A graduate of Bard College, filmmaker Tony Stone’s first feature, Severed Ways: The Norse Discovery of America, unleashes an almost-new genre – the indie historical drama. It might also be the ultimate heavy metal video. Based on historical research, Severed Ways follows two Vikings stranded in medieval America, encountering both Native Americans and monks, everyone trying to survive. It is deeper than an action film as the Vikings are complete characters, violent but missing their girlfriends. In a way, Old Joy with Vikings. Shot on mini-DV, the result is stunning, a period piece that looks like a painting but feels […]
In connection with the Film Society of Lincoln Center’s new series “Mavericks and Outsiders: Positif Celebrates American Cinema,” Jamie Stuart spoke recently with Positif‘s editor, the noted French film critic and author Michel Ciment. FILMMAKER: I probably know you best from your Kubrick book. What was that like, having the ability to interview him over the years? CIMENT: Well, it came very naturally. I don’t know why. I think he had a piece of mine translated from 1968 — a long essay I did on the work of Kubrick. It was probably the first essay in France to try to […]
For Terence Davies, his youth — his early years in Liverpool, his relationship with his mother, and his feelings about being gay in that working-class town — have always provided the raw material for his filmmaking. His celebrated “Terence Davies Trilogy,” a collection of shorts, and later features like Distant Voices, Still Lives and The Long Day Closes summon up for the viewer an interior life with a rare combination of lyricism and heartache. These films cemented Davies’s international reputation, but after two more, non-autobiographical features (The House of Mirth and The Neon Bible), he became less active, a development […]
Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed Vicky Cristina Barcelona star Penélope Cruz for our Gotham Independent Film Awards special section in the Fall ’08 issue. Vicky Cristina Barcelona is nominated for Best Actress (Penélope Cruz). Talking over the phone from London where she’s rehearsing her role in Rob Marshall’s film adaptation of the Tony Award-winning musical, Nine, Penélope Cruz sounds humbled when congratulated for being named one of this year’s Gotham Award Tributes, but […]
Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed Waltz With Bashir writer-director Ari Folman for our Fall ’08 issue. Waltz With Bashir is nominated for Best Foreign Film. It’s been said that the job of the filmmaker is to put on screen things that have never been seen before. And while cinema is essentially an infant art form, these days there are still relatively few films that move into genuinely new territory. Waltz with Bashir, which […]
Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Brandon Harris interviewed The Class co-writer-director Laurent Cantet for our Fall ’08 issue. The Class is nominated for Best Foreign Film. Starting with 1999’s Human Resources, Laurent Cantet has quickly built an international reputation as France’s most socially engaged narrative filmmaker, crafting films that highlight the ever lingering issues of race and class in both France and, as in the case of his 2006 film Heading South, its former colony of […]
Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Howard Feinstein interviewed Trouble The Water directors Tia Lessin and Carl Deal for our Summer ’08 issue as well as the film’s subjects, Kim and Scott Rivers, in a sidebar to the piece. Trouble The Water is nominated for Best Documentary. Brooklynites Tia Lessin and Carl Deal had the near-perfect recipe for what I consider the near-perfect documentary: a unique situation, inimitable subjects, a strong but non-didactic political thrust and that […]
WERNER HERZOG AND D.P. PETER ZEITLINGER CAPTURE ANTARCTICA IN ENCOUNTERS AT THE END OF THE WORLD. COURTESY THINKFILM. Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed Encounters at the End of the World director Werner Herzog for our Director Interviews section of the Website. Encounters at the End of the World is nominated for Best Documentary. For more than 40 years, Werner Herzog has been redrawing the map, both cinematically and geographically. He started making short […]
James Marsh has wrestled before with subjects — both fictional and real life — whose obsessions have fueled eccentric and, at times, even extreme behavior. In The Burger and the King (1996), based on David Adler‘s book, he chronicled Elvis Presley‘s lifelong habit of compulsive eating. Wisconsin Death Trip (2000), based on the nonfiction book by Michael Lesy, traced the origins of a bizarre strain of murders, suicides and odd happenstances in a small Wisconsin community of the 1890s. And in his debut feature, The King (2005), which Marsh scripted with Milo Addica, he dramatized a story of misguided faith […]
Leading up to the Oscars on Feb. 24, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed The Betrayal director Ellen Kuras for our Director Interviews section of the Website. The Betrayal is nominated for Best Documentary. THAVISOUK PHRASAVATH AND ORADY PHRASAVATH IN DIRECTOR ELLEN KURAS’ THE BETRAYAL (NERAKHOON). COURTESY CINEMA GUILD. Since she first came to prominence almost twenty years ago, Ellen Kuras has established herself as one of the most talented directors of photography working today. Film was not Kuras’ primary focus when […]