Filmmaking
Filmmaking
-
Leitner’s Mondo NAB, Part 3: SSD, Tapes and Storage
Originally posted April 2011. At back-to-back press conferences prior to the opening of NAB’s show floor, both Panasonic and Sony acknowledged the still-unfolding natural disaster in Japan and asked that our thoughts be with the Japanese people. Sony added that despite critical damage to its media plant in Sendai, supplies of HDCAM-SR tape would return to normal by June. Sony’s Sendai Technology Center (which I’ve visited) practically invented the high-performance tapes necessary to DV and HDV (metal evaporated) and HDCAM-SR (metal particle), and still manufactures a preponderance of them. Having persuaded both film and television industries to adopt HDCAM-SR as […]
-
Leitner’s Mondo NAB, Part 2
Originally posted April 2011. I wish to continue my notes about developments in large-sensor cameras, but of course the magnesium-powder newsflash sucking up all the oxygen at NAB today is Apple’s stealth sneak peek at Final Cut Pro X last night. Apple hasn’t officially attended NAB for several years—many of us miss the consummate showmanship of their former press conferences—so when news broke on the eve of NAB that an entire slate of speakers at the 10th annual FCP User Group SuperMeet had been swept aside for a special guest, Apple fever took hold. The event sold out in a […]
-
Leitner’s Mondo NAB, Part 1
Originally posted April 2011. The big NAB show in Las Vegas opened Monday, and I’ll be filing reports for Filmmaker’s readers at the end of every day through Thursday, when the show floor closes. For those unfamiliar with NAB, it stands for National Association of Broadcasters, a powerful trade association and influential Washington lobby, no bastion of progressive politics. But for filmmakers and indie producers, it also stands for the huge annual April trade show in Vegas, where the latest in cameras, lenses, recorders, lighting, audio, and all manner of production gear are introduced. TV execs, techies, DPs, and crew […]
-
IFP GOTHAM AWARDS: A GREAT RUN FOR “GIRLFRIEND”
I was on my way back to the U.S. after spending a week in Belgium for the 2011 Ghent International Film Festival, where my first feature film Girlfriend had screened in the World Cinema section. My week in Ghent was spent seeing many of the great festival films of the year, eating Belgian chocolate, waffles, and enjoying all the different beer varieties the country proudly offers. In the Mariott elevator I met my favorite foreign filmmaker of the moment – Andrei Zvyagintsev, whose new film Elena ended up winning the festival. I knew Ghent was likely going to be our […]
-
MUSIC VIDEO: THE WEEKND’S “THE KNOWING”
On my list of top ten culture for 2011 would be the woozy morning-after soul of the mysterious Canadian vocalist/producer team, The Weeknd. For a song from an album, House of Balloons, in which every other track sounds like the music from the final five minutes of a Miami Vice episode, this science-fiction opus, directed by Mikael Colombu and originally posted by Drake on his site, is not what I would have expected. Dim the lights, go full screen and check it out. (Hat tip: Pitchfork.)
-
GOTHAM AWARDS TO STREAM LIVE MONDAY NIGHT
IFP has announced that the21st annual Gotham Independent Film Awards, taking place Monday, November 28th at Cipriani’s Wall Street will be streaming live on their website. Hosted by Oliver Platt and Edie Falco, the show is widely considered to be the first honors of the award’s season. Up for Best Picture this year are Mike Mills’ Beginners, Alexander Payne’s The Descendants, Kelly Reichardt’s Meek’s Cutoff, Jeff Nichols’ Take Shelter, and Terrence Malick’s The Tree of Life. Director David Cronenberg, actors Charlize Theron and Gary Oldman, and Fox Filmed Entertainment CEO and Chairman Tom Rothman will receive career tributes. Presenters at […]
-
Director Marc Simon on Unraveled
Putting a human face on the criminality of the financial crisis, Unraveled explores the downfall of Marc Dreier, a prominent Manhattan attorney who was arrested in 2009 for embezzling hundreds of millions of dollars from hedge funds. The documentary places us in the “guilded prison” of Dreier’s upper East Side apartment during his 60-day house arrest. In that time, he is interviewed by none other than one of his victims, Marc Simon, who, in addition to being an Oscar-nominated filmmaker, formerly worked as a lawyer at Dreier’s law firm, Dreier L.L.P. You wouldn’t know that from the film, however, as […]
-
The Blue Velvet Project, #46
Second #2162, 36:02 “Frank? Frank! What’s the matter with him?” Dorothy pleads on the phone about her kidnapped husband and son, Don and “little Donny.” There are facts, and there are facts of the frame: 1. This shot of Dorothy completely breaks with Jeffrey’s implied point-of view from the closet. 2. Dorothy is a woman in trouble. 3. This is the first instance of Frank in the film, invisible over the phone line, somewhere else, an implied presence and absence at the same time. 4. Dorothy’s maternal vulnerability, the fact of it, and the way that Jeffrey will sense and […]
-
SPIRIT AWARDS’ “FIND YOUR AUDIENCE AWARD” IS NOW OPEN FOR SUBMISSIONS
This past February, the inaugural Jameson FIND Your Audience Award was open only to films nominated that year for a Spirit Award. The winner, Jeff Malmberg’s documentary Marwencol, received a sizable distribution and marketing grant. For the 2012 Independent Spirit Awards, happening February 26 in LA, Film Independent is changing things up and opening the award so that filmmakers can apply. Between now and December 2, narrative and documentary filmmakers with a feature out on the fest circuit who are eying a self-distribution strategy can apply here for the $40,000 grant. One large caveat though– the award is open only […]
-
Gorman Bechard on Color Me Obsessed
Gorman Bechard’s Color Me Obsessed is the rare music documentary that lavishes admiration not only onto its subject, rowdy Minneapolis cult rock band The Replacements, but on the band’s fans as well. The doc doesn’t feature a single song by The Replacements, nor does it feature interviews with any of the three surviving members. Instead, Bechard lets the fans tell the story. Over the course of the film, he interviews dozens of subjects: the musicians, misfits, and devotees whose formative years were sound-tracked by The Replacements. We hear conflicting opinions about nearly everything – favorite songs, band dynamics, the point […]
