Production
Filmmaking - Production
-
Questionable Safety History of Midnight Rider Production Company Lends New Light to Sarah Jones Case
A few more details have emerged over at Deadline regarding the on-set negligence that led to 2nd AC Sarah Jones’ death in Doctortown, GA. Midnight Rider was the third feature to be shot in the Savannah area by director Randall Miller and his Unclaimed Freight production company, and it appears that this tragic instance of reckless conduct was no isolated incident. During filming of 2012’s CBGB, Miller and his crew reportedly dropped a grand piano down a homeowner’s staircase without permission, and went the entire shoot without a safety bulletin. They illegally removed a stop sign, blacked out another, and didn’t bother […]
-
Digital Motion Picture Cameras in 2014: The Next Chapter
Welcome to Filmmaker Magazine’s fourth annual digital cinema camera round-up. Each year for reasons of publishing schedule, this overview is written on the brink of the big NAB show in Las Vegas. By the time some of you read this, journalists and bloggers will have breathlessly uploaded each and every scrap of breaking news from the frenzied show floor, saving you the airfare, sore feet, and those Vegas cab fares calibrated to expense accounts. But what do these splashy product introductions mean? Do we need to trade up our cameras? How soon? Are more resolution, bit depth, frame rates, color […]
-
ornana’s Jim Cummings on How To Make a Short Film and Get It Seen
Short films are a peculiar enterprise. They are well regarded as an investment vortex, with nearly zero prospects for return and lots of prospects for expense. Many are made and vanish after a run on the festival circuit, if they are even seen at all. But they are also an essential tool for honing one’s craft, and, given the bitesized format, ripe for cultivating an audience. I was impressed by the intelligence and honesty Jim Cummings displayed in his talk on the digital recession at SXSW, so I asked if he’d be interested in doing a quasi-followup for Filmmaker. Given ornana’s […]
-
Producer Jason Blum @SXSW: “If I Had to Make Kicking and Screaming Today, I’d Make It for $50,000…”
“If I had to make [Noah Baumbach’s 1995 pic] Kicking and Screaming today, I’d make it for $50,000, not $1 million,” said producer Jason Blum (The Purge, Insidious, Whiplash) at his SXSW keynote address on Sunday. In a conversation with the Los Angeles Times’ John Horn, Blum blended his own producer origin story with practical advice for filmmakers seeking to emulate his rise to top of Hollywood’s low-budget horror hierarchy. “Don’t wait for the industry to go forward,” he told the crowd, explaining that his own career was accelerated when he learned from a past error: passing on The Blair […]
-
How to Crowdsource a Film: Chris Jones on the Omnibus Movie, 50 Kisses
The Internet and digital filmmaking tools have opened up new possibilities of crowdsourcing material–Life in a Day, Declaration of Interdependence, One Day on Earth, even the interactive Star Wars Uncut–and given new life to the omnibus/anthology film format. The latest project to adopt the form is 50 Kisses, a film created by the London-based Chris Jones and hundreds of collaborators from around the world. The film, which includes 50 scenes built around a Valentine’s Day and a kiss, premiered on February 13–the day before Valentine’s–at the Genesis Cinema in London’s East End. Further distribution is now rolling out. Jones, a filmmaker […]
-
The Changing Face of Scheduling: Boyhood, 52 Tuesdays, The Turning and Highway
Four films that played at the Berlin Film Festival highlighted how directors are using modern technology to completely change the way in which productions are being put together and scheduled. Both 52 Tuesdays and Boyhood were shot intermittently over a long period of time. The Turning had 17 different shoots running concurrently throughout Australia, while the Bollywood film Highway decided where to travel to next and shoot scenes on a day-by-day basis. What marks these productions out from any number of other low-budget independent films is that their directors believed a non-traditional production schedule would result in a better end-product. Rather […]
-
On-Set Death of Sarah Jones Raises Awareness of Film Production Safety
The tragic death of Sarah Jones, a second assistant camerawoman who was struck by a train while shooting the Gregg Allman biopic Midnight Rider last Thursday, has sparked a necessary conversation over the issue of on-set safety. On the first day of production in Jessup, Georgia, the company was shooting a dream sequence with a hospital bed placed over the active train tracks. According to Variety, star William Hurt and director Randall Miller tried but were unable to remove the bed from the tracks as a train approached. Jones was then struck by a piece of flying debris and knocked into the […]
-
Rick Baker on How to Build a Shocking Rubber Prosthetic
Want horror-movie makeup tips from an Oscar-winning legend? Here, Rick Baker (An American Werewolf in London, Videodrome, Men in Black) offers DIY tips while demonstrating how to make “Miss Shock,” a gruesome character created by Bob Burns in 1959 for a live event with The Tingler director William Castle. In this fast-paced 15-minute clip, Baker starts off by making a mold of his daughter’s face and then moves on to the artistic detail work he’s revered for. (Hat tip: Mutiny Co.)
-
Sebastian Junger on Reporters Instructed in Saving Colleagues
Reporters Instructed in Saving Colleagues is surely one of the most fitting tributes to a fallen comrade ever dreamed up. Founded by Sebastian Junger in the wake of the combat zone death of his Restrepo co-director Tim Hetherington (I interviewed both back in 2010) RISC, based on a Wilderness Medical Associates course adapted for combat, aims to provide freelancers in all media with the kinds of lifesaving equipment and techniques that may have prevented Hetherington’s shrapnel wounds in Libya from killing him. Indeed, when I first heard about RISC its mission seemed so obviously crucial – to give combat journos […]
-
Patrick Wang’s The Grief of Others Accompanied By iBook Detailing Production Process
Patrick Wang, who made our 25 New Faces list in 2012 with the release of his debut film, In The Family, is gearing up to shoot his sophomore picture, The Grief of Others, based on the novel by Leah Hager Cohen. Starring Rachel Dratch, Wendy Moniz and Trevor St. John, the film examines the grieving process of a couple who lose their child 57 hours after his birth. In accordance with the the production process, Wang and author David Chien will maintain a regularly updated multimedia and interactive iBook entitled, “Post Script: The Making of the Film, The Grief of Others.” With […]
