Filmmaking
Filmmaking
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Jason Brush and Michel Reilhac Discuss the Second Screen and New Interactive Cinema at SXSW
Two of the events I was most looking forward to seeing this year at SXSW Interactive were Jason Brush’s talk, Filmmaking as User Experience and Michel Reilhac’s “Meet the Insiders” panel, “Storytelling + Interactive.” Brush teaches at UCLA’s Department of Film, Television and Visual Media and is Executive Vice President of Creative & UX at POSSIBLE. Reilhac, who I have written about before at Filmmaker, is an independent transmedia director, story writer and consultant, and one of the most passionate and eloquent voices for new forms of interactive storytelling. Unfortunately, as is often the case at SXSW, once I put […]
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Color Grading A Glimpse Inside the Mind of Charles Swan III, Part 2: Chris Martin on the Art of the Post-Grade
In this second part on the color grading of the movie A Glimpse Inside the Mind of Charles Swan III, Chris Martin of SPY describes his work to complete the final grade, the workflow, and the color look of the picture. Chris is a senior colorist at SPY, a post house in San Francisco that does both commercial and narrative feature work. SPY is a visual effects house, but they also have their own DI theater. SPY has been owned by FotoKem since 2009. The first half of the grading process is described in: Color Grading A Glimpse Inside the […]
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10 Lessons on Filmmaking from Director Ken Loach
Few filmmakers bring to life social issues as vividly as Ken Loach. Whether helming grand historical dramas about family, love and civil war (The Wind That Shakes the Barley, Land and Freedom) or character-driven films detailing the plight of the working class (Kes, Riff-Raff, Sweet Sixteen, Bread and Roses) Loach is a master of creating universal stories that are immensely relatable regardless of time or place. His latest effort, a documentary, The Spirit of ’45, which had its world premiere at this year’s Berlinale, continues the grand tradition with a story as relevant today as it was over half a […]
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Trailer Watch: A Journal of Insomnia
One of the Storyscapes projects I’m looking forward to at this year’s Tribeca Film Festival is A Journal of Insomnia, an “interactive fresco” combining confessions from insomniacs the world over and gathered since 2012. The “unique nocturnal premiere” happens April 18. From the press release: The original idea for the project comes from Hugues Sweeney, Executive Producer of NFB French Program’s Digital Studio in Montreal. Hugues explains that, “This is not a traditional Web documentary. It is a genuine attempt to push the boundaries of the genre by merging art and design with technology and social media, to create a […]
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Color Grading A Glimpse Inside the Mind of Charles Swan III, Part 1: Ryan Bozajian on the Art of the Pre-Grade
Like most motion pictures, Roman Coppola’s latest film, A Glimpse Inside the Mind of Charles Swan III was color graded in a DI theater at a post house. Unlike many films, this final grading only took two days; extensive “pre-grading” was done using Resolve Lite at American Zoetrope’s own facilities, while the final grade was performed at SPY using the full version of Resolve. With color grading taking place in two facilities and by two people, the facilities had to work together to calibrate equipment and create a consistent workflow. In part 1 of this series, VFX artist Ryan Bozajian […]
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Tugg Co-Founder Nicolas Gonda on Curators, Brand Ambassadors and Artist Entrepreneurship
Celebrating its first anniversary at SXSW 2013 was Tugg, the web-based, theatrical-on-demand platform that allows movie fans to create their own theatrical events while also providing exhibition opportunities for both studio and indie films. The company used SXSW to launch its new website, which offers greater analytics tools for event promoters, and co-founder Nicolas Gonda was on hand to talk up some of Tugg’s recent milestones. Those include the theatrical run of Honor Flight, a doc about World War 2 veterans that, according to Tugg, scored 56% of its total theatrical box-office via the platform. After a limited theatrical run […]
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Meet the Latest SFFS/KRF Filmmaking Grant Finalists (Part 1)
Last year on the Filmmaker website, we ran a series of pieces in which we profiled a group of finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking grant, run through the organization’s Filmmaker360 program. Now there’s a new set of finalists, and we are once again putting the spotlight on all those shortlisted for the grant. JOSEF WLADYKA, MANOS SUCIAS Synopsis: A desperate fisherman and a naive young man embark on a dangerous journey trafficking drugs up the Pacific coast of Colombia. Hidden beneath the waves, they tow a narco-torpedo filled with millions of dollars worth of cocaine. Together they […]
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At CPAC, Republicans Rev Up Conservative Cinema
The winner of the 2012 Academy Award for Best Documentary Feature was Searching for Sugar Man, directed by Malik Bendjelloul and produced by Simon Chinn. Released in July 2012, it grossed $3,536,058 in box office sales. By year-end 2012, the other four finalists took in a total of $1,724,657. This breaks down as follows: The Gatekeepers, director Dror Moreh and produced by Philippa Kowarsky and Estelle Fialon ($1,418,694); How to Survive a Plague, directed by David France and produced by Howard Gertler ($132,055); 5 Broken Cameras, co-directed by Emad Burnat and Guy Davidi ($101,940); and The Invisible War, directed by Kirby […]
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Sidewalk Traffic: Interview with D.P. Dave Kruta
The last time we spoke to David Kruta [DP David Kruta on Shooting the Movie Concussion], he’d just finished DP’ing the independent movie Concussion, which was directed by Stacie Passon. Concussion went on to become an official selection at the 2013 Sundance Film Festival and has secured a distribution deal with The Weinstein Company’s TWC_RADiUS division. Kruta recently talked to us about his latest project, Sidewalk Traffic. Principal photography just ended, and the movie will probably be completed by the end of the year. Filmmaker: What is Sidewalk Traffic? Kruta: Sidewalk Traffic is Anthony Fisher’s first feature film; he’s a […]
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FilmAid Launches Multimedia Doc, Dadaab Stories
Dadaab lies in eastern Kenya, not far from the Somali border. The area hosts the largest complex of refugee camps in the world, with over 474,000 people, primarily Somalis, living in the combined Dadaab and Alinjugur camps, making it larger than Atlanta, Miami, Oakland, or New Orleans. The sheer size of the camp makes life difficult, causing most residents to stay there long-term as well; the camp has just turned 20, and many children have never lived anywhere else. According to the United Nations High Commissioner for Refugees, events in Somalia since 2011 have forced many more people across the […]
