Transmedia
Filmmaking - Transmedia
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Elements of Oz: Producing Live Video and Interactive Theater
When MGM undertook to produce a film adaptation of the book The Wonderful Wizard of Oz in 1938 they wanted to use all the newest technological tools — think Technicolor — and special effects wizardry that they possibly could to bring the fantastic story to life. Equally, when the Builders Association decided to make the film the subject of their latest play last year — Elements of Oz ran Off-Broadway throughout December — they did the exact same thing. But for an innovative theater company in 2016 that meant integrating live video production, online clips, and a multitasking phone app into the onstage proceedings. New media […]
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Four Lessons for Filmmakers from Julian Rosefeldt’s Manifesto
Throughout December, perhaps the best film showing in New York wasn’t in a theater at all but in a Civil War-era equine drill hall. Julian Rosefeldt’s Manifesto, a multiscreen installation starring Cate Blanchett in twelve different roles, closed its stay at the Park Avenue Armory last week. A single-screen linear version will reach a broader audience at Sundance next week, prompting me to reflect on the (presumed) differences between the two versions and what video artists and filmmakers of all stripes can learn from Rosefeldt’s latest work. First, a description. Manifesto takes its title and its text from the written manifestos of artists […]
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The Best VR of 2016: Arnaud Colinart and Amaury La Burthe on Notes on Blindness: Into Darkness
This year’s DOK Neuland, DOK Leipzig’s interactive component (housed in what resembled an intergalactic pop-up tent in the beautiful, wide open Markt) allowed me a second chance to experience what will surely go down as the best work of virtual reality seen widely in 2016. Fortuitously, I’d been able to catch Notes on Blindness: Into Darkness — the accolade garnering (Storyscapes Award at the Tribeca Film Festival, the Alternate Realities VR Award at Sheffield Doc/Fest) VR companion piece to Peter Middleton and James Spinney’s much heralded documentary — at the charming Savannah Film Festival’s VR Showcase just the week before. […]
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Watch The Way It Should Be, Snapchat Doc about Queer Women of Color, Today Only
Appearing today only on this “Now This” section of Snapchat is The Way it Should Be, a short (naturally) doc about love and friendship between queer women of color by Chanelle Aponte Pearson and Terence Nance. The second entry in POV Snapchat Films, The Way It Should Be can be watched in less than five minutes, and it’s perfectly conceived for Snapchat’s vertical video format. Swiping left takes you to an image page with a chapter heading graphic. Swiping up takes you to a minute or so of video content that ranges from talking head interviews to short, music-video style […]
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Feeling Empathetic through Virtual Reality at IFP Film Week
One focus of this year’s IFP Film Week is on the future of cinema in the form of Virtual Reality. A little background for those new to it: There are currently two ways of creating immersive worlds. The first wave and most common is spherical video, where you strap a bunch of cameras all together in an outward-facing circle. This approach has the familiarity of using cameras, but the viewer can’t physically move through the space — they’re akin to a locked-off tripod with a 360 swivel head, planted in one spot as characters and the world moves around them. […]
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Daniels’ Possibilia Explores the Possibilities of Interactivity
Billed as an “interactive love story set in the multiverse,” Possibilia, a short film from the dynamic writing/directing duo known as Daniels, tells the story of a couple (Alex Karpovsky and Zoe Jarman) on the verge of a break-up with 16 potential outcomes that are left to the viewer. The project, which screened at both Sundance, Tribeca, and other festivals back in 2014, now gets an online release over at Eko (previously Interlude), the interactive video creation platform. Like Daniels’ recent feature Swiss Army Man, Possibilia relies on humor to subvert the genre and push the conventions of the medium. Filmmaker recently […]
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Nine Years in Nine Minutes: The Guardian’s 6×9 VR Look at Solitary Confinement
One of the most powerful pieces at Tribeca’s Storyscapes program this year was a nine-minute evocation of the experience of solitary confinement produced by The Guardian. Now available for Google Cardboard or simply viewed as a web video on The Guardian‘s site, 6×9, directed by Lindsay Poulton and Francesca Panetta, is both a masterful exploration of VR’s promise as well as a penetrating look at the corrosive psychological effects of solitary confinement. Overused in the American prison system — to say nothing of being simply inhumane — solitary confinement becomes, as 6×9 succinctly demonstrates, a form of torture. On an […]
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Tribeca 2016: Exploring the Virtual Arcade
Tribeca is still a young festival — its fifteenth edition just wrapped last week — and though originally traditional films constituted its entire focus, soon transmedia, interactive work, and then virtual reality gained enough prominence that by 2016 they were as integral a part of the proceedings as the film screenings. This year more VR was on view than ever before at Storyscapes, the Interactive Playground, and the Virtual Arcade that together ran the length of the entire festival. By and large, the breadth and quality of the projects testify to the burgeoning craft of VR artists as the medium continues to […]
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Tribeca 2016: Making Guy Maddin’s Seances Interactive
Watching Guy Maddin and Evan Johnson’s latest work Seances feels both familiar and utterly strange. Born from the knowledge that over 80% of silent movies have been lost, Maddin and his collaborators at the NFB wanted to resurrect as many titles — both real and invented — as possible: first in 2012 in production sessions at the Centre Pompidou in Paris and the Phi Centre in Montreal that were open to the public, then last year in the feature film The Forbidden Room, and now in an interactive version called Seances that premiered at the Tribeca Film Festival’s Storyscapes event and is […]
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Tribeca 2016: Patrick Osborne on Winning an Oscar and his Animated VR Piece Pearl
Patrick Osborne came to national attention with his animated short Feast, a delightful film about a food-loving dog that screened with Disney’s Big Hero 6 and won the Academy Award for Best Animated Short for 2014. It dealt with family, loyalty, and growth and change over time, particularly the strain and eventual reward as new loved ones enter the circle of a previously cohesive relationship: it’s initially difficult for Winston, the dog, to accept his owner’s new girlfriend, but ultimately it is he who makes the decision to save the relationship and he enters a much wider and more loving world as a […]
