Directors
Interviews - Directors
-
“The Movie Industry Doesn’t Have Any Etiquette, Just Fear”: Director Nathan Silver on Thirst Street and Making Eight Features in Eight Years
Nathan Silver has made eight films in eight years. That doesn’t include other shorts he’s written or executive produced. For anyone not in the business of film, that might seem standard. For anyone who is, it’s wildly impressive, especially taking into consideration the inclusion of pre-production time, when a script is written, money is raised and all the frustrating puzzle pieces of building a team have to fall into place. Silver’s latest film, Thirst Street, centers on Gina (Lindsay Burdge), an American flight attendant who becomes entwined in a toxic obsession. After landing in Paris, she falls for Jerome (Damien […]
-
Personal Doesn’t Mean Small: IFP Week Filmmakers On Tackling Big Issues With Intimate Stories
“I think we have this profound misrepresentation around personal films being small,” said Cecilia Aldarondo, one of three filmmakers of personal docs who spoke at IFP Week 2017. The panel was called “When the Personal Gets Political and the Political Gets Personal.” In the case of all three filmmakers’ films, they’re both. “I’ve gotten so many responses from potential funders of people who think that way. They hear ‘personal’ and they hear ‘small.’ They think it won’t have an audience. With these projects, I think we’ve demonstrated that’s not the case. If we’re dealing with questions of social change and […]
-
Five Questions for Stronger Director David Gordon Green
David Gordon Green finds it difficult to focus on one type of project at any given time, and as a result, frustrates his agents in working out how to market him. But the Arkansas-born, South Carolina-based writer/ director, whose diverse filmography includes early aughts independent standouts like All The Real Girls and George Washington as well as mainstream hits like Pineapple Express, is okay with that — so long as he is aggressively working on projects that he is both passionate about and that challenge him. Opening today in theaters is his modestly-budgeted drama Stronger, which depicts the true story […]
-
“Find a Small, Possibly Unsexy Job You Can Do Well”: At IFP Week, Directors and Producers on Getting Started in Indie Film
So you’ve made a film. Congrats, but you’re not out of the woodwork yet. You may never be. The four filmmakers and one producer who appeared on the IFP Week panel called “On Working (and Staying) in Indie Film Today” had vastly different stories to tell about how they turned movie-making into an actual job. The biggest name on the panel was Gillian Robespierre. Having directed and co-written the indie hits Obvious Child and this summer’s Landline, she has more stability than most in her field, having parlayed those successes into TV work on top of a future making her […]
-
Who Gets to Tell Whose Story?: IFP Week Filmmakers and Funders Talk the Politics of Representation in 2017
When Kathryn Bigelow’s Detroit came out this summer, some charged that it shouldn’t have been made by Kathryn Bigelow. Critics, including rogerebert.com’s Angelica Jade Bastien, felt that the story — about ten Black civilians (and two Caucasians) tortured and, in some cases, killed by racist white cops during the 1967 Detroit riots — should have been told by Black filmmakers. These commentators argued that Bigelow and her screenwriter Mark Boal, both white, not only lacked the perspective to get the events right; they also ran the risk of aestheticizing suffering and the destruction of Black bodies. This is not a new […]
-
IFP Week: Sean Baker and the Safdie Brothers on How To Film Inside Working Businesses
If you’re a filmmaker, it may seem like the city is your playground. It’s not. Everything costs money. Every public space you want to shoot in requires permits and insurance. It all requires planning, hard work, negotiations, or simply lots of pleading. One issue that’s cropped up in multiple talks during IFP Week has been this: What do you do when you want to shoot in a place of business? How do you get a bodega owner or a restauranteur or the owners of a giant mall in Flushing to let you run around with cast and crew, even though […]
-
Directors Josh and Benny Safdie and Cinematographer Sean Price Williams Talk Shooting Good Time in NYC on 35mm at IFP Week
Directors Josh and Benny Safdie and cinematographer Sean Price Williams go way back. Their latest collaboration, the crime thriller Good Time, is the trio’s fourth joint effort. They’re not only used to each other; they’ve also been through some real shit. The Safdies love to work rough and tumble, filming most of their movies — including Daddy Longlegs and Heaven Knows What, both shot by Williams – on the streets and apartments of New York, feeding off and bottling up the city’s uniquely chaotic energy. For Good Time, they even dragged a big name, Robert Pattinson, along for the ride. To get […]
-
“I Don’t Want To Kill a Medium”: Director Sean Baker Talks The Florida Project and iPhones at IFP Week
Sean Baker is amazed some people still think he’s a new filmmaker. That implies that he’s young. On the contrary. “I’m old,” Baker remarked during his talk at IFP Week 2017. (Or at least he’s 46.) Back in 2015, Tangerine put him on the map. And it was shot on an iPhone 5S, which made him seem like some millennial who’d never even heard of a Bolex. As it happens, Tangerine was his fifth film. The others weren’t obscure; Four Letter Words, Take Out, Prince of Broadway and Starlet were all acclaimed. (He also spent years as the co-creator of […]
-
“Create Something That Is Undeniable”: Director Dee Rees Talks Mudbound And Life After Pariah at IFP Week
The highpoint of Dee Rees’ IFP Week appearance was a complete surprise. There to discuss her latest feature, the Sundance fave Mudbound (hitting theaters and Netflix on Nov. 17) with Buzzfeed film critic Alison Willmore, the Pariah filmmaker waxed nostalgic over one of the films that most inspired her to take up the craft: Sugar Cane Alley, Euzhan Palcy’s 1983 César-winner about life in a small village in Martinique during the 1930s. Rees’ mother had it on VHS when she was a kid, and she would watch it over and over again. “That was before I understood what a director did,” […]
-
“Find Your Tribe”: Moonlight Director Barry Jenkins and Producer Adele Romanski Give Advice at IFP Week
Barry Jenkins and Adele Romanski know what IFP Week is like. They know what it’s like to pitch a passion project. They even know what it’s like when time — in Jenkin’s case, several years — elapses between features. When the writer/director and producer, respectively, of Moonlight swung by this year’s Filmmaker Talks day at IFP Week, it was a kind of victory lap. After all, their last film together took home three Oscars, including Best Picture, on top of a towering pile of other accolades. But they used their talk with moderator Scott Macaulay, Filmmaker‘s Editor-in-Chief, to remember when life was […]
