Sundance
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Director Terence Nance on An Oversimplification Of Her Beauty
Watching Terence Nance’s Oversimplification Of Her Beauty is like being talked through the contents of a shoebox, each item another memento of The One That Got Away. Live action, animation, claymation reenactments, direct-to-camera address by him, on-camera interviews of her by him, blurry, amateur footage shot by her of him, all guided by a formally written voice over, delivered with somber, staccato clarity by an anonymous older man. Descriptions and depictions of other girls slide in and out of the narrative, intercut with shots of The One, whose name is Namik. One animation of a long-distance affair depicts a hand-drawn […]
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Five Questions with Safety Not Guaranteed Director Colin Trevorrow
Safety Not Guaranteed might be the first feature film based on an internet meme. In 2005, a newspaper classified ad from 1997 started to spread across the web, depicted a mulleted man who claimed to be seeking, “Somebody to go back in time with me.” The ad, which also specified, “this is not a joke” was eventually revealed to be exactly that, a fake listing published to fill out space in the paper. But that hasn’t stopped director Colin Trevorrow from crafting his first feature film around it. Produced by Marc Turtletaub and Peter Saraf of Big Beach (Little Miss […]
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Five Questions with The First Time Director Jon Kasdan
Sundance has a rich tradition of premiering great on-screen romances, as far back as Linklater’s Before Sunrise in 1995, and more recently with Like Crazy, last year’s Grand Jury Prize winner. Carrying this torch into the 2012 Festival is The First Time, the sophomore effort from director Jonathan Kasdan (In the Land of Women). A meditation on the excitement, anticipation, and unavoidable angst of young love, First Time stars Dylan O’Brien and Britt Robertson as star-crossed high school students drawn together over a single weekend. Filmmaker: What were your creative goals when you first conceived of this project? Were there […]
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PREPPING “MY BEST DAY” FOR SUNDANCE
If I had a child, I would name it Reel. Reel 2-pop Greenwell. Reel because breaking my movie in 15 minute reels has bought me time to work on one part the movie while the composer, sound mixer or color corrector is working on another. There is one more chance for every one to make it better before it goes off into the jaws of Sundance. 2-pop because if everyone gets the same reel with 2 frames of tone popping at the front of the reel and the back end of the reel– If those pops line up to the […]
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“SEARCHING FOR SUGAR MAN” | director, Malik Bendjelloul
[PREMIERE SCREENING: Thursday, January 19 9:30 pm –Library Center Theatre, Park City] I’m a filmmaker because it’s one of very few activities I know of that can completely absorb me. Both when shooting and editing, it’s a pure creative state of mind where I can forget everything else—sometimes even that I’m hungry—because I’m so absorbed. That’s why I do this—it’s a job that you can never grew tired of. Every day there are new creative challenges to overcome and new ideas to come up with in order to do that. You’re constantly moving. I like that. The choice to use […]
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Hello I Must Be Going | Director Todd Luiso; Screenwriter Sarah Koskoff
[PREMIERE SCREENING: Thursday, January 19, 9:30 pm –Eccles Theatre, Park City] Sarah Koskoff: I had always only written for the stage, but when I wrote Hello I Must Be Going it was a film from the beginning and could only be a film. I wanted to explore what it would be like for a grown woman to wake up suddenly in her parents’ house with nothing of her own, totally dependent–the subtle humiliations of being an adult thrust into the position of being a child. There was something just so horrible and so painfully funny to me about her situation, […]
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TEN MINUTES. DOESN’T SEEM LIKE MUCH RIGHT?
Written in collaboration with Clay McLeod Chapman Our short film—Henley—had been back-burning in our brains for over five years. Clay had published a novel back in 2003 called Miss Corpus. Craig, it turns out, was the only person who read it. There’s a chapter in the book, The Henley Road Motel, which is all about a boy growing up in a family-run roach motel. Think lil’ Normie Bates before donning mom’s summer dress. When business begins to dwindle, our 9-year-old hero cracks a pretty devious scheme to bring customers back to the family business—and poof: A short film is born. […]
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City Limits
Following up his impressive debut, Reprise, Joachim Trier uses a Pierre Drieu La Rochelle novel and the Norwegian capital to create the beautifully somber Oslo, August 31st. By Scott Macaulay -
“BEING ELMO: A PUPPETEER’S JOURNEY” | director, Constance Marks
Originally posted on Jan. 23, 2011 as part of our annual question we ask directors attending the Sundance Film Festival. Being Elmo: A Puppeteer’s Journey is nominated for the Audience Award. [PREMIERE SCREENING: Sunday, Jan. 23, 3:00 pm — Temple Theatre] The most surprising thing I found while making BEING ELMO: A Puppeteer’s Journey was how insanely popular this furry red monster has become. For the past year I’ve carried a bright red Elmo messenger bag. I would get spontaneous feedback every day from almost everyone: old men, teenage girls, postal workers and especially mothers. Hundreds of times I […]
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” I Love Nothing More Than to Kidnap an Entire Cast and Crew, Dragging Them Off to the Wilderness to Make a Movie”: Five Questions with Your Sister’s Sister Director Lynn Shelton
With Your Sister’s Sister, writer/director Lynn Shelton brings a top-flight cast (Emily Blunt, Rosemarie DeWitt, Mark Duplass and Mike Birbiglia) to an isolated island cabin on Puget Sound for a tale of grief, romance, and sibling rivalry. Duplass plays Jack, still reeling over the death of his brother a year earlier. Iris (Blunt), his best friend and dead brother’s ex, suggests he get his bearings at her father’s cabin, and there he’s unexpectedly confronted by Hannah (DeWitt). Needless to say, things get complicated in this latest from one of independent film’s most compelling new auteurs. Via email we asked her […]
