Sundance Features
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Women of Sundance: The Foxy Merkins
“How elaborate is the camera?” The Foxy Merkins director Madeleine Olnek texted me as I was walking to photograph her with her female laden crew at Columbus Circle. “We would like to stage ourselves being hit by a cab,” she explained simply and obviously. As it happened, a few months prior to making The Foxy Merkins, a film about lesbian hookers, Olnek was in a taxi driven by a woman named Debbie. They got to talking and Debbie threw out the “If you ever need an [insert random gender, race, or career here]” phrase filmmakers always get. In Debbie’s case it […]
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Interview with Low Down Writer Amy Albany
Filmmaker: Why this movie? Why did you decide to do it? Albany: The genesis of the movie was a memoir I wrote 10 years ago about growing up in 1970’s Hollywood with my dad who was a talented jazz pianist, and a diehard junkie. Albert Berger & Ron Yerxa of Bona Fide Productions came to my first ever book signing, at Book Soup. Albert said they thought Low Down should be a movie. I thought somebody had put them up to it – you know, as a joke. I checked them out, found out they were legit, to say the least! […]
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Editing & Music: An Interview with Three Editors at the Sundance Film Festival
Music in cinema continually captivates audiences. Scores and soundtracks can become as renowned as a film itself and play a large part in an audience’s emotional engagement with a movie. Awards are distributed honoring Best Original Song, Best Original Music Score, Best Film Music, and Best Music Direction at multiple film festivals and award ceremonies. But music has also always been a fascinating subject for movies as well. Struggling musicians to sensational bands, and everyone in between, have been captured in film. The Sundance Film Festival is often the first venue at which these movies premiere, and this year is […]
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Interview with The Skeleton Twins and War Story D.P. Reed Morano, ASC
When you meet cinematographer Reed Morano, ASC, you immediately start to think of cultivating ways you could maybe become a little cooler, because she seems to do life – in general – so well. For our photoshoot, Morano invited me over to her home in Brooklyn, which she shares with her husband and two young sons, who are five and three. Her apartment is cozy and magically extends outside into an unusually large Narnia-esque garden, replete with a swing set and slide for her kids to play on. Her kids are like calm, respectful, independent yet obedient unicorns: “We just […]
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Interview with Imperial Dreams Producer Katherine Fairfax Wright
Filmmaker: Why this movie? Why did you decide to do it? Fairfax Wright: I guess the most apparent reason behind me producing Imperial Dreams was that the director Malik Vitthal is one of my closest friends and I was eager to help bring his vision through to fruition. When we first met a few years back at LAFF, he mentioned that he was working on a script set in the Imperial Courts housing project in Watts. It piqued my interest because it’s the same housing project that I had spent quite a bit of time at during elementary school. My […]
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Interview with E-TEAM D.P. Rachel Beth Anderson
Filmmaker: Why this movie? Why did you decide to do it? Anderson: For me shooting for this film was a fast YES after learning about the E-Team concept, and knowing I would be working in Syria with Human Rights Watch. I had recently witnessed HRW in action while filming during the Egyptian and Libyan uprisings and respected the quality of their work. It had been difficult to watch the devastating situation in Syria unfold from affair, but with this film I knew I would be in safest hands possible smuggling across the border with an HRW team. Filmmaker: How much of your […]
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Creating Memphis and Ping Pong Summer: An Interview with Production Designer Bart Mangrum
This is not production designer Bart Mangrum’s first movie at the Sundance Film Festival. He designed Septien (2011, directed by Michael Tully) and I Used To Be Darker (2013, directed by Matt Porterfield), and was both an on-set dresser and extra in Stoker (2012, directed by Chan-wook Park). But this is the first time Mangrum has been at Sundance as the production designer of two feature films screening in the same category. Mangrum was born and raised in Nashville, Tennessee, and still lives there. His father ignited his enthusiasm for art by teaching him how to draw during church around […]
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Interview with Fed Up Director Stephanie Soechtig
Filmmaker: Why this movie? Why did you decide to do it? Soechtig: The original idea for the film was actually Katie’s (Couric). She liked the way my last film (Tapped) took the issue of bottled water and tied it to so many bigger issues (chemicals in plastic, plastic pollution, the global water crisis) and she thought the childhood obesity epidemic could use the same approach. I was a bit apprehensive at first — haven’t we heard all there is to know about childhood obesity? But as I dug in to the story I discovered we have really only scratched the surface. […]
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Five Questions with Kumiko, The Treasure Hunter Directors David & Nathan Zellner
David and Nathan Zellner are longtime stalwarts of the Sundance Film Festival, and the American microbudget film scene in general, carving out a niche for themselves over the last decade-plus as purveyors of a uniquely strange brand of Americana. Their feature work (including 2012’s haunting Kid-Thing) and their idiosyncratic and unforgettable shorts (Sasquatch Birth Journal 2, don’t worry, lives up to its title) have long found the Zellners fascinated with contemporary American folklore and fairy tales, and their newest film, Kumiko, The Treasure Hunter, is no exception. Based on the true story of a Japanese woman who traveled from Tokyo […]
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Interview with Hellion Director Kat Candler
Filmmaker: Why this movie? Why did you decide to do it? Candler: Hellion started as a short film that played Sundance in 2012. The original story for the short came from a story my Uncle Frank would tell at family gatherings. When Frank was little, he and my two other Uncles set fire to my grandfather’s jeep. What happened when my grandfather came home to discover the destruction was the nugget of a story I fictionalized into Hellion. When we wrapped the short over the summer of 2011, I wanted to continue to live with these characters … a single blue-collar […]
