Issues
-
A Rising Tide?
In a sure sign that the U.S. economy is improving, Wal-Mart employees and union actors in low-budget movies received an approximate 25 percent wage hike earlier this year. Across the country, companies like McDonald’s and many U.S. states are also raising workers’ pay. Such positive economic indicators should be cause for celebration, but for low-budget filmmakers, they signal a more expensive world in which to do business. As prolific producer Jay Van Hoy (The Witch) says, “It’s inflation, you know.” While inflationary expenses won’t severely impact medium-budgeted independent films, rising costs could imperil the vast number of micro-budget productions, which […]
-
Finding the Pause Button
A lone van sits idling outside terminal four at JFK. As the last of the passengers settle into their seats, a voice cracks through the early morning silence: “Does anyone know where we’re going?” Nervous laughter fills the air. “Welcome to Forward Slash Story,” says the man behind the wheel as he pulls away from the curb. Twenty storytellers working across a diversity of disciplines (film, TV, theater, gaming, publishing and product design) have traveled from around the world to gather for a residential lab to explore, challenge and experiment with the creative process. Their destination is a secret remote […]
-
Kick Out the Jams
Ten years ago, without a sliver of experience, the Lebanese-born, Detroit-based Rola Nashef conceived what would become the short precursor to her acclaimed 2012 independent feature Detroit Unleaded. She had the idea to relate the quotidian trials of an Arab-American man working behind bulletproof glass at an inner-city filling station and had to figure out how to do it. “The short script,” she claims, “was the first time I’d written anything in my life.” After making the short, she spent a year with it on the festival circuit and another distributing it to universities for educational purposes, bucking the notion […]
-
Haunted Houses and Hidden Spaces
The Dark Net: Inside the Digital Underworld Behind the familiar Internet most of us inhabit skulks the dark net: unlinked, encrypted, password-protected sites and pages serving as forums for everything from marijuana-by-mail sales to mutual suicide webcam pacts. Author Jamie Bartlett is director of the Centre for Analysis of Social Media at the United Kingdom think tank Demos, which makes him well qualified to dive in and find out what the deeper implications of the dark net might be. Some British reviewers have taken issue with Bartlett’s optimistic assessment that these unregulated channels are by and large a good thing; […]
-
Editor’s Letter
If you’re a regular Filmmaker reader, you know that we’re obsessed about how the world of film is changing. But sometimes whatever is new and upcoming on the horizon has actually already arrived. Have you noticed? All those things that we chatter about here in our line items and articles and in these Editor’s Letters, well, they are almost old news. That is, if you’re not up on the new landscape, you’re not in the game. Compile a list of funders and distributors these days, and you’ll include alongside all the usual suspects Netflix and Amazon, who are now not […]
-
Teaching Immersion and Stereoscopy
The profusion of virtual reality projects showcased at the 2015 Sundance Film Festival is a testament to the fact that the tools and techniques for cinematic storytelling are expanding. Film schools are adapting, often quickly creating new courses that attempt to help students navigate this new frontier. My colleague Eric Hanson, for example, now teaches a course in University of Southern California’s School of Cinematic Arts called “Experiments in Immersive Design.” The course was originally designed to help students understand the history, theory and practice of three-dimensional filmmaking. But under Hanson it has shifted more to incorporate his background and […]
-
I’ll Come Running: Alfonso Gomez-Rejon and Jesse Andrews on Me and Earl and the Dying Girl
Those are people who died, died! They were all my friends, and they died! — Jim Carroll Do you remember your first experience with death? Most likely it was a grandparent passing. Or maybe a parent? Or, quite possibly, someone you knew at school, whether or not that person was a close friend. I remember mine — the younger brother of an elementary school classmate. He’d always prank on his older brother in the line to get into school each day, sneaking up on him from behind and then grabbing his lunch bag. A tug of war would ensue, the […]
-
A Band Apart: Crystal Moselle on The Wolfpack
It’s a stretch of the Lower East Side like any other, with public housing towers looming unostentatiously overhead. One of these is the home of the Angulo brothers — six siblings confined for years (save sporadic supervised walks) to their apartment by their father, Oscar. Crystal Moselle’s first feature The Wolfpack — winner of the Documentary Grand Jury Prize at this year’s Sundance Film Festival — is the result of an accidental street meeting between the documentarian and her future subjects just as they were starting to regularly go outside in defiance of their dad. There are obvious questions of […]
-
The Silent Treatment: Director Miroslav Slaboshpitsky on The Tribe
The word “bravura” gets thrown around all too often in the realm of ambitious filmmaking (perhaps in arts criticism in general?), but there is seemingly no other word to describe the colossal craft on display in Ukrainian helmer Miroslav Slaboshpitsky’s Cannes 2014-premiering debut feature, The Tribe. The film’s narrative — which hews somewhat to the genre obligations of a Western, as Slaboshpitsky points out — concerns a young man, Sergey (Grigoriy Fesenko), who is a newcomer at a deaf boarding school in Ukraine. No sooner has Sergey arrived than he realizes that the school is run by its administration in […]
-
The Seven Arts of Working in Film: A Necessary Guide to On-Set Protocol
Welcome to your first day on a film set. Perhaps you’ve gotten a new job as a production assistant. Perhaps you’re still in school and have been given an opportunity as an intern, or you’ve recently been asked to help out with a friend’s production. You probably have some questions. I’m writing this because I’d like to try to answer some of those questions in advance, and because I have hope. Hope that maybe the next time I ask someone to sweep up some glass that just broke, I won’t have to explain where to get a broom, how to […]
