Three years ago, writer/director Gillian Robespierre premiered Obvious Child at Sundance to much acclaim. The film would go on to earn more than $3 million at the domestic box office, making it one of the bigger titles to emerge from Sundance 2014. Robespierre returns to the festival in 2017 with Landline, which reunites her with lead actor Jenny Slate and DP Chris Teague. Set in 1990s New York, Landline is a seriocomic portrait of a family in flux. Below, Teague discusses shooting in NYC apartments, the influence of ’70s American cinema on Landline and recreating the Village Halloween Parade on a small budget. Filmmaker: How and […]

It took a team of four seasoned documentary DPs to capture the stories of Rancher, Farmer, Fisherman. Shot in Montana, Kansas and Louisiana, the film documents the lives of three men (the titular rancher, farmer and fisherman) who act as environmental conservationists in their respective fields. Directors Susan Froemke and John Hoffman have the action unfold in a vérité fashion, which stresses the land and the people who work it. Among the DPs they hired for the project were Bob Richman (An Inconvenient Truth), Buddy Squires (The Central Park Five) and Thorsten Thielow (30 for 30). Below, these three cinematographers discuss the unique challenges […]

Hailed one of Filmmaker‘s 25 New Faces in 2016, Amman Abbasi makes his Sundance and feature film debut with Dayveon. The film stars Devin Blackmon as a 13-year-old kid coping with the violent death of his older brother in small-town Arkansas. Given the setting, age of the characters and Abbasi’s lyrical approach to the story, the film has strong echoes of George Washington by David Gordon Green, who served as an executive producer here. Below, Filmmaker speaks with Dayveon DP Dustin Lane about his connection to the American South, shooting in a small town and his visual approach to this story. Filmmaker: How […]

Jackie, Fox Searchlight’s best hope for 2016 Oscar glory, will be improperly projected throughout the world. There will be the usual projection mistakes and corporate carelessness that have become the norm in today’s multiplexes, but Jackie’s 1.66 aspect ratio will be presented keystoned more often than not: instead of a narrow rectangle that is 1.66 times longer than tall, the tops of the image will either curve inward or outward in relation to the screen. It’s an easily corrected mistake that is being ignored because of laziness. Since most projection booths are devoid of projectionists who can fix the problem, […]

Panasonic’s GH4 has been a hit with documentary and low-budget indie filmmakers thanks to its small size, internal 4K recording and low cost. But it’s now over two and a half years old, and in today’s world that can be a lifetime for a camera. Fortunately, Panasonic has a replacement coming that looks like it could be as popular as the GH4, not only because it improves on the original capabilities but because it also marks a first step to 6K capture. Panasonic first teased the GH5 in September, but at CES they announced the feature list, along with planned […]

In Hell or High Water two brothers (Chris Pine and Ben Foster) embark on a spree of heists intended to fleece predatory Texas banks, with an about-to-retire Texas Ranger (Jeff Bridges) hot on their heels. The film is an elegy to a dying way of life – not only for family ranchers Pine and Foster, but also for lawman Bridges. Making the movie was an elegy of sorts as well for cinematographer Giles Nuttgens, a vocal celluloid proponent who ultimately opted to shoot with an Alexa Studio on the project. In the words of another great western requiem The Wild […]

In the more than two decades since her stunning debut film River of Grass premiered at Sundance in 1994, Kelly Reichardt has managed to carve out a unique niche for herself in the independent film world. Her distinctive and uncompromising body of work includes Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, and her latest, Certain Women, which premiered at the 2016 Sundance Film Festival. Written and directed by Reichardt and based on the short stories of Maile Meloy, Certain Women stars Laura Dern, Kristen Stewart, Michelle Williams, James Le Gros, Jared Harris, Lily Gladstone and René Auberjonois. Shot by frequent collaborator, DP […]

Canon has announced two new cameras, one expected, the other a bit of a surprise: the Canon 5D Mark IV and the Canon C700 Cinema Camera. Ever since the amazing success of the Canon 5D Mark II, the announcement of new cameras from Canon has tended to provoke a fairly standard response from bloggers and social media; in their still cameras, the video functions are always considered hobbled in some way, and their video cameras are always too expensive and don’t have the features found in some of the latest cameras. And then Canon sells a boatload of the cameras, […]

Eve M. Cohen studied art as a painter and a photographer in undergrad, and received a Master’s in cinematography from UCLA. Beginning work in narrative film and documentary, she has most recently been diving into virtual reality, and filming interviews for an unscripted series on TV. “I don’t focus on one kind of filmmaking,” she says. “I really like a variety.” In this first part of the interview, she talks about shooting the narrative feature film Be Somebody that was shot in December, and released in July. In the second part of the interview she talks about shooting for virtual […]

As a cinematographer, I’m always looking for the perfect marriage: the director I can lock eyes with to communicate volumes without uttering a word. Someone who knows how to use my work to its best potential, who can challenge my ideas about filmmaking and push me to reach places I didn’t think I could — and then keep going. In my dreams, it never starts and ends with one film. It’s a lifelong journey to seek out something greater. All my heroes have these sorts of relationships: the Coens and Deakins, Allen and Willis, Iñárritu and Prieto (maybe now Lubezki?!). When meeting with directors, […]