Filmmaking
Filmmaking
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Judd Ehrlich on Magic Camp
There is a camp for everything. Dance, wrestling, Jesus — you name it, your kid can camp it. In Judd Ehrlich’s charming Magic Camp, the kids have no desire to be the next LeBron James or Sidney Crosby, however; they want to be like one of the Davids, Blaine or Copperfield. Held each summer in Bryn Mawr, PA, Tannen’s Magic Camp, a spinoff of the famed Gotham magic store, teaches teenagers, mostly boys, the fine art of making a rabbit disappear into their ear or a wand suddenly appear in their hand. You think it’s difficult to saw someone in half? Just […]
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Which Camera for Which Genre? Five Questions for D.P. Timur Civan
As an undergrad at NYU, Timur Civan studied sculpture before moving into video. “I became really interested in video because I was able to bring time into my sculptural work,” he says. Civan has produced a wide variety of work, from short films, music videos, and corporate videos, to commercials and documentaries. He recently DP’d Vincent Laforet’s intro for the M?VI digital 3-axis gyro-stabilized camera gimbal. He has an affinity for experimenting with unusual gear, and finding new in-camera effects. Civan spoke to us briefly at a recent presentation he gave at Rule Boston Camera: Filmmaker: How did you first get […]
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Making the Movie Was Easy, Crowdfunding Is Hard
Making the movie was easy, crowdfunding is hard. Ok, that’s a ridiculous oversimplification, but not completely untrue. I’m currently in the midst of a crowdfunding campaign to raise post-production funds for my first feature film, Sidewalk Traffic (a comedy/drama about a struggling filmmaker and new father in post-Great Recession NYC), which I wrote, co-produced and directed this past winter. Realizing the lifelong ambition of directing my first feature film meant making a substantial financial investment (though well short of what an MFA at an elite film school costs), informing my wife and two young daughters that I would be for all […]
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Adobe Software Moves to the Cloud: What Users Need to Know
Adobe Creative Cloud, the latest update to the Adobe application suite of programs, was released last week. This release marks a major change for Adobe away from a “purchase” model to a subscription model; if you want the latest versions of their applications you must now pay a monthly fee to use the software. You can license an individual application for $20 a month, or the whole suite for $50 a month. Clearly, even if you think you only need After Effects and Premiere Pro, you might as well spring for the whole set, and if you have a previous […]
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Going Digital in the Desert: Currents 2013 New Media Festival
Perhaps the one word that best describes the Currents New Media Festival, an annual event hosting an international array of artists that steams into Santa Fe for the last half of June, is “overwhelming.” This year cutting edge-curious New Mexicans and tourists alike are being treated to futuristic video installations and interactive artwork, art-apps and animation, multimedia performances and experimental documentaries (including Denis Côté’s disturbing study in the banality of human evil towards animals, Bestiaire) – all taking place inside El Museo Cultural, a cavernous warehouse in the Railyard District. Then there are the satellite happenings. Digital Dome screenings – […]
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Filmmaker Print Subscriptions Now Include iPad, Digital Access
A yearly subscription to the print edition of Filmmaker magazine now includes our iPad edition as well as full access to our digital archives — all for $18. That’s the short version of the recent changes we’ve made for subscribers. The slightly longer version, for those interested in how we’re conceiving of Filmmaker across our various platforms, follows. If you’re a regular reader of this site, you’ll have recognized that we’ve effectively created multiple editions of Filmmaker. Our website contains new, original content every day, and this content is mostly not contained in the print magazine. In fact, if you […]
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On Indiegogo: Mitch McCabe’s Make Me Normal
The body and mind — filmmaker Mitch McCabe tackled the former in her excellent HBO documentary, Youth Knows No Pain, which looked at the plastic surgery industry and America’s fixation on staying young. Now, she says, she’s “pointing the camera in the opposite direction, at our internal selves.” Make Me Normal is her film about the mental health industry. From her website: MAKE ME NORMAL is a feature-length documentary film exploring recent controversies in the psychiatry field, the rise of diagnosed mental illness, psychopharmacology and our new definition of “normal”— all set against the backdrop of the filmmaker’s own roll-coaster […]
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Russell Harbaugh at the Sundance Directors Lab
Writer/director Russell Harbaugh is currently at the Sundance Directors Lab this month with his feature version of Rolling on the Floor Laughing, his short which premiered at the Sundance Film Festival 2012. (You can watch the short below.) The following is what Harbaugh wrote about his experiences at the Lab. Another round of advisors arrived to the mountain yesterday, Sunday, our “off” day, and now it’s Monday — Monday night — and our third week of production has begun and I’m feeling that feeling of, like, oh no, they are going to know. They are going to know. Someone in […]
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13 Ways to Cast A-List Actors in Microbudget Films
My film Between Us is about to come out in theaters and one of the questions I’ve been asked at some of the 22 festivals in seven countries I’ve been to (and yes, that sound you hear is my feet splashing on the beach when I won the Grand Jury Prize in the Bahamas) is how the hell I got a cast like Julia Stiles, Taye Diggs, Melissa George and David Harbour in a movie that according to Kickstarter only cost $10,000? So let me explain… 1. Choose Castable Material. One reason I chose to adapt an Off-Broadway play in […]
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This Film Was Made For You and Me: Thoughts from the IFP Narrative Lab
In my office hangs a blue and green woodblock poster that features an image of Woody Guthrie and a lot of hand-carved text. The text is a quote — an exhortation, really — adapted from Born To Win, Guthrie’s autobiography, about why he writes songs and who his audience is. I’ve had this poster as long as I’ve been making films, and — not coincidentally — that poster’s been on my mind for the last week while I had the honor of workshopping my debut feature, Something, Anything, through the first week of IFP’s Narrative Lab. Throughout the week, our […]
