Actors
Interviews - Actors
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“People Assume That I am ‘Isabelle'”: Isabelle Huppert on the Metaphysical Desert Drama, Valley of Love
Playing divorced parents embarking on a strange journey into Death Valley, Isabelle Huppert and Gérard Depardieu bring an easy chemistry and rich shared experience to Guillaume Nicloux’s Valley of Love, opening today in the States from Strand. They both play famous actors, one a skeptic and one a life-after-death believer, yoked together on a road trip conceived by their son, who committed suicide in San Francisco several months earlier. He’s written them both letters and given them a map to seven locations, telling them in his posthumously received correspondence that he’ll appear to them at one of the stops. The premise […]
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“The Original Pitch Couldn’t Be Said in Less than a Thousand Words”: Robert Greene and Kate Lyn Sheil on Kate Plays Christine
After winning the Special Jury Prize in the U.S. Documentary Competition at Sundance, filmmaker Robert Greene and actress Kate Lyn Sheil arrived in Berlin for their international premiere of Kate Plays Christine. Of the 44 titles slated in Berlinale’s Forum, Greene’s documentary is one of only three American films to have been selected to screen. The film is described as a documentary, but the nature of the project has a complicated and multi-layered explanation. On one level, the film follows Kate preparing for a role, but the character she must assume isn’t written in a script. She’s researching to play […]
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“The Vanity of Trans-People Versus the Humanity of Trans-People”: Sara Jordenö and Twiggy Pucci Garcon on KIKI
“One of my friends was killed over there,” says Christopher Waldorf, reflecting back to a scene from KIKI, the 66th Berlinale’s Teddy Award-winning documentary. In an early scene from the film, Waldorf is captured voguing down a dangerous street in Harlem. “The Trade are straight hood guys,” says Waldorf, explaining the threat of violence and harassment that the Trade inflicts on Voguers like himself. “The only reason we were able to joke around when we were filming there,” chimes in another featured subject in the film, Gia Marie Love, “is because we were with white people.” First-time documentary filmmaker Sara […]
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Ely Dagher on Blending Animation, Photography and Video in Sundance Short Waves ’98
Winner of the Palme d’Or for Best Short Film at the 2015 Cannes Film Festival, Waves ’98 is the debut film from writer/director/animator Ely Dagher. The film is set in Beirut – Dagher’s hometown – and concerns a young man who becomes isolated from reality. Filmmaker spoke with Dagher about the film’s blend of video footage, still photography and animation. The Sundance Film Festival presented Waves ’98 in 2016 as part of its Animation Spotlight shorts program. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being […]
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Veteran Doc DP Robert Richman on the Direct Cinema Approach of HBO’s Suited
Veteran DP Robert Richman has shot more than 60 documentary films since 1985, including such heavyweights as An Inconvenient Truth, Waiting for ‘Superman’ and Metallica: Some Kind of Monster. His latest work is Suited, an HBO documentary produced by Lena Dunham. The film profiles Bindle & Keep, a tailoring company in Brooklyn that caters to an LGBTQ community. Richman speaks below about direct cinema, the Maysles brothers and why “pure verite films” are his favorite kind to shoot. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being […]
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Mathieu Amalric on My Golden Days
I spoke with Arnaud while he was here for the festival. One of the things he talked about is that he’ll model things for you, that he’ll show you where to touch your nose or how to grab a glass. He’s very specific when he’s blocking. It’s very good. He said that that’s something that you’re not supposed to do when directing actors. Were you the one who asked him to do that for you, initially? Oh, he does that for himself, to find all the characters. He plays all the characters, especially women, extraordinarily well. It’s impressive. He’s such […]
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Hitchcock, Chaplin, Lions and Sexism: Tippi Hedren at the Viennale
When I meet Tippi Hedren in Vienna, we’re with a handful of other journalists for nearly an hour-long roundtable interview. There are less than ten of us, but after a series of interruptions, digressions, poking, and prodding, the pack feels more like an encroaching swarm. But Hedren is no stranger to this kind of journalistic interrogation. The recent Viennale programmed a tribute to her and invited Hedren from her home on the Shambala Preserve in California for her first visit to the capital of Austria. The animal rights activist also worked with both Alfred Hitchcock and Charlie Chaplin, so Hedren’s presence at […]
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“I Can’t Try to Be an Activist If People Don’t Know My Real Story”: Tangerine’s Mya Taylor
“I can’t keep beating around the bush because I’ll eventually run out of bushes to beat around,” sighs Mya Taylor. We’ve just spent 90 minutes together in her hotel room at the 59th London Film Festival. In that time, I don’t speak much, but when I do, I’m drawing parallels between Taylor and Marlon Brando. To be fair, I’d just seen Stevan Riley’s Listen to Me Marlon, so referencing some uncovered Brando philosophy from the documentary during my conversation with Taylor felt pertinent at the time. Mya Taylor is a black trans-woman born in 1991, so in retrospect, the comparison is pretty ridiculous. […]
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“We Basically Had Pianos Falling the Whole Time”: The Creative Team of MA at the Venice International Film Festival
With Celia Rowlson-Hall’s bold and original MA opening today in New York at the IFC Center, with wider digital distribution next month, we’re reposting Taylor Hess’s interview with the writer/director/star and her collaborators out of Venice. Check the IFC site for screenings and Q&A moderators, who include, tonight at 8:30 PM, Lena Dunham. Barefoot on a sandy shore of the Mediterranean coast, I’m only mildly bothered by the luxury cruise ships obstructing the horizon. It’s an otherwise picturesque pre-dusk afternoon in Venice, and I’m focused mostly on keeping up with Celia Rowlson-Hall, who sets an intimidating pace as we walk […]
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Stinking Heaven Actors Hannah Gross and Deragh Campbell
Filmmaker‘s Taylor Hess recently attended and reported on the U.S. in Progress series at the Champs-Élysées Film Festival. While there, she spoke to a number of female directors, producers and actresses. Below, her conversation with Hannah Gross and Deragh Campbell, who both appear in Nathan Silver’s Stinking Heaven. Filmmaker: I Used To be Darker was your first film together, and Deragh, your first time acting? Campbell: Right, I’m not trained. My college degree is in writing and my background is publishing and writing. In a lot of ways I look at acting as another way of interacting with material and […]
