Back to selection
Should Documentary Filmmakers Learn to Code?
Subscribers This is premium content. To read the rest, please log in. If you are not currently a member, please purchase a digital or print subscription to Filmmaker or join IFP.
Latest News
Back to One, Episode 25: Private Life‘s Kathryn Hahn
Black Mother
“We’re Using the Caribbean as a Lens Through Which to Explore Intersectionality”: The 2018 Third Horizon Film Festival
Sissy Spacek and Robert Redford in The Old Man & The Gun
“I Decided to Remove as Much as I Could from the Plot of the Movie”: David Lowery on The Old Man & the Gun, Robert Redford and Vintage Cop Cars
-
“What is Our Responsibility to Survivors?”: Alexandria Bombach on her Sundance-Winner On Her Shoulders
Oct 17, 2018
-
How Home Video Art Direction Can Undo Stanley Kubrick’s Careful Work
Oct 17, 2018
-
Back to One, Episode 26: Private Life Breakthrough Kayli Carter
Oct 17, 2018
-
The Hurt Goes On: The 2018 Berwick Film and Media Arts Festival
Oct 17, 2018
-
Watch: Richard Linklater’s Anti-Ted Cruz Campaign Ad
Oct 11, 2018
-
Alonso Ruizpalacios on Museo, Casting Gael Garcia Bernal For His Shortness and Never Meeting Your Heroes
Oct 11, 2018
-
Insecure DP Ava Berkofsky on Avoiding “Seinfeld Shots,” Faking Coachella and Lighting Mega-Churches
Oct 10, 2018
-
“Film is of its Nature Unruly… and Your Job is to Master its Unruliness”: Director Paul Greengrass on the Filmmaking and Politics of 22 July
Oct 10, 2018
-
Peter Bogdanovich on How TV Grew From Rio Bravo, Orson Welles and Making What’s Up, Doc? on a Dare
Oct 5, 2018