Transmedia
Filmmaking - Transmedia
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Anagram Creators May Abdalla and Amy Rose on Door into the Dark
The best work I saw at this year’s Tribeca Film Festival wasn’t a film at all. It was, instead, a lovely piece of conceptual counterprogramming in Tribeca’s Storyscapes section, Door into the Dark. An immersive theater piece by May Abdalla and Amy Rose of the U.K.-based company Anagram, Door into the Dark wasn’t positioned by curator Ingrid Kopp against the films in the festival. Rather, by including Door into the Dark within a program largely dominated by Oculus Rift VR work, Kopp used Door in the Dark‘s simply generated yet expansive mindscapes as a way of setting a high bar […]
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Beyond London: Alastair Roberts of the Royal Opera House on Live Cinema Broadcasts
One useful maxim in the ever-changing world of theatrical distribution is that transforming your cinematic screenings into a one-time events will help drive people to your film. Likewise, theaters are searching for ways to make their products stand out in a world flooded with easily available content. Among the many solutions to these dual problems is the live broadcast of events to theaters — plays, concerts, and any other type of live performances. Stage productions are obviously among the top purveyors of these broadcasts: the Metropolitan Opera in New York and the National Theatre in London both regularly show their productions in cinemas, […]
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The Promise and Realities of Creating Immersive Media Projects — Best Practices: A StoryCode Report
The following report on five pioneering immersive media projects — a report detailing their viewership, audience engagement and creators’ best practices — appears on Filmmaker courtesy of StoryCode, where it is crossposted. Anyone creating immersive media has run into a similar challenge: people outside of the creators’ bubble are not exactly sure what you mean by “immersive”, “interactive”, or “transmedia” experiences. Producers of this new form of media often get questions like: Where is the business model? What are the audience numbers like? How engaged are users/what is the impact? Doesn’t this just distract us from good storytelling? This article […]
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transmediale 2015: Erica Scourti, Banks of Body Parts and Body Scan
Since 1988 transmediale has been one of Europe’s premiere events for showcasing transmedia and technology for art and narrative and nonfiction storytelling. Director Kristoffer Gansing (who spoke with Filmmaker last year) and his team continue to assemble cutting-edge films, installations, performances, workshops, and other events, turning the House of World Cultures in Berlin into a hub for all things new media. I spoke with a number of artists who presented video-based pieces at the festival. Erica Scourti (seen above in an image from another project) is an Athens-born, London-based artist focusing on video art and, increasingly, Internet-centered artwork; as she describes below, her work gradually transformed […]
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transmediale 2015: Nicolas Maigret, BitTorrent and The Pirate Cinema
Since 1988 transmediale has been one of Europe’s premiere events for showcasing transmedia and technology for art and narrative and nonfiction storytelling. Director Kristoffer Gansing (who spoke with Filmmaker last year) and his team continue to assemble cutting-edge films, installations, performances, workshops, and other events, turning the House of World Cultures in Berlin into a hub for all things new media. It ran last week, and I spoke with a number of artists who presented video-based pieces at the festival. Nicolas Maigret is a French artist who has been active since 2001. His work explores the internal functioning of media like the Internet by making its processes — […]
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Miami 2.0: Transmedia at FilmGate Interactive
Part conference, part festival – and packed with live events, workshops, parties, and even a “Tech Playground” – FilmGate Interactive uniquely combines cutting edge storytelling with a laidback Miami Beach vibe. I must admit, after reading my colleague Randy Astle’s fascinating interview with FilmGate Interactive founder and executive director Diliana Alexander, my mind’s bar was set high for this young transmedia fest, but this three-year-old event still managed to exceed my expectations and then some. Along with an enthusiastic grassroots team, producer/programmer Alexander — a world traveling Bulgarian and recent Miami transplant — has an uncanny knack for making FilmGate […]
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Transmedia in Miami: Diliana Alexander on FilmGate Interactive
It seems that everywhere you look these days festivals and conferences for new media are springing up, and one of the fastest growing is Miami’s FilmGate Interactive, running this year from February 1-8. Now in its third year, FilmGate has already hosted numerous screenings, presentations, workshops, and works-in-progress. One of last year’s presenters, Jake Price, showed an early version of his new project The Invisible Season, about the Japanese tsunami and nuclear accident, that went on to screen at the New York Film Festival. Other past presenters have included POV Interactive and the NFB, and this year individuals like Murmur’s Mike […]
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transmediale 2015: Vicki Bennett and Citation City
Since 1988 transmediale has been one of Europe’s premiere events for showcasing transmedia and technology for art and narrative and nonfiction storytelling. Director Kristoffer Gansing (who spoke with Filmmaker last year) and his team continue to assemble cutting-edge films, installations, performances, workshops, and other events, turning the House of World Cultures in Berlin into a hub for all things new media. It runs this week from January 28 through February 1, and I spoke with a number of artists who are presenting video-based pieces at the festival. British artist Vicki Bennett has been working under the name People Like Us since […]
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“I See It More as a Visual Poem”: Animator Glen Keane on the Interactive Film Duet
Glen Keane made me want to make movies. As a head animator at Disney from the 1970s until just a few years ago, when he left to create his own company, Keane created iconic characters like Ariel, Aladdin, and Tarzan, plus gorgeously drawn animals like the bear in The Fox and the Hound and the eagle Marahute in The Rescuers Down Under. But what held me spellbound was the moment when the Beast — his character — and James Baxter’s Belle walked into the computer-animated ballroom during the title song of Beauty and the Beast: I’d never seen anything like that before, and I […]
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Miranda July and Carrie Brownstein Promise a Somebody App That “Works”
Regarding her eccentrically beautiful messaging app Somebody, Miranda July has posted this video with Carrie Brownstein about its v.2. “Over the next few months we will be making Somebody 2.0,” she writes. “It’s just like Somebody 1.0 but it works.” If you don’t know about Somebody, it’s an iOS app (Android coming, says July in this video) that allows you to send a communication to someone via a nearby third party, who delivers that message in person. Still confused? Well, Somebody was the subject of a new podcast, Reply All — the second from podcasting startup Gimlet Media. Watch above […]
