell us themselves. They sit on lawns and in office chairs and talk to the camera in Richard Linklater’s new film Bernie, nominated for Gotham Awards for Best Feature and Best Ensemble Performance. This ensemble collectively tells of how Bernie (played in flashback by Jack Black) first came to town in 1985 as an assistant funeral director. Soon, they say, he led Carthaginians through the local church choir, town theater productions, and Little League, even helping people with their tax returns. He […]
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Five Questions with Chasing Ice Director Jeff Orlowski
After years of shooting in extreme conditions, National Geographic photographer James Balog finally realized he could no longer ignore the slow disappearance of frozen landscapes he’d come to know and love. In Chasing Ice, director and cinematographer Jeff Orlowski documents Balog’s ambitious plan to install 25 separate time-lapse cameras across the globe in order to record receding glaciers and shifting ice, dire omens of a changing climate with no audience to bear witness. All the while Orlowski follows directly behind, shooting in dog sleds and ice crevasses, capturing the troubles that beset the most impassioned plans and what one man is […]
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Susan Youssef, Habibi
Nearly 10 years in the making, Habibi is the semi-autobiographical first feature from 2010 “25 New Face” Susan Youssef, a tale of forbidden love between two Palestinian students who find it impossible for their affection to overcome the rigid conventions of class in Palestinian life and Israel’s ironclad security regime. With Israelis and Palestinians again in actively violent conflict, the film couldn’t be more newsworthy, but Youssef’s low-budget aesthetic ingenuity (she couldn’t shoot in Gaza, but faked it admirably) and a remarkable performance from Maisa Abd Elhadi, as the young woman at the center of multiple circles of conflict (family […]
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Ra’anan Alexandrowicz on The Law in These Parts
Ra’anan Alexandrowicz’s The Law in These Parts sheds new light on the Israeli-Palestinian conflict from an unexpected perspective. Interviewing nine military judges, the director explores how Israel created a new legal system to control the Gaza Strip and West Bank after occupying them in 1967. At first, the state may have begun with the understandable desire to defend itself from violence, but its justifications quickly became self-serving. In one of the film’s most memorable examples, a woman was sentenced to a year and a half in jail for giving a “terrorist” bread. The film consists of stylized interviews with the […]
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Tim Heidecker on The Comedy
It’s unlikely that anyone had a more schizophrenic Sundance this past January than Tim Heidecker. The 36-year old actor and filmmaker attended the festival with two projects – Tim and Eric’s Billion Dollar Movie, the feature-length culmination of his and longtime collaborator Eric Wareheim’s cult absurdist comedy TV series Tim and Eric Awesome Show, Great Job!, and the ironically named The Comedy, a dark drama from filmmaker Rick Alverson (New Jerusalem). And as both films have rolled out over the past year, Heidecker has had to juggle dueling personae – zany comedic curmudgeon and dramatic leading man. In The Comedy, […]
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Five Questions with Marfa Girl Director Larry Clark
Border patrol police and racial tension are not your usual ingredients for a teen movie. Like the adolescent characters they feature, teen dramas tend to be self-referential: they are rarely concerned with anything beyond drugs, unprotected sex, and emotional confusion. Larry Clark, best known for his 1995 film Kids, specializes in this genre, but his latest feature, Marfa Girl, somehow eludes the teen canon to offer a diagonal take on an oft-predictable format. Marfa Girl takes place in a small Texas border town that is home to a community of artists and a threatening number of border policemen. While hostility […]
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Five Questions with Tricked Director Paul Verhoeven
Chiefly known for his Hollywood output, which includes films such as Robocop, Basic Instinct, Total Recall and Showgirls, Paul Verhoeven is part of a distinguished lineage of European expats who have made the dream factory great. But the latest project from Verhoeven is the furthest thing from Hollywood one could possibly imagine. This manifests itself not so much in stylistic terms — Tricked (Steekspel) is in fact a soap opera of a comedy — as in the film’s creative process, which saw it being openly crowd-scripted by whomever wanted to contribute. After the first five minutes had been written, the […]
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Love Song: Marie Losier on The Ballad of Genesis and Lady Jaye
With Marie Losier’s retrospective, Just a Million Dreams, now running at New York’s MoMA through November 11, we’re reposting our interview with Losier from our Winter, 2012 print issue. The film discussed here, The Ballad of Genesis and Lady Jaye, screens tomorrow, November 3. What should one expect when one artist turns their camera on another? Although the “portrait of the artist” doc is one of nonfiction filmmaking’s most durable sub-genres, audiences often expect the least from it. In the presence of a great painter, musician or author, directors are frequently expected to sublimate their own styles in favor of […]
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Five Questions with Magic Camp Director Judd Ehrlich
Competition in the performing arts is a staple of non-fiction television and documentary at the moment, but few works step back from the American Idol-style face-off to depict the literal beginnings of their performer subjects. One film that does is Judd Ehrlich’s Magic Camp, a documentary about Tannen’s Magic Camp, a week-long event for budding young magicians where kids learn both stagecraft and sleight-of-hand from an illustrious group of visiting professionals. Ehrlich attended Magic Camp when he was young, and when he became a documentary filmmaker — his previous credits include Mayor of the West Side and Run for Your Life — he knew he had to return to […]
