Interviews
Interviews
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TFI Sandbox Relaunches
A year and a half ago the Tribeca Film Institute launched the TFI Sandbox, an online resource for documentary transmedia projects with connections to the New Media Fund and other real-world resources. Since then the Sandbox has helped produce some amazing work, such as Elaine McMillion Sheldon’s Hollow, and last week the site received an upgrade, which you can check out here. The new Sandbox, essentially a more robust version of the previous iteration, features everything from introductory information for those just testing the waters of interactive nonfiction to specific funding, technology, and festival/distribution resources for those at work on […]
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Hope for Film Author Ted Hope on Life, Independent Film and Systems Reboots
Ted Hope — producer, Good Machine co-founder, and now CEO of Fandor — is no tongue-tied wallflower in the independent film community. Indeed, his passionate commentary, counsel and editorializing on topics ranging from net neutrality to making better films to a “systems reboot” of the independent film economy seem to be everywhere these days. But while his website, Twitter account and frequent speeches at industry events may make it seem that his opinions have been enabled — or at least turbo-charged — by this current social media age, he has, in fact, been lobbing list-driven rhetorical broadsides for years. (Don’t […]
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Ten Lessons on Filmmaking from David Lynch
After 25 years, the wait is over for Twin Peaks fans. David Lynch and Mark Frost have announced a return to the mythical town coming in 2016 to Showtime. The show is often credited for having paved the way for the golden age of television today, when many TV programs rival cinema for compelling stories. Through the episodic medium of television, Lynch was able to create a multi-layered world full of rich stories, diving deep into the lives of its characters. The season will pick up in the present day and bring back many of the show’s iconic roles. Shortly […]
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“Stanley Begged Us Never to Talk About Him”: On Making Barry Lyndon
15 years after his death at the age of 70, director Stanley Kubrick remains more than ever a figure of admiration, fascination, and curiosity – and the pleasure his work provides seems, at this point, to be as infinite as the universe depicted in the final act of his 1968 masterpiece 2001: A Space Odyssey. A secretive and private director during his lifetime (though nowhere near the recluse he was largely reputed to be by the international film press), in death Kubrick’s process has steadily become more and more transparent, with a growing number of books, articles, and documentaries devoted […]
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Bridging Ford and Antonioni with Jack Nicholson: Monte Hellman on The Shooting and Ride in the Whirlwind
In July of 1964, director Monte Hellman and actor Jack Nicholson went to the Philippines to shoot two war movies back to back: Flight to Fury, which Nicholson also wrote, and Back Door to Hell. By June of 1965, Hellman and Nicholson had shot two more movies, the Westerns The Shooting (written by future Five Easy Pieces scribe Carole Eastman under the pseudonym Adrien Joyce) and Ride in the Whirlwind (scripted by Nicholson). Four movies in twelve months, and not one of them shows any sense of a director straining against limitations of time and money. To the contrary, The Shooting is a flat-out masterpiece, a […]
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Five Questions with Monsieur Le President Director Victoria Campbell
World premiering tonight at DOC NYC is Monsieur Le President, the sophomore feature documentary from New York-based visual artist and filmmaker Victoria Campbell. In 2010, Campbell and a friend travelled to Haiti to volunteer after that country’s devastating earthquake. There she met Gaston Jean Edy, a voodoo priest, and returned over three years to film a doc that tracks both his efforts to start a local medical clinic as well as her own complicated friendship with her subject. Below, Campbell and I talk about the complications of that relationship, filming in disaster zones and one shared favorite movie. Filmmaker: Tell […]
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Five Questions for Sex and Broadcasting Director Tim K. Smith
The title Sex and Broadcasting may be a grabber, but I doubt any listener of WFMU — and, over the years, there have undoubtedly been millions — needs the hint of salaciousness to tune in to a documentary about the country’s preeminent long-running free form radio station. Indeed, the URL of the film’s website — WFMUtheMovie — might just suffice. In a landscape of Clear Channel-produced corporate playlists, WFMU’s rambunctious, highly personal and often deeply weird deejays continue to offer not just a palette for the ears but an inspiring and enduring vision of independent media. Longtime documentary editor Tim […]
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“We Have to Make a Creepy Movie in These Woods”: Director Josephine Decker and DP Ashley Connor
Since premiering at the Berlin International Film Festival in February, Butter on the Latch and Thou Wast Mild & Lovely, the remarkably assured debut feature-length films from Josephine Decker (one of the 25 New Faces of Film of 2013), have received much praise and bewilderment throughout their international festival circuit run. It speaks to Thou Wast‘s uncategorizable nature that it played at the celebrity-touted AFI Fest, the indie stalwart BAMcinemaFest, and the heavily-genre-oriented Fantasia International Film Festival. Experimental narratives with an intense focus on the frightening extremes of sexuality, the musically-inclined films feature a remarkable blend of both visual and literary poetry; everyone from Onur Tukel to […]
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“It’s Such a Weird Story”: Bennett Miller on Foxcatcher
When I wrote about Bennett Miller’s Foxcatcher a couple of months ago after seeing it at the Telluride Film Festival, I called it “extraordinary… a subtle yet extremely unnerving examination of how family, class, and competition inform and are informed by the American dream.” There’s always a little danger in writing about a movie in the heat of film festival hysteria, as one can easily overrate (or underrate) a film under the pressure of weighing in with an immediate opinion. In the time since Telluride, however, my admiration for Foxcatcher has only grown upon reflection; the supremely confident restraint of Miller’s visual style and the psychologically and […]
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“Women Directors are One More Problem We Don’t Need”: Joan Micklin Silver on Chilly Scenes of Winter
Released in 1975, Joan Micklin Silver’s feature debut Hester Street is the story of immigrant Jews assimilating with various degrees of success to turn-of-the-century New York City. She followed with two contemporary works: 1977’s Boston alt-paper story Between the Lines and 1979’s Chilly Scenes of Winter. The latter is set to screen tomorrow at NYC’s IFC Center as part of the “Celluloid Dreams” series, whose premise would not have made sense in the very recent pre-DCP past: it aims to show repertory cinema on 35mm. Chilly Scenes is based on Ann Beattie’s first novel, which primarily concerns itself with Charles (John Heard) and his deathless, […]
