Filmmaking
Filmmaking
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Watch: Jackie Chan’s Brand of Action Comedy
The latest edition of Tony Zhou’s “Every Frame a Painting” series takes a look at the king of action comedy, Jackie Chan. Consistently putting himself at a disadvantage like the silent film stars Keaton and Chaplin, or defamiliarizing the familiar as weaponry, Chan’s perfectionism and attention to detail have set him above the rest for decades running. In the video, Zhou also closely analyzes the difference in Chan’s Chinese and American work, particularly the director’s editing, which can compound or dismantle the effects of Chan’s stunt work.
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Collaborating with James Franco on The Color of Time: Five Directors Discuss the C.K. Williams Adapation
Working nights and weekends while in Detroit shooting Oz the Great and the Powerful, James Franco turned what started out as directing exercise into an unusual anthology film directed by a dozen students from his NYU Graduate Film School class. Based on the life and poems of C.K. Williams, The Color of Time is unlike most anthology films in that its sections are intercut with each other, and it’s unlike most film school-derived works in that it stars A-list talent like Franco, Mila Kunis and Jessica Chasten. The film itself, however, is no by-the-numbers biopic; instead, it seeks to translate […]
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On Golden Frog: The 22nd Camerimage International Film Festival of the Art of Cinematography
Located in the nearly unpronounceable Polish town of Bydgoszcz, Camerimage – the International Film Festival of the Art of Cinematography – is the must-attend event of the year for DPs, aspiring DPs, or any cinephile prizing visual craft over auteur theory. At this 22-year-old fest, folks like Caleb Deschanel (who received a Lifetime Achievement Award, a retrospective, and a massive hardcover book highlighting his career) and Vilmos Zsigmond are the stars, complete with their names in lights on the marquee of the massive Opera Nova, the festival’s headquarters and main venue on the scenic Brda River. Far from passive honorees, […]
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Never the Twain Shall Meet: Maidan
Our own separation of church and state is tenuous. From the Pledge of Allegiance: “…one Nation under God, indivisible…” Less official but equally patriotic are the lyrics of Irving Berlin: God bless America, Land that I love, Stand beside her and guide her Thru the night with a light from above; From the mountains, to the prairies… Church, state, soil: a trinity often muddled, collectively held sacred. Few would confuse our glib phrasings with imminent theocracy and unchecked nationalism. Pantheism aside, you might say that, if you can disregard Native Americans in the same way that our government always has, […]
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Editing Boyhood: Dealing with Changing Technology
The filming of Boyhood, shot over 12 years, posed some unexpected challenges in post-production. At a recent meeting of the Boston Creative Pro Users Group, First Assistant Editor Mike Saenz explained the difficulties of the editing process, made more complicated by changes in technology that occurred over that 12-year period. Begun as what Saenz called “an indie side project” by director Richard Linklater, Boyhood was originally edited using Final Cut 3, as they couldn’t afford to rent an Avid system for 12 years. A couple of years into the project, they switched to Avid Xpress, a lower-end system from Avid. They […]
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“I See It More as a Visual Poem”: Animator Glen Keane on the Interactive Film Duet
Glen Keane made me want to make movies. As a head animator at Disney from the 1970s until just a few years ago, when he left to create his own company, Keane created iconic characters like Ariel, Aladdin, and Tarzan, plus gorgeously drawn animals like the bear in The Fox and the Hound and the eagle Marahute in The Rescuers Down Under. But what held me spellbound was the moment when the Beast — his character — and James Baxter’s Belle walked into the computer-animated ballroom during the title song of Beauty and the Beast: I’d never seen anything like that before, and I […]
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Miranda July and Carrie Brownstein Promise a Somebody App That “Works”
Regarding her eccentrically beautiful messaging app Somebody, Miranda July has posted this video with Carrie Brownstein about its v.2. “Over the next few months we will be making Somebody 2.0,” she writes. “It’s just like Somebody 1.0 but it works.” If you don’t know about Somebody, it’s an iOS app (Android coming, says July in this video) that allows you to send a communication to someone via a nearby third party, who delivers that message in person. Still confused? Well, Somebody was the subject of a new podcast, Reply All — the second from podcasting startup Gimlet Media. Watch above […]
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Director Diane Bell on What You Should Do if Your Film is in Sundance
Following this week’s Sundance announcements, I linked in my newsletter to two articles I wrote back in 2009: “So You Didn’t Get into Sundance” and “Letter from the Future.” This first is a consoling “what to do next” kind of piece, and the second is an only partly tongue-in-cheek riff on alternative ways to approach festival distribution. The latter owes a lot of Jon Reiss, who in articles written for Filmmaker and elsewhere has advocated for making your festival premiere your premiere and to make a DIY distribution your plan A, not some hastily considered fallback plan when a big […]
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“The More a Film Challenges an Audience, the More Resistance It Will Inspire”: Five Principles to Live By for Provocative Filmmakers
Academy Award-nominated filmmaker Guy Davidi is currently raising funds on Indiegogo for Mixed Feelings. From the Indiegogo page: is an inspiring story about cultural resistance of Israeli director and teacher, Amir Orian – a once successful actor that left his blooming career to create an alternative theater in his own apartment. This documentary tries to create space for artistic expression and the discussion of alternative points of view in a country troubled by destructive nationalistic forces.” Below, Davidi writes about the life of the filmmaker who chooses to make provocative work. Please visit the Indiegogo page linked above to learn more […]
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In the Family Way: Still Alice
To watch Julianne Moore portray a 49-year-old woman diagnosed with early-onset Alzheimer’s might be as close as one can get to understanding the disease and its effects on patient and family without having oneself received a positive diagnosis. Make no mistake, though: Still Alice is no downer. It is a closely observed and brilliantly performed story of struggle and — how can I write this out without appearing trite? — love. Director-driven it is not. Yes, it is nicely shot (by Olivier Assayas’s frequent DP Denis Lenoir) and suitably edited. Filmmakers Richard Glatzer (whose battle with ALS since 2011 became […]
