Filmmaking
Filmmaking
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Watch “25 New Face” Julia Pott’s Awesome New Short The Event
When I interviewed Julia Pott a few months back for her “25 New Faces” profile, she told me about the new film she was working on, a short about love and the apocalypse, based on a poem, which she had been commissioned to make by Channel 4. The Event, part of the Random Acts series, is Pott at her best, with her fierce imagination, beautiful hand-drawn animation and tragicomic sensibility colliding to make something really special. The Event from Julia Pott on Vimeo.
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Five Questions with Fred Won’t Move Out Director Richard Ledes
In Fred Won’t Move Out, writer/director Richard Ledes digs into one of American film’s most fertile fields by tapping the improvisational abilities of Elliott Gould. Ledes last directed Gould for the 2008 corporate-crime thriller The Caller, but when he decided to do a smaller, more personal story inspired by his own family, Ledes turned once more to the veteran actor’s versatile skills. The impetus for the film came from the director’s own experience with his aging, infirm parents and their inability to maintain their lives in the house where Ledes had grown up. The characters were inspired by the members […]
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Grouping Films at The New York Film Festival
Grouping is an excellent organizing tool during a film festival — mapping the films and intimating their relationships. The only problem is that, for the reader, you run the risk of relinquishing the element of surprise. Take, for example, Our Children (pictured above), a New York Film Festival main slater by Belgian director Joahim Lafosse. (The original French title is A Perdre la Raison.) It was not invited to Toronto, which has at least ten times the number of films as the New York Film Festival. What differentiates Our Children from the other selections? The most obvious is fragmentation. Short […]
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A Look Back at Independent Film Week
It often feels as though a solid 75% of film industry members that I meet in New York have filtered through the IFP at some point; as a long ago employee, intern, or volunteer, or as a patron of the film market, which has gone by various aliases over the years. These days it falls under the umbrella of Independent Film Week, which I had the opportunity to attend this year as my film Remote Area Medical—which my partner Jeff and I are deep in the process of editing—was accepted into the Spotlight on Documentaries section. As I proudly told […]
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Bringing Dead Zoo to Life
A few years ago, I made a feature documentary about rock posters, Died Young Stayed Pretty, which premiered at SXSW Film Festival. Cartoonist Ward Sutton did a great 12-panel comic strip review of the film in the Village Voice, and Filmmaker Magazine did an awesome interview. My new film, Dead Zoo, is finally off the ground, after six years of sweaty script development and countless hours with amazing collaborators like Oscar-nominated character developer Julianna Kolakis (District 9), 2D animator Philip Piaget and musician Com Truise. Dead Zoo is inspired by recent conversations revolving around the merging of the body with machines — a prosthetic love story about what it means to be human, and what […]
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Is Creative Work Only for the Privileged?
J. Maureen Henderson at Forbes asks a question for these times: “Are Creative Careers Now Exclusively Reserved for the Privileged?” She primarily refers to writing and publishing jobs, but her question applies to the film world too. Henderson’s piece quotes from another by writer Alexandra Kimball, who writes at Hazlitt about breaking into publishing… when you can’t afford to be an intern. From Kimball: To be a writer in this market requires not only money, but a concept of “work” that is most easily gained from privilege. It requires a sense of entitlement, the ability to network and self-promote without […]
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Narrowing the Gap at Fantastic Fest 2012
As a filmmaker, I find myself more and more impressed with the indie game-making community. They’re supportive of their own at a level I wish we filmmakers were and they’re constantly innovating new ways of distribution. Because of this, it’s become a little quest of mine to learn more about indie game-making and how it overlaps with indie filmmaking. How are they similar, how are they different, and what can each hopefully learn from the other? One place where the filmmaking and game-making ley lines intersect is Fantastic Fest. It’s one of the biggest genre film festivals in the US and […]
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What’s So Controversial About Beasts and the SAG Awards?
I’m a little perplexed by the mini-controversy that has erupted over the Screen Actors Guild determination that the actors in Benh Zeitlin’s Beasts of the Southern Wild are ineligible to receive Screen Actors Guild Awards because the film was not made under a SAG contract. (In other words, the film did not employ professional actors.) From Scott Feinberg in the Hollywood Reporter: Director Benh Zeitlin, out of financial necessity (he had a budget of just $1.3 million) and a desire for the greatest possible sense of authenticity (his film revolves around eccentric characters who populate a remote part of America’s […]
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Matt Damon, David O. Russell and Jeff Skoll to be Honored at Gothams
The Independent Filmmaker Project (IFP) announced today that Matt Damon, David O. Russell and Jeff Skoll will be presented with career tributes at the 22nd Annual Gotham Independent Film Awards™ on Monday, November 26th at Cipriani Wall Street, in New York City. These honorees also represent some of the most highly anticipated films of 2012 including: Promised Land from Focus Features (co-starring and co-written by Matt Damon and John Krasinski and directed by Gus Van Sant, produced by Participant Media); and the upcoming Weinstein Co. release Silver Linings Playbook (directed by David O. Russell and featuring Bradley Cooper and Jennifer Lawrence). “It is with pride and […]
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Half the Sky & Social Documentary Transmedia
One of the most intriguing things about transmedia when compared to traditional film, particularly documentary, is that through its multiple entry points and interactive experiences it has the potential to more fully engage viewers in causes. It doesn’t just inspire people to action, in other words; at its best, it gives them the tools and initial opportunities to take action then and there. Such is the case with Half the Sky, a four-hour film and transmedia property that airs in two parts tonight and tomorrow on PBS. In fact, it may be possible that Half the Sky is the most […]
