Filmmaking
Filmmaking
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25 Picks for the 2014 SXSW Film and Interactive Festivals
Airline fares entered the stratosphere weeks ago, hotels were booked months ago, and SXSW begins today. As always, I’m interested in film and tech. Regarding the latter, Jenna Wortham at the New York Times checked in with a number of the big companies that launched in Austin in the past and found that many, like Foursquare, are skipping it. In their place are tech start-ups from Africa, South Korea and Brazil. Scanning the program, I see fewer rock star speakers (is Chelsea Clinton a rock star speaker?) and many folks from on-the-horizon tech like personal health management and computing wearables. […]
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Director James Costa on his School Lunch Nutrition Doc, Lunch Hour
For many American children, school lunch is the only full meal they receive each day. Which is one reason filmmaker James Costa was surprised to see the quality–or lack of it–going into children’s lunches in New York City. He quickly decided the subject warranted a feature-length documentary, and the result is Lunch Hour, which launched Tuesday on multiple VOD platforms. Featuring celebrities like Kirsten Gillibrand and Rachael Ray, the film looks at the systemic causes behind school lunch menus and potential solutions to nutritional deficiencies. I talked with Costas about his reasons for making the film, his release strategy, and […]
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SXSW Teaser: Leah Meyerhoff’s I Believe in Unicorns
A film I’ve been looking forward to for some time is Leah Meyerhoff’s I Believe in Unicorns, which I saw in rough cut at the IFP Narrative Lab. I was tremendously impressed with what I saw then, particularly the emotional sensitivity of its direction and central performances. The film is now finished, and premiering at SXSW. And there’s a Kickstarter campaign. Check out the new teaser above, read information from the filmmakers about the film below, and consider donating: I Believe in Unicorns is Leah Meyerhoff’s debut feature film which tells the story of a teenage girl who gets in […]
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Nailing the Score of the Art Forger Documentary Art and Craft
Art and Craft follows prolific art forger Mark Landis just at the moment his elaborate 30-year con is exposed. What follows is a guest blog by filmmakers Sam Cullman, Jennifer Grausman and Mark Becker about a central consideration in making this film. Art and Craft is in the final days of a Kickstarter campaign to raise finishing funds, including monies needed to mix the score they write about here. When we first read The New York Times story about Mark Landis in 2011, we were immediately intrigued — what kind of art forger donates his work to museums instead of […]
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Vimeo Execs Talk New $10 Million Investment for Direct Distributing Filmmakers
Vimeo announced today a $10 million investment in direct financial support and online services for eligible creators distributing their work using Vimeo on Demand. “The direct distribution movement gains momentum every day,” said Vimeo CEO Kerry Trainor in a statement, “and we are fully committed to empowering creators with a vibrant alternative to the ad-dominated online video ecosystem for monetizing content.” Vimeo’s $10 million fund will support the following initiatives. From the press release: Expansion of Crowdfunding Program: Vimeo is expanding on its crowdfunding program announced at the 2014 Sundance Festival by extending access to part of its $10 million […]
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Michelangelo Antonioni on the Utility of Mystery
Michelangelo Antonioni’s work is known for, in addition to many other things, a certain open-endedness in its exploration of theme and narrative. But, you may be surprised to learn that the writer/director could be a bit more on-the-nose in his scripts. At Dangerous Minds, Paul Gallagher references a 2005 interview in The Guardian with Peter Bowles, who plays a drunk partygoer in Antonioni’s Blow-Up. In the original script, he had a monologue that nailed the themes of the movie. However, before shooting, Antonioni decided to cut it. The actor, feeling the speech was “essential to the film,” confronted Antonioni, pleading […]
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Andrea Arnold’s D.P. Robbie Ryan on Why He Still Shoots Shorts and Getting The Shot Off Set
Best known as Andrea Arnold’s right-hand man, Robbie Ryan has a surprisingly large number of short film credits for a cinematographer of his standing. While the majority of d.p.s graduate to the feature format and stay put, Ryan has shot a whopping 14 shorts since his breakthrough lensing on Fish Tank. Beyond a steadier flow of income, short films afford Ryan a sort of trial period with directors. Speaking in an in-depth interview with Barry Ackroyd (d.p. of Captain Phillips, The Hurt Locker) at the 28:25 minute mark, Ryan puts it plainly: “I think the reason I do short films […]
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TFI New Media Fund Accepting Submissions
The TFI New Media Fund issued its annual call for submissions today with a deadline May 5. From the press release: The TFI New Media Fund provides funding and support to non-fiction, social issue media projects that go beyond traditional screens—integrating video with content across media platforms, from video games and mobile apps to social networks and interactive websites. We’re looking for projects that activate audiences around issues of contemporary social justice and equality around the world and demonstrate the power of cross-platform storytelling and dynamic audience engagement. Projects can be in any stage from advanced development to production or […]
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POV Hackathon Deadline Approaching
Film hackathons are spreading. Tribeca Hacks is hosting its first international event in Geneva March 15-19 and now POV, which has been running a successful hackathon in New York since 2012, is expanding to Los Angeles. Under the direction of Adnaan Wasey (speaking at a Tribeca interactive event above), POV is running two consecutive events on each coast, at the Center for Social Innovation in Manhattan on May 10-11 and at Hub LA (in collaboration with CreatorUp!) in California on May 17-18. Applications for both events have the same deadline: 8 p.m. ET/5 p.m. PT on Wednesday March 26. Applications […]
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Tribeca Film Festival Announces First Titles From Narrative, Documentary and Viewpoints Sections
On the heels of their Time Is Illmatic opening night announcement, Tribeca has released the first 47 of its 89 feature-length titles in the World Narrative and Documentary Competitions, as well as the non-competitive Viewpoints. Gabriel, the debut film from 25 New Face Lou Howe, which I can’t recommend enough, will open the Narrative section, with Dior and I and Onur Turkel’s Summer of Blood kicking off the Docs and Viewpoints, respectively. Other notable titles include Keith Miller’s latest, Five Star; Junebug scribe Angus MacLachlan’s directorial debut Goodbye to All That; d.p. Jody Lee Lipes’s Ballet 422; the Golden Bear-winning Black Coal, Thin Ice; Sundance hit The Overnighters and British prison drama Starred Up. Find the full list below. […]
