Interviews
Interviews
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Five Questions with Booster Director Matt Ruskin
Too often contemporary crime dramas binge on the crime and skimp on the drama. This is not the case with Booster, director Matt Ruskin’s debut narrative feature, and his followup to Sundance Channel documentary The Hip Hop Project. The story of Simon, a Boston-based petty thief forced to turn to serious robbery after his brother is arrested, Booster features stellar performances from a handful of Boston natives, as well as veteran character actor Seymour Cassel. Ruskin’s film wrestles with provocative moral issues, taking care to imbue even its most externally-loathsome characters with life and heart. Premiering in Narrative Competition today, […]
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Five Questions with Gregory Crewdson: Brief Encounters Director Ben Shapiro
Photographer Gregory Crewdson is renowned for his elaborately-staged photographs, huge in scope, size, and ambition. So filmmaker Benjamin Shapiro had his work cut out for him when he set out nearly a decade ago to follow Crewdson and demystify the artist’s process. But the biggest surprise of Shapiro’s long-awaited film is just how open, eloquent, and down-to-earth Crewdson is when discussing his art. Crewdson allows the audience unrestricted access to his shoots (not to mention his personal life), even taking us along as he searches for locations, subjects, and inspiration. Gregory Crewdson: Brief Encounters is a refreshingly frank look at […]
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Five Questions with The Sheik and I Director Caveh Zahedi
Caveh Zahedi is no stranger to boundary pushing. His filmography, a blend of narrative and documentary, has covered everything from drug tripping to sex addiction, all from a decidedly first-person perspective. But Zahedi’s latest, the bitterly-titled The Sheik and I, is perhaps his most flagrantly subversive (not to mention personal) work yet. Banned by the very government body that commissioned it, The Sheik and I finds Zahedi let loose on the Middle East. As he pushes boundaries in his attempt to “make a film about trying to make a film,” the resulting work, premiering at SXSW, promises to call into […]
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Kate Lyn Sheil Discusses Acting at SXSW
With a focused, intense, and somewhat mysterious screen persona, actress Kate Lyn Sheil has stood out in a number of recent independent films, including Silver Bullets by Joe Swanberg and Sophia Takal’s Green. At SXSW this year she arrives with four titles, including Amy Seimetz’s Sun Don’t Shine and Bob Byington’s Somebody Up There Likes Me. Here I talk with Sheil about how she got into acting, being a movie fan, her influences and the particular pleasures of independent film.
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Five Questions with Frankie Go Boomi> Director Jordan Roberts
On paper, Jordan Roberts’ frankie go boom certainly stands out as one of SXSW’s boldest offerings. From the film’s profanity-laden ‘official’ premise (quoted below) to its star-studded cast and strange teasers disseminated across the internet, Roberts is building quite a mythology for the project. Starring Sons of Anarchy’s Charlie Hunnam and Bridesmaid’s Chris O’Dowd as warring brothers, and Lizzy Caplan as the girl caught in the middle, the film premieres tonight as part of SXSW’s Narrative Spotlight section. Filmmaker: Let’s start with the film’s official description – “a flik by bruce about his little brother frank who’s a crybaby fuck […]
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Five Questions with In Our Nature Director Brian Savelson
Brian Savelson’s feature debut In Our Nature focuses on a young couple whose weekend getaway takes a u-turn when the young man’s father and his girlfriend show up to their vacation home un-expectedly. Coming off the success of his animated short Counting Water, Savelson’s drama not only boasts an intriguing premise but also an impressive cast including Zach Gilford (Friday Night Lights), Jena Malone (Donnie Darko), Gabrielle Union (Bring It On) and John Slattery (Mad Men). Filmmaker: What inspired the story for this film? Savelson: Everyone on set was constantly making fun of me, calling me by the character’s name and teasing that […]
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5 Questions for Gimme the Loot Director Adam Leon
Writer-Director Adam Leon’s feature debut Gimme the Loot is an urban drama about two teenage graffiti artists from the Bronx who hatch an elaborate plan to get back at a rival gang for defacing one of their latest creations. Gimme the Loot was part of IFP’s/Lincoln Center’s Emerging Visions program and follows the director’s hugely successful short film Killer which premiered at the New Directors/New Films festival. Filmmaker: What inspired you to make a film about teen graffiti artists from the Bronx? Leon: I grew up in the city surrounded by graffiti and have close friends who wrote while we […]
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Five Questions with Waiting for Lightning Director Jacob Rosenberg
Former skateboarder Jacob Rosenberg’s first feature documentary Waiting for Lightning focuses on the evolution of Danny Way from his rough childhood to his emergence as a world famous skater whose daredevil antics would lead him to jump over the Great Wall of China. The film explores how Danny’s experience coming from a broken home led to his passion for skateboarding and his desire to constantly test his own limits. Judging from the film’s trailer, Waiting for Lightning promises to be an equal parts thrilling and deeply inspirational sports doc. Filmmaker: What sparked your interest in doing a documentary on Danny […]
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5 Questions with Fat Kid Rules the World Director Matthew Lillard
For many of us children of the 90s, Matthew Lillard occupies a special place in our pop-culture hearts. He’s the emblem of a particular film movement, woven nostalgically into us like Molly Ringwald and Judd Nelson were for those who came of age a decade earlier. He’s the star of Hackers, She’s All That, SLC Punk – the killer in Scream! And his reasoned, career-rejuvenating turn last year in Alexander Payne’s The Descendents reestablished him as a unique on-screen presence. So it’s interesting to find Lillard moving behind the camera at this juncture in his career. But somehow, Lillard’s first […]
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Scott Glosserman Discusses Gathr and Theatrical On Demand
“Tipping.” “Pulling.” “Gathring.” Yes, a new tech start-up has entered the independent film space, and with it a nomenclature that speaks to its ambition to “democratize” the business of theatrical distribution. Launched by a filmmaker, Scott Glosserman (Behind the Mask), Gathr offers “TOD,” or theatrical-on-demand, an audience-driven process by which fans request (or “pull”) films to local venues by aggregating their interest and pledging their funds in advance via credit card. When enough fans support a screening on a particular day, the film “tips,” and credit cards are charged. Fans get to see films that might never come to their […]
