Here’s a little preview from Bomb It 2 from one of my favorite artists and a totally amazing person. It was such a pleasure to meet Stormie Mills in Perth, which is so far out of the way it’s kind of crazy. Stormie told me that Perth is actually one of the most remote cities in the world, especially from the US or Europe. I was able to meet him because I was invited to attend Perth to screen Bomb It and conduct a workshop for filmmakers at the Revelation Film Festival there. I was in Europe at the time, […]
Digital disruption is restructuring the media industries. New production, distribution and display technologies shook up publishing (including newspapers, books and magazines), records and home video/DVDs. The cable industry’s day of reckoning may be at hand. A series of disquieting developments in the cable industry have been accumulating. Over the last decade, basic subscribers have declined by nearly 16 percent, to 56.4 million in 2012 from 66.9 million in 2001. Consumer viewing habits are changing, with many either abandoning or supplementing their fixed TV set with new devices and multi-screen viewing. More and more households are turning to the Internet for […]
This article originally appeared in our Summer, 2013 issue. With substantial revenue (sometimes well above 50 percent) coming from exploitation outside of a film’s home country, it is vital that producers know how to target and then structure deals with foreign sales agents. For those beginning to explore international distribution, here are some very basic ideas and concepts about the business of foreign sales to know going in. What is an international sales agent? In simplest terms, an international sales agent is the conduit to your film’s distribution outside of its country of origin. The sales agent will acquire a […]
As some of you may know by now, I am running a Kickstarter campaign for my new film Bomb It 2, which is the follow up to my global graffiti and street art documentary Bomb It. I have consulted on a number of campaigns, but never run one of my own, and I wanted to experience the complete process for myself. I am now personally more obsessed with checking for new backers when I wake up (and every 10 minutes) but what I found to be one of the hardest things to do is to make my own crowdfunding appeal […]
Less than three months since she premiered her documentary, Aatsinki: The Story of Arctic Cowboys, at the Tribeca Film Festival, Jessica Oreck is both on the road and back with new work. This Working Man is a web project combining video portraiture, travel, and crowdsourced curation. From the project’s website: This Working Man is a series of short portraits of men at work. It is about practiced motion, kinetic movement, bodies, and forms. It is about a particular type of man: exceedingly capable, strong, confident, and diligent. The project is a search for humble masculinity and an unapologetic admittance of […]
A year ago next week Filmmaker audiences met for the first time writer/director Ryan Coogler, as we featured him in our 2012 “25 New Faces” list. Here’s my profile: Ryan Coogler remembers the first moment it occurred to him to become a film director. Having grown up in Oakland, Coogler was on a football scholarship to Saint Mary’s College in Moraga, Calif., where he had to take a creative writing class. The assignment was to write about a personal experience, and Coogler wrote about the time his father almost bled to death in his arms. He handed it in, and […]
Yesterday, the Sundance Institute announced the 29 documentary projects that have been selected to receive in total $550,000 worth of grant money from its Documentary Film Program and Fund. A lot of these are for projects in development by emerging filmmakers, but in there are also some films by more established names such as Jesse Moss (Full Battle Rattle), Lucia Small and Ed Pincus (The Axe in the Attic) and Ashley Sabin and David Redmon, who received audience engagement money for their 2011 doc Girl Model. In a press release, Cara Mertes, the Director of the Sundance Institute Documentary Film Program […]
Every mouse-stroke you make, every search query you use, is being recorded, one way or another, usually by powerful and insidious entities who have no incentive not to sell this information to the highest bidder. Its exchange for copious storage on your web-based email service, and cloud-empowered music players that allow you to play Gil Scott-Heron records, long out of print, night and day, comes a cost that is pervasive and hidden. Your privacy. Oh, and a tremendous amount of monetary value that you likely never knew you created. Shucks. Cullen Hoback’s thoughtful and, in the age of Snowden, all […]
With all the recent focus on crowdfunding, filmmakers shouldn’t forget about more traditional sources of funding, such as grants. Over the course of the summer are a number of grant deadlines for filmmakers seeking all stages of financing. Chicken & Egg Pictures First up is the late deadline, this Friday, for Chicken and Egg Pictures’ 2013 Open Call. From the site: “Chicken & Egg Pictures is dedicated to supporting women nonfiction filmmakers whose diverse voices and dynamic storytelling have the power to catalyze change, at home and around the globe.” This year’s average grant will be between $10,000 and $15,000, […]
Nathan Silver’s second feature Exit Elena opens at the reRun Theater this coming Friday, but the prolific Silver has already premiered his third feature, Soft in the Head, on the festival circuit and has just wrapped production on his fourth, entitled Simian. Below is a photo blog written by Silver, Simian‘s producer and co-writer Chloe Domont and Cody Stokes, the film’s co-writer, cinematographer and editor. We just finished shooting Simian, a narrative feature that follows Robbie, a Norman Mailer wannabe who takes refuge at a makeshift home for pregnant teens. The idyllic backdrop of the Hudson Valley seems to be […]