Filmmaking
Filmmaking
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Trailer Watch: Pamela Romanowsky’s The Adderall Diaries
Pamela Romanowsky’s adaptation of Stephen Elliott’s meta-memoir, The Adderall Diaries, gets a pulse-pounding trailer from A24. The film tells the story of a writer, Elliott, navigating writer’s block while reporting on a murder trial taking place within San Francisco’s SM community. James Franco, who originally optioned Elliott’s book, plays the writer; Amber Heard is the journalist who gains his access to the case; and Ed Harris plays Elliott’s father, whose rageful relationship with his son provides the film’s emotional throughline. The film premieres on DirectTV on March 10 and in theaters April 15.
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The Witch DP Jarin Blaschke’s Lens Tests (With Stills)
In conjunction with his interview regarding The Witch, cinematographer Jarin Blaschke shared with Filmmaker a series of frames taken from his preproduction lens tests. Here’s Blaschke’s thoughts on the tests, which were conducted at Panavision Hollywood with an Arri Alexa: I had used Cooke Panchro Series 2s [from the 1950s] on a couple smaller pieces and Super Baltars on the last short film with [The Witch] director Rob Eggers, Brothers. I liked them both for certain things, but never compared them side by side or alongside other vintage glass. I asked Panavision [Hollywood] about everything available pre-Panavised Zeiss and made a […]
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Kickstarting VIVA DIVA, a Short Film Starring Mya Taylor
Mya Taylor will follow up her Film Independent Spirit Award-winning performance in Tangerine with performances in several short films which tackle transgender issues. Her latest project, VIVA DIVA, which is billed as “the story of two trans women of color Rozene and Diva, on a road trip of a lifetime,” is aiming to raise $10,000 on Kickstarter. Written and directed by Sundance Institute Native Lab fellow, Daniel Flores, VIVA DIVA is a road trip movie featuring Rozene and Diva as they make their way down to Guadalajara for gender reassignment surgery. Rozene stops in on her father to try to get answers about […]
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Maris Curran Interviews Mira Nair about the Job of the Film Director
Filmmaker Maris Curran, who we talked with about her Toronto premiere, Five Nights in Maine, last Fall, forwarded this interview she did with a director she admires, Mira Nair. Nair (Salaam Bombay, Monsoon Wedding, The Reluctant Fundamentalist) is one of the most articulate directors out there when it comes down to unpacking the process of being a director. Curran, whose own feature should reach theaters this Fall, asks Nair direct questions about the job of the director, ambition, budgets, and knowing when a project is the right one to develop years of one’s life on. “Never do anything as a […]
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Tech on The Beach: The FilmGate Interactive Creative Conference 2016
“Tech Up, Make Stories, Get a Tan” was the accurate tagline of this year’s cutting edge FilmGate Interactive Conference (which ironically took place at a ’50s-era throwback, the Deauville Beach Resort Miami this past February 20-28). Now in its third year, the event boasts of being “the first conference in the USA to focus solely on interactive and immersive content.” While this might conjure up images of gear heads discussing the latest drone technology – and there was indeed a Tech Playground for those so inclined – most events were not only free but, refreshingly, open and quite welcoming to […]
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MacArthur Foundation to Cease Supporting Individual Documentary Film Projects
The MacArthur Foundation, which has supported over 300 documentary films since the mid-1980s, is ceasing grant support for individual documentary film projects. In a change announced on its website, MacArthur writes that it will actually increase its overall support for the documentary field but will do so by supporting partner organizations, many of whom have individual granting programs. Indeed, the announcement redirects filmmakers to POV, Firelight Media, ITVS, Sundance Documentary Fund and Tribeca Film Institute. In the post, MacArthur cites the more expansive work done by these partner organizations, which includes mentorship, editorial advice and audience engagement. From the site: […]
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Two From Rendez-Vous with French Cinema: Valley of Love and Story of Judas
Greeted with predominantly mixed-to-negative reviews at Cannes, Guillaume Nicloux’s Valley of Love — tonight’s Opening Night selection of this year’s Rendez-Vous with French Cinema — hit me so strongly I had to read up afterwards. Whatever the obvious problems with this movie may be didn’t register with me, so reading the notices helped. This isn’t a case of non-arthouse-friendly viewers finding a movie too slow and boring, but there are, I suppose, some obvious hurdles with this film. It starts as naturalism and unexpectedly keeps left-turning into mysticism, turns too jarring and ill-fitting for some (but, by definition, can’t movies turn […]
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No More Parties in LA: Knight of Cups
Here’s a snatch of dialogue I never thought I’d hear in a Terrence Malick movie: “My life is like playing Call of Duty on easy. I just walk around fucking shit up.” A good line: punchy, funny, mining comedy from an unexpected analogy, profanely concise and self-aware. It is also exactly the kind of thing you’d never expect to hear in a latter-day Malick film, where dialogue is nearly forbidden and vocal self-expression confined to vaporous voiceover. Malick began as a screenwriter for hire, and in Badlands (and only there) he displayed a great gift for laconic humor. For whatever reason (and it’s […]
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Learning by Making with Abbas Kiarostami
Lucid Dreaming. Alchemy. These are two unlikely explanations to consider for what I’m still not sure ever could have happened. As one of 52 filmmakers invited to participate in the Taller de filmando en Cuba con Abbas Kiarostami, I am not alone in describing the workshop as being similar to a somnambulistic experience. We bore witness to unexpected swathes of time that, along with illuminating encounters, metamorphosed into stories seemingly cut from the ethereal sun-drenched humidity and slow pace of our environs. A welcome retreat for both visitors and filmmakers alike, the Escuela de Cine y Television sits atop a […]
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“I Want to Know about You, and I Want Us to be Friends”: Documentary Filmmaker Iva Radivojevic on She Does Podcast
Iva Radivojevic is a documentary director and editor. She was born in Yugoslavia, raised in Cyprus and has lived in New York City since she was 18 years old. Much of her work explores belonging, and draws from poetry and personal experience. Her debut feature, Evaporating Borders, examines migration, tolerance and identity through the experience of asylum seekers in Cyprus. The film has received awards worldwide and was nominated for an International Documentary Association (IDA) Award and a Cinema Eye Honors Spotlight Award and screened over 80 times at festivals, including SXSW, Human Rights Watch FF, Rotterdam IFF, DokuFest and […]
