From the ascension of George Bush (in Journeys with George) to the crash-and-burn of Ted Haggard (The Trials of Ted Haggard), director Alexandra Pelosi has been fascinated with the rise and fall of the men who comprise our political and social landscape. In her latest documentary, Fall to Grace, she finds elements of both narrative arcs in the story of New Jersey Governor Jim McGreevey, who simultaneously resigned his position and announced his homosexuality in 2004, midway into his term. (McGreevey revealed an affair with a man he appointed as New Jersey homeland security advisor.) Following his resignation, McGreevey divorced […]
NICHOLAS ROMBES checks in to Room 237 and the underground world of Kubrick obsessives with director RODNEY ASCHER.
It’s been five years since Yen Tan’s mournful, romantic drama debut Ciao, and the Texas-based filmmaker now returns with Pit Stop. If the early buzz surrounding the film is any indication, Pit Stop shares the emotional intimacy of its predecessor, this time tracking the relationship of two gay men in a blue collar small Texas town. The film premieres today in the Sundance Film Festival’s NEXT section. Filmmaker: Where did the inspiration for Pit Stop come from? Can you speak a bit about Gabe and Ernesto’s characters, and how you developed each? Tan: Pit Stop came about during my road trips between the […]
Over the past half-decade, Calvin Reeder has carved out a filmmaking niche all his own. His debut feature, The Oregonian (which premiered at Sundance two years ago), as well as his much-praised early short films, are a strange mix of psychological horror, high-minded surrealism, camp, and a soundtrack and filmic texture that hint at both nostalgia and discomfort. His second feature, The Rambler, is an adaptation of his 2008 short film of the same name, and follows a man (Dermot Mulroney) recently released from jail who embarks on a journey to reconnect with his long-lost brother. It premieres today in […]
After taking a few years off from filmmaking to form a family and take on adult responsibilities (such as buying a house), Andrew Bujalski premieres his newest film Computer Chess in Park City today. Using an interesting combination of non-professional and professional actors, this crowdsourced movie centers around a tournament of chess players and computer programmers in the 1980s. Though Computer Chess is indeed a period piece, its interest in humans’ relationship with technology remains entirely pertinent as our culture, more than three decades later, finds itself hinged to computers but unable to answer some of the same questions the […]
A Teacher, filmmaker Hannah Fidell’s feature debut, focuses on the increasingly unstable Diana (Lindsay Burge), a young teacher carrying on an affair with her underage student. But the film is not too concerned with the shocking or tawdry details of this central relationship. Instead, Fidell turns her focus inwards towards Diana’s subtly crumbling mental state, treating her gradual self-destruction as the focal point of tension. It’s a subtle and precise work, and surely one of the most unnerving selections of this year’s Sundance Film Festival. Filmmaker: Like your short The Gathering Squall, which was based on a Joyce Carol Oates […]
Downtown Manhattan, September 17, 2011—the first 1,000 protestors of the Occupy movement descend upon Wall Street and its neighboring Zucotti Park, pounding the cobblestones in the face of corporate neglect. Driven by the ever-expanding gulf within the socio-economic bracket, this modern day iteration of class warfare soon sparked a worldwide phenomenon. As fervent opinions batted about and media biases multiplied, documentary filmmakers Audrey Ewell and Aaron Aites sought to craft a holistic, honest portrait of the movement. Their resulting film, 99% – The Occupy Wall Street Collaborative Film, utilizes footage from filmmakers—novice and professional alike—from across the nation, in order […]
Writer/director Nadia Szold dubs her debut feature Joy de V. “a dark Bildungsroman,” compressing as it does into a few short days a maelstrom of yearning, confusion and ultimately acceptance. As the film opens, Joy (Josephine de la Baume) abruptly walks out on her young marriage to Roman (Evan Louison), who has been living on government mental disability payments. Roman’s got another problem too, when he learns these checks are being cut off. So, while searching for his wife, Roman decides to perform “a public act of lunacy” that will demonstrate to the world his craziness. Roman crisscrosses the five […]
Texas-based filmmaker David Lowery has been at the center of the indie scene for some time now, and not just because of his excellent 2009 directorial debut St. Nick and that film’s much lauded follow-up, the 2011 short Pioneer. Check out Lowery’s IMDB page and you’ll discover that he has worked extensively on dozens of other projects over the past few years – as editor on Amy Seimetz’s Sun Don’t Shine and Dustin Guy Defa’s Bad Fever, as cinematographer on Frank Ross’ Audrey the Trainwreck, even as sound recordist for Kentucker Audley’s Open Five. With Ain’t Them Bodies Saints, Lowery’s […]
In 2011, an Icelandic-British film called Either Way won Best Film and Best Screenplay at the Torino Film Festival. Just over a year later, David Gordon Green, an American filmmaker whose own projects have debuted at Torino, has remade Either Way into the comedy Prince Avalanche starring Paul Rudd (Knocked Up) and Emile Hirsch (Into the Wild). The movie studies two men who leave their city lives to paint traffic lines down a wrecked highway. As they move through the hot summer and learn more about one another, an unexpected friendship develops. Much to everyone’s surprise, Green pulled off shooting this feature film in Texas over […]