Filmmaking
Filmmaking
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How to Find a Great Composer for Your Film
The following is a guest post, presented by ASCAP Composer Spotlight, by Alex Steyermark, the director of The 78 Project, Losers Take All, One Last Thing and Prey For Rock & Roll. Steyermark has also worked as a music supervisor and music producer for such people as Ang Lee and Spike Lee, and is a member of the Columbia University Faculty, running the ASCAP/Columbia University Film Scoring Workshop. Dogme Manifesto and current filmmaking trends notwithstanding, if you’ve decided that music is something you want for your film, and you’re at that point in your production where your musical needs are […]
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Tangerine Entertainment Announces “Juice Fund” to Support Women Directors
Tangerine Entertainment, Anne Hubbell and Amy Hobby’s start-up production company focusing on women directors, has announced the Juice Fund, “a donation-based initiative focused on changing the landscape for women filmmakers.” The Juice Fund’s financing will be crowdsourced. Those interested in Tangerine’s goal of supporting women directors and increasing their presence in the film industry can make tax-deductible donations via New York Women in Film and Television. From the press release: The initial $25,000 raise for the Juice Fund will be used to instigate concrete change in three ways: Rewarding – Ten participating U.S. festivals will present cash Juice Awards to […]
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Gordon Willis on Lighting Marlon Brando in The Godfather
Gordon Willis is one of the truly great cinematographers of the second half of the 20th century, the man responsible for shooting everything from Woody Allen’s Manhattan and Francis Ford Coppola’s The Godfather to such lesser-known (but also brilliantly lensed) movies such as Hal Ashby’s The Landlord and Alan Arkin’s Little Murders. In the second of our ongoing series of exclusive Craft Truck videos, Willis talks about the approach he took to lighting Marlon Brando in the iconic opening scene of The Godfather.
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How to Option a Book for Film Adaptation
The following is a guest post by veteran entertainment attorney Robert Zipser. It originally appeared on his official website. “In the motion picture business, nothing is more important than rights.” –Prominent Business Affairs Executive Hollywood has loved books ever since the days of silent films. It always will. Sometimes you will hear grumblings from studio executives and producers that acquiring motion picture and television rights to books costs too much. They vow to cut back on it. Pay no attention to this babbling. Hollywood’s love for books will endure for two simple reasons: First, books offer built-in wonderfully developed stories with fascinating plots and […]
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How Google Search Drives Moviegoing
When I sit down with a filmmaker to discuss their latest project I almost always discover that in their rush to build an audience and leverage the power of social they have completely forgotten about search. This baffles me — you only have to look to your own browsing habits to know that the major search engines are the portal through which most of us experience the web. Google collects untold amounts of data about our search habits and viewing patterns as we use their sites. They then take this enormous sea of data and analyze it to try and establish links between […]
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40 Days of Dating
40 Days of Dating is a reality-based web piece documenting two good friends’ attempt to get to the bottom of their relationship issues by dating each other for 40 days — and documenting it online. The site is cleverly designed, with gorgeous title treatments for each day, and reports from both — Jessica Walsh and Timothy Goodman (both designers, ‘natch) — laid out side by side. Interspersed throughout are photos, little videos, etc. Rules include: the two have to see each other every day; no dating or sex with anyone else; and the 40 days have to include at least […]
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Karen Schmeer Film Editing Fellowship Announces Open Call
The Karen Schmeer Film Editing Fellowship has announced an Open Call for its 2014 Fellow. In addition to a cash award of $1,000, the Fellowship provides an emerging documentary film editor with mentorship and support from both an established editor as well as a number of film organizations, including Manhattan Edit Workshop and SXSW. The Fellowship honors the career and life of Karen Schmeer, an acclaimed editor who worked on a number of classic films, including many by Errol Morris. She was struck and killed by a car fleeing a robbery on the Upper West Side of New York City […]
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Indiegogo: Ann Marie Bryan on The Shattered Mind
Ann Marie Bryan is the writer-producer-director of the upcoming film, The Shattered Mind, which is currently in postproduction. She’s raising finishing funds for her film so she can submit to 2014 Sundance Film Festival. Filmmaker invited her to write a guest blog about her film and the campaign, and she submitted the following, in interview form. To learn more and/on contribute, visit the project’s IndieGoGo page: Support The Shattered Mind on IndieGoGo. Q: What is The Shattered Mind about? A: The Shattered Mind, based in New York, is a psychodrama and surreal story about a hard-of-hearing teenager who juggles family, […]
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Andrew Ellard on Writing for Film and Television
This is the first of a three-part series on the independent horror film AfterDeath, which is currently in post-production. The first part is an interview with writer Andrew Ellard, while the following parts will feature an interview with producer and co-director Gez Medinger. In school, Andrew Ellard thought he wanted to be a cartoonist, but it took a long time and a “not very successful A-level art” for him to realize that he actually couldn’t draw. This led him to a second revelation; that he wanted to tell stories — he’d just picked the wrong medium. After finishing school, Ellard […]
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Screenwriter Nick Antosca on Getting In and Getting Out
Writer Nick Antosca was a guest recently on the Other People podcast, and, along with discussion of his literary practice and new short story collection The Girlfriend Game, he talked about screenwriting. Antosca writes film and television scripts with writing partner Ned Vizzini (It’s Kind of a Funny Story), and offers good advice on transitioning from fiction to screenwriting and breaking into television. Towards the end of the conversation Antosca, currently a writer on the NBC show Believe, speaks about how his fiction has changed as a result of screenwriting, citing one specific screenplay maxim: get into scenes late and […]
