Filmmaking
Filmmaking
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Fruitvale Station D.P. Rachel Morrison
“She was an incredible collaborator,” says Ryan Coogler of his Fruitvale Station d.p., Rachel Morrison, in Ava DuVernay’s cover story on the writer/director this issue. “She’s very tough,” he continues. “On your first glance of her, you know she has edge. You know she’s somebody who will bust her butt to get the shot. But as you get to really know her and some of the things she’s been through in her life, she’s just this big ball of emotion on the inside. Once she’s set on fire by a story there’s just no stopping her.” Selected after a recommendation […]
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The Essential Guide to Webfests
Compared to film festivals, webfests — “film” festivals geared specifically toward web series (like Mission Backup Earth, pictured above) and other online videos — are definitely the new kids on the block, but they’re fast coming to fill the role for web video that names like Venice and Cannes did for film decades ago. And they’re springing up much faster — 10 of the thirteen events described below are premiering in 2013 or ’14 — making it appropriate to survey what’s out there, how filmmakers can get their content shown and who’s eligible. TO WebFest (Toronto): Announced Tuesday by the Independent […]
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Irregular Warfare: Marketing Snow On Tha Bluff
Snow On Tha Bluff is a film that I produced that illuminates Atlanta’s forgotten neighborhood, The Bluff, known for its violent crime, heroin market and extreme poverty. The film follows real-life criminal Curtis Snow as he robs drug dealers and attempts to provide for his child. The most controversial element of our film is that some of the footage is real while other scenes are staged. After our films are in the can, we as filmmakers are met with the daunting task of marketing our work. Our eyes are met with a towering cascade of media everyday, and, for any […]
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Nenad Cicin-Sain on The Time Being
In Nenad Cicin-Sain’s moody debut feature, The Time Being, Frank Langella plays Warner, a wealthy art patron who after buying a painting at an art gallery hires the financially strapped artist behind the work (Wes Bentley) to do odd, artistically tinged jobs for him. Daniel, a dedicated painter who’s dour work isn’t exactly flying off the walls, struggles to support his family — to the increasing annoyance of his wife Olivia (Ahna O’Reilly). He is drawn to the reclusive and mysterious millionaire as a potential new benefactor, but when Warner’s assignments for Daniel become increasingly bizarre surveillance excursions, Daniel senses that he may […]
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Short Takes: The Role of The Short in Modern Filmmaking
Why make a short film? At Short Takes, a recent panel discussion co-presented by IFP and DCTV, the answers varied with each pass of the microphone. The participating panelists — Terence Nance, Dustin Guy Defa, Lauren Wolkstein, Ryan Koo, and Jeremiah Zagar — reflected upon prior efforts to offer a unique, holistic picture into the business and practice of short filmmaking. Koo, who recently revealed Amateur, a short prequel to his debut feature Manchild, said that he viewed the format as a calling card, a means to entice both the industry and a larger audience. Nance and Wolkstein, on the […]
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Indie Game: The Movie Filmmakers Announce New Special Edition
Lisanne Pajot and James Swirsky, directors of Indie Game: The Movie, are not only skilled filmmakers but also very savvy businesspeople. They chose to self-distribute their film rather than sell themselves short by giving it away to a distributor, and did a brilliant job of connecting with their audience and maximizing the potential of their product. (You can read their evolved thinking on self-distribution in a Filmmaker article they penned earlier this year.) Now the pair say they have reached “the end of a life-changing, 3-year odyssey” of Indie Game with the just-announced the release of a Special Edition, which […]
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The POV Conversation: Stephen Maing and Lixin Fan on the Importance of Unpredictability
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing — whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is currently streaming for free on the POV website — with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the third of this five-part discussion, the two filmmakers discuss how unforeseeable circumstances have contributed to their documentary films. […]
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“The Past is Never Past,” but the Faulkner/Midnight in Paris Lawsuit Is.
One of the most vexing and unanticipated problems facing independent filmmakers involves realizing that brief, seemingly incidental references — a song lyric, the quoting of a movie character, or referencing a line from a novel — are actually copyrighted materials requiring clearance. Yes, there is what’s known as Fair Use — a doctrine allowing selective quotation of copyrighted works. But Fair Use is most often used in documentary and less so in fiction works. But a recent court ruling involving a William Faulkner line quoted in Woody Allen’s Midnight in Paris offers hope to filmmakers. This problem of quote clearance […]
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Five Questions with Man from Reno Director Dave Boyle
Since his 2006 debut, director and multi-hyphenate Dave Boyle has arguably carved out the most unique niche in independent film. That film, Big Dreams Little Tokyo, and his subsequent pictures White on Rice (2009), Surrogate Valentine (2011), and Daylight Savings (2012) have featured a mix of Japanese and Japanese-American characters in polyglot films that combine quirky comedy with high-strung drama. The latter two films added a semi-documentary element as musician Goh Nakamura plays a fictionalized version of himself. Now with Man from Reno Boyle retains several of his signature traits but moves in the new direction of a thriller. The film […]
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Errol Morris Lets Loose on The Act of Killing Controversy
Banging away on Twitter, does Errol Morris have a point? Or does he just need another scotch and water? Friday night, respected filmmaker Errol Morris fired off two quick tweets. Morris and Werner Herzog are the executive producers of The Act of Killing, which had its New York theatrical opening on Friday. In Friday night’s tweets Morris seemed annoyed and confused — actually, pissed and baffled. The two tweets were posted at 10:51 and 10:53 (EST): errolmorris @errolmorris Tired of hearing people complain that “The Act of Killing” does not provide enough background, historical context, etc. errolmorris @errolmorris Hey, read a book. Wait, aren’t […]
