Collaboration may well be Amy Seimetz’s favorite word. Some derivation of the noun weaves its way into the multihyphenate’s emphatic speech when discussing any facet of her decade long career. It’s how she found her footing, and how she has been able to surmount an impressive and far-reaching presence in independent film, and now, television. Seimetz began making films when she was 18, at home in the Tampa-St. Petersburg area, a place she frequently returns to in life and work. Following a short-lived tenure at film school, Seimetz made her way to Los Angeles, where she met the experimental filmmaker […]
While probably best known as belligerent barista Ray on the HBO show Girls (and also for his role as a lousy houseguest in Lena Dunham’s Tiny Furniture), Alex Karpovsky started out and continues to be a prolific indie film director who makes diverse styles of micro-budget films. His fourth and fifth films, the stylistically contrasting Rubberneck and Red Flag, are being released by Tribeca Film and screen at Film Society of Lincoln Center from February 22. In Rubberneck, Karpovsky plays a scientist obsessed with a former fling, and in the road trip comedy Red Flag he plays a filmmaker named Alex Karpovsky who is […]
Ever since the start of the Aughts, when he broke through in memorable dramas like Amores Perros and Y Tu Mamá También, Gael García Bernal has grown to become one of the most compelling actors of his generation, an international star who attracts a great bevy of gifted filmmakers. He’s played muse to Pedro Almodóvar, starred as Che Guevara for Walter Salles, and explored the subconscious with Michel Gondry. In addition to developing his own projects (like The Invisibles, a recent immigration-themed collection of documentary shorts; Sundance 2013 success Who Is Dayani Cristal?, a doc he appears in and co-produced; […]
The 2013 edition of the Palm Springs International Film Festival was filled with glitzy events and screenings, including a Talking Pictures sidebar featuring movies followed by conversations with noteworthy actors like Alan Cumming (discussing Any Day Now) and Naomi Watts (for The Impossible). But it was the closing night gala for Paul Andrew Williams’ Unfinished Song, starring Vanessa Redgrave as a cancer-stricken septuagenarian in an old folks choir, that really grabbed my attention. Actually, it wasn’t the film (which I haven’t seen) so much as the possibility of interviewing the actor playing Redgrave’s character’s devoted husband that made me stand […]
You’re most likely to know Rashida Jones as part of the great cast of the award-winning TV series Parks and Recreation (though she says she’s often recognized for her small role in Freaks & Geeks), but Jones is more than just a talented performer. She’s a dynamic and versatile artist alternating between acting and writing (not just for the screen either!), and in the case of last year’s Celeste & Jesse Forever, both. Her first screenwriting credit has acquired a lot of notice, and we were able to pick her brain a little in the midst of her success, which […]
New York-based Deborah Twiss burst on the scene as the co-writer and star of the 1997 thriller, A Gun for Jennifer. The film achieved cult success in the U.S. and abroad, and since then Twiss has built a diverse career by juggling multiple hats. For Eric Schaeffer’s After Fall, Winter, she co-produced and acted. For School of Rock: Zombie Etiquette, she starred and wrote. She wrote and directed her own feature, In Between, in 2005, and she also regularly appears in both mainstream movies (Kick-Ass) and television (Law and Order). Now she’s producing and wrote the screenplay for a psychological […]
It’s unlikely that anyone had a more schizophrenic Sundance this past January than Tim Heidecker. The 36-year old actor and filmmaker attended the festival with two projects – Tim and Eric’s Billion Dollar Movie, the feature-length culmination of his and longtime collaborator Eric Wareheim’s cult absurdist comedy TV series Tim and Eric Awesome Show, Great Job!, and the ironically named The Comedy, a dark drama from filmmaker Rick Alverson (New Jerusalem). And as both films have rolled out over the past year, Heidecker has had to juggle dueling personae – zany comedic curmudgeon and dramatic leading man. In The Comedy, […]
While other A-List actresses have chased the kind of star vehicles that kill on opening weekend, Nicole Kidman has been quietly becoming Hollywood’s most unlikely rebel—a statuesque leading lady with a snowballing penchant for bold auteur partnerships. It’s hard to pinpoint when, exactly, the gal from Days of Thunder began her metamorphosis into the daring muse currently drawing viewers to The Paperboy (above), but many would likely cite Gus Van Sant’s To Die For as the pivotal work in Kidman’s filmography. The sheer unlikeability of the delusional, cradle-robbing viper Suzanne Stone screams of Tinseltown-bombshell repellant, but Kidman executed the role […]
Sarah Megan Thomas recently returned to her hometown of Haverford, Pennsylvania, with a script and a camera crew in tow, to shoot her screenwriting debut Backwards, which she also produced and stars in. Thomas plays competitive rower Abi Brooks who, after she fails to win a seat on the US Olympic boat, must steer her life in a new direction, ultimately landing a coaching job for the rowing team at her old high school. Just as in rowing, Abi has to look backwards — to old places and ex-boyfriends — in order to move forward, with her sport and her […]
No one can say actor/musician Ryan O’Nan didn’t pull his weight in his directorial debut, Brooklyn Brothers Beat The Best, which makes its theatrical debut on September 21 via Oscilloscope Laboratories. Besides directing, writing, and starring in the film, O’Nan wrote and sang most of the songs on the soundtrack (album out 9/18 on ATCO Records). A 2011 IFP Narrative Labs project that premiered at Toronto last year, Brooklyn Brothers is the story of two ne’er-do-well musicians who make an unlikely alliance, embarking on the kind of quixotic journey that’s tailor-made for a buddy movie. But O’Nan’s film finds itself […]