Filmmaking
Filmmaking
-
Finding The Right Music for Your Film Just Got Personal (Sponsored Post)
Over the years, Musicbed has become a go-to source for licensable tracks for two simple reasons: they carry nothing but great music, and their library is easy to navigate. With new updates out today, Musicbed has capitalized on their strengths and added a few key conveniences that make them the best and most intuitive music licensing service out there right now. For readers of Filmmaker, they’re offering a 20% discount on your first music license. Use the code FM50 at checkout. Here are a few Musicbed features, new and old, that set the site apart: Rapidly Growing Curated Library It’s pretty […]
-
Hands on with GoPro Rigs from PolarPro
One of the little gems I stumbled on in the far reaches of the central hall at NAB last year was Polar Pro, a company that’s been putting out clever GoPro rigs (among other things). I got a chance to put some of their gear to the test on a recent climbing trip in Arizona. Here are my thoughts. ProGrip and StrapMount The ProGrip is a handy mount for the GoPro and remote, making handheld shots a little more stable and adding easier access to control of the camera with the placement of the remote. I loved it. The handle […]
-
Anomalisa, Stop-Motion Animation and How 3D Printers are Changing Filmmaking
Remember stop-motion, that venerable technique of animated films ranging from old-time children’s classics by Rankin/Bass to sword-and-sandals epics by Ray Harryhausen? Given the success of Pixar’s movies, Minions and other computer-animated features, you might have thought that 2D, hand-drawn, and traditional stop-motion has been relegated to the dust bin of history. Well, if you are a fan of these styles, don’t lose hope just yet. Opening just before the New Year was Charlie Kaufman’s much-anticipated directorial follow up to 2008’s Synecdoche, New York, Anomalisa. Directed by Kaufman and Duke Johnson, it’s being touted for its unique amalgam of animation processes […]
-
“All My Characters Are Like Buster Keaton”: Corneliu Porumboiu on The Treasure
Corneliu Porumboiu is the most drolly despairing filmmaker of the Romanian New Wave. His previous narrative feature, When Nights Falls on Bucharest, or Metabolism, followed a director in the middle of production breaks off an affair with his lead actress while exasperating his patient producer. The opening shot is the director discoursing pedantically on the merits of celluloid; the movie was itself shot on film, and the joke is that this opening shot lasts exactly as long as one reel — deep drollery indeed. Following 2014’s one-off experiment The Second Game (in which Porumboiu and his dad watch a VHS tape of a Ceaușescu-era soccer game […]
-
Christian Carnality: Stephen Cone’s Henry Gamble’s Birthday Party
The below review of Stephen Cone’s Henry Gamble’s Birthday Party was originally posted on June 16 as part of a review of BAMcinemafest. It is being reposted to coincide with the film’s opening as part of the IFP Screen Forward series. A nearly lily-white poolside birthday party in the upper-middle-class Chicago backyard of exuberant, righteous minister “Pastor Bob” Campbell (Pat Healy) and his gorgeous, younger, joyless wife Kat (Elizabeth Laidlaw) celebrates the seventeenth birthday of their handsome, blond-haired, blue-eyed son Henry — the nice, polite, and well-liked boy parents are proud to call their own. Like many youths his age, […]
-
2015 in Ten Double Features
Every cinephile knows the curatorial bliss of a great double feature. A flexing of film nerd muscles while sitting on your ass for three to five hours, a double bill brings two films into dialogue with one another based on style, subject, theme, or whatever connective tissue you can find. Double features, like well-sequenced mixtapes, require the instincts of a programmer. Thanks to streaming, digital rentals, and the perennial ease of sneaking into a second film at your local AMC, the work of making a double bill happen has never been easier. Below, I rally through 10 great double features from […]
-
Vilmos Zsigmond, 1930 – 2016
Legendary cinematographer Vilmos Zsigmond, who shot a string of iconic pictures for Robert Altman, Steven Spielberg, Michael Cimino and Brian DePalma, among others, died January 1, Variety reports. Hungarian-born, Los Angeles-residing, Zsigmond was a steadfast proponent of shooting on film his entire life, and he was known for innovative techniques — such as flashing the stock on films like McCabe and Mrs. Miller — and his ability to create unique looks for his various movies. His work encompassed rugged styles in films like Deliverance or The Sugarland Express to composed, dense, painterly work in Heaven’s Gate. He won an Oscar […]
-
2015: Camera and Monitor Gear in Review
Looking back on 2015, while there were few real stand-out innovations, the advances in the world of cameras and gear continued to march relentlessly forward. Cameras This was the year that Panasonic finally shipped their 4K Varicam 35, but for the indie filmmaker it was probably the announcement of the $4,000 Panasonic AG-DVX200 4K camera — which features a Four-Thirds sensor — that was more interesting. Ideal for run-and-gun documentary work, you might think of it as the GH4 with better audio and a good fixed zoom lens. For the narrative filmmaker, or those that want/need a bigger sensor, the […]
-
Section 181, Film Production Tax Incentive, Reinstated (and Retroactive!) in 2016 Spending Bill
Great news for independent film producers: the omnibus spending bill passed by Congress this week and signed by President Obama contains a reinstatement of Section 181, the tax provision that incentivizes film and television production by allowing for immediate deduction of production costs up to $15 million. What’s more, the provision, which expires December 31, 2016, was made retroactive to include costs spent during 2015. (In recent years, Section 181 was retroactively renewed for the prior year at the beginning of the next fiscal year; in 2015, it was allowed to expire completely, and many observers didn’t expect to see […]
-
Too Late, New John Hawkes Crime Thriller, Gets 35mm-Only Release
Recent films as disparate as The End of the Tour and Spectre were shot in 35mm. But Too Late, which stars John Hawkes as a troubled private investigator tasked with finding a missing woman, takes the 35mm trend one step further. Shot in the 35mm Techniscope format, the film will get a special 35mm-only theatrical release in spring 2016. Written and directed by Dennis Hauck in his feature film debut, Too Late unfolds in five chapters. “We made this movie to be seen on the big screen, with an audience, and yes, on 35mm,” said Hauck in a statement. “Home video, streaming, and VOD are all great, but […]
